Archive for April, 2012

What Do You Read Before You Sleep?

By Jenny Bullough, Manager of Digital Content for Harlequin and Carina Press, occasional insomniac and dedicated bedtime reader.

A terrible thing happened to me the other night. I was reading in bed, as I always do, when the light-and-fluffy historical novel I was reading suddenly turned bleak and depressing for a minor, secondary character (and I mean REALLY depressing, like young-child’s-pregnant-mother-raped-and-killed, child-suddenly-orphaned-and-sent-to-the-workhouse depressing). I kept reading for a while, hoping that things would start to improve so I could turn off my ereader, but things just got worse and worse!

Bedtime is just about the only quiet, uninterrupted reading time I get in an average day, but more than that, I need to read in bed before I go to sleep. It’s the only way I can gently turn my brain away from thinking about the day’s worries so I can fall asleep and sleep soundly. If I don’t read, I get insomnia from thinking too much. Did I send that email or is it still in my drafts folder? Did I remember to lock the back door? Is that my daughter coughing? Is she getting sick? Maybe I should make a doctor’s appointment…

But if what I’m reading before I turn off the light is in any way scary or sad, the whole system breaks down. Instead of gently lulling my brain into a pre-sleep state of relaxation, the stress of reading about characters under duress kicks everything into high gear. What if that cough is an early sign of something more serious? What would I do if someone broke into the house? What was that noise?? Not exactly rational thoughts, and definitely not conducive to a good night’s sleep.

What’s ideal bedtime reading for me is contemporary romance, historical romance, or erotic romance. Genres where I know the characters are not likely to be in mortal or physical danger, where the only palpable threat is the possibility of a (temporarily) broken heart, where I know things will work out okay.

Although even within these genres, if the emotional stakes are too high, I will keep reading until I come to a satisfying stopping place. Which is partly why I’ve been known to read late into the night – sometimes the book is just too good to put down, and sometimes, I just have to keep going until things get better.

When things started to go downhill for this poor kid in the historical, I had to stop reading it – but I couldn’t go to sleep with THAT being the last thing I read. Luckily, with two e-readers and a small paperback TBR pile on my bedside table, I was able to switch over to a palate-cleansing erotic romance. After just two and a half chapters, I was ready to turn off the light, and entertain some very enjoyable dreams ;)

What’s your ideal bedtime reading?

Darkest Caress: Magic In the Air

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View from the Baltic side of the Curionian Spit, Lithuania

Since I hate flying, I don’t travel very often. Thus, never in my wildest imaginings did I ever think I’d wind up visiting the Baltic States, but that’s exactly what I did in the fall of 2010. (See? Never say never, people.)

While in Lithuania touring the Curonian Spit and the spectacular seaside town of Nida where the Soviet Beaujolais liked to spend their summers, we learned about the local folklore and pagan tradition of the area. I was hooked.

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Devil sculpture, waiting to lure the unwary traveler. Hill of Witches, Lithuania.

During a tour of the Hill of Witches, I got shivers up my spine.

In the 1970s, sculptors completed a variety of wooden statues depicting local legends and set them in a very specific order on what used to be a pagan site of worship. Today visitors start out in the sunlight and walk up the ancient hill, moving through the forest amongst friendly sculptures of good witches and goddesses. Then the shadows close in. As you walk further up the hill and deeper into the darkness, suddenly devils and evil witches lurk everywhere. Once you pass the devil, shrouded in shadow at the pinnacle of the hill, you continue back down toward the sunlight where more friendly creatures await once more. The experience left quite an impression on me.

During this ethereal journey I swore I felt magic tremble in the air. That’s when the idea for this series first whispered to me.

Standing on that ancient, pagan site of worship, I listened raptly as our guide regaled tales of witches and devils, of mythological creatures and a powerful sea goddess named Neringa, who formed the Curionian Spit and it’s gigantic sand dunes by throwing sand from her apron, thus protecting the local fisherman from the fury of the Baltic Sea. Other things I learned that day were equally as fantastic. Though I normally write military romantic suspense, I just couldn’t ignore the story line for this series. It was too interesting and too powerful to set aside.

With a little encouragement I bit the bullet and sat down to dive into Darkest Caress. The best part was the world building, where I got to take these ancient legends and weave them into my modern day story. I hope you enjoy it!

For me, the setting of Nida and the Curonian Spit brought this series to life. What book settings have most impacted you as a reader? Leave a comment for a chance to win a digital copy of Darkest Caress.

Happy reading,

Kaylea Cross

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Blurb: Two-hundred-year-old Daegan Blackwell is one of the last remaining Empowered, an ancient magical race. Daegan’s duty is to lead and protect his remaining Brethren in the coming war foretold by prophecy. The last thing he expects is to meet the one woman who will either save or destroy him—his destined mate.

Fiercely independent Realtor Olivia Farrell believes darkly handsome Daegan is simply a prospective client. Until she’s attacked by a man with a strange aura—and Daegan fights him off, taking away her pain with just his touch. At first, Olivia refuses to believe she’s part of a magical race, yet mounting evidence and her powerful chemistry with Daegan are too strong to deny.

But as Daegan’s partner, Olivia becomes a target in the battle between good and evil that threatens her life, as well as the very existence of the Empowered. And the only one who can save her is the man claiming to be her destiny…

*Kaylea Cross writes edge-of-your-seat military romantic suspense and magical paranormal romance. For more information please visit her website, Twitter, or Facebook.*

Landscapes of a story

While researching the setting for DESERT BLADE, a near-future post-apocalyptic romance, I ran across something I’d never heard about before. Beneath the town of Leavenworth, Kansas, there’s an “underground city”. The recent rediscovery of it made some press, but on digging deeper, it turns out to be more like a series of a few connected basements. Possibly to hide escaped slaves or even fugitives. After all, Leavenworth was a part of the Wild West back in the day. Plenty of fugitives to go around.

Deciding the setting of a story is often a straightforward and automatic fit. Sometimes the landscape takes on a character of it’s own. Such is the case in Desert Blade. When creating a post-apocalyptic world, the setting is a crucial element. In the early stages, the attraction of an underground city took hold of my imagination. I pictured secret meetings. Hiding in the dark. I pulled on my experience walking through Underground Atlanta, which is an old underground train depot that’s now a mall. Then I found myself looking at malls in a new light. What might happen if an apocalyptic event happened and everyone in this mall, right now, became the only survivors for miles around? Or, maybe the subway. All the people riding in those cars go into them after work and come up to find the world changed? The setting would set the tone of the book and these setting lent a definite darkness to any story of survival.

But in the end, Desert Blade is about the land. The open spaces of the American mid-west. It’s about what happens when bio-engineered food crops go horribly wrong and the entire face of the United States is changed. Showing that story couldn’t happen underground. It needed to be out in the open and have a larger than life hero who needed all that space. And Derek is certainly larger than life.

Still, those landscapes keep living and evolving in the back of my mind and certainly may turn up in a future story. Because an underground city is such an enthralling concept for a story.

What landscapes have you seen that made you create a history or a future to fit it? Have you visited underground malls and created stories around what could have happened one hundred years ago on those same bricks now beneath your feet?

Desert Blade

In the post-apocalyptic Midwest, now a ravaged dust bowl, former guardsman Derek Covington must find help for a sick boy. With nothing but memories of all he lost, Derek crosses the desert alone in search of the doctor who saved his own life ten years ago. Drifter gangs who loot and pillage don’t dare come near, for Derek has a formidable weapon: a prosthetic arm with a deadly blade.

For a decade, Dr. Lidia Sullivan has fantasized about the handsome guardsman who’d been in her care. And now she can’t deny his dangerous request. But as they make the treacherous journey back to Old St. Louis, they must contend with much more than fierce desert winds and their unthinkable attraction. A fearless gang has spotted Lidia—a rare woman—and will fight Derek to the death to get her. And though he risks his life to save her for the sake of the child who needs her, she fears there’s one thing Derek will never risk: his heart.

Available from CarinaPress.com

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Ella Drake is a dark paranormal and science fiction romance author. You can find her on Twitter, Facebook, & Goodreads.

For more Science Fiction Romance from Ella, see her other releases from Carina Press: Silver Bound and Jaq’s Harp

Finding Romance in Everyday Life

Like many of us, I hit the ground running on Monday morning and don’t come up for air until Friday night. My days are a blur of work, chauffeuring, homework supervision, pet care, errands, cooking and laundry. (Mountains and mountains of laundry.) Usually my weekends are just as busy, too, what with birthday parties and family obligations and all those chores that never get done during the week.

I write in the evenings, once my kids are asleep, and often in the mornings, too, if I can haul myself out of bed early enough. Practically speaking, this often means I spend less time with my husband than any other member of the family, the dog and cat included.

So where does romance fit in? And how can a romance writer like myself find inspiration amid the craziness of everyday life? It took me a while to figure out the answer, mainly because it was so different from the larger-than-life scenarios that figure in my favorite books.

My husband has never rescued me from a burning building, a sinking ship or a blood-starved vampire. He has never nursed me back to health after I was struck down by cholera or consumption or childbed fever. Nor has he fought in hand-to-hand combat to defend my honor, although in all fairness he has studied martial arts for many years and I’m certain he could do so if necessary.

We’ve been married for ten years, and he’s never surprised me with flowers or jewelry, has never written me a poem, and has never whisked me off to Paris for the weekend. Ahem.

And yet…

When I was felled by the worst cold ever while working on the final round of edits for Improper Relations, he brought me mugs of tea and rubbed my back and took care of everything so I wouldn’t worry.

He encouraged me every step of the way when I decided I wanted to focus on writing, and he never stopped believing I would be successful one day, despite abundant proof (in the form of rejection letters) to the contrary.

When I told him that Angela James at Carina Press had phoned to say “yes” to Improper Relations, he was so overcome he could only say, “I’m so proud of you.”

And when our daughter was born, five years ago this spring, he waited until the baby was settled and the delivery room had quieted down and then he took my hands in his, kissed me, and looked me in the eye without saying a word. In that moment—the most romantic moment of my entire life—I knew without a doubt that he loved me, was proud of me, and would cherish me and our children forever.

It’s because of these moments (and countless others that I don’t dare mention because the poor man would likely curl up and expire of embarrassment) that I believe in romance. It may sound corny, but it’s true.

In this I know I’m not alone. We’re all searching for romance in our lives. Sometimes we find it in the pages of a book. Sometimes we find it in the quiet moments of our own lives.

And sometimes, if we’re really lucky, we get to write about it.

An editor by profession but an historian by inclination, Juliana Ross lives in Toronto, Canada, with her husband and young children. In her spare time she cooks for family and friends, makes slow inroads into her weed patch of a garden, and reads romance novels (the steamier the better) on her eReader.

You can find Juliana on her website, Goodreads, Twitter, Facebook and—her newest obsession—Pinterest .

You can buy Improper Relations through Carina, Amazon, Barnes and Noble and All Romance.

You Tell Us: Your Favorite Story Tropes

I don’t know about you guys, but when I read for leisure (yeah, do you hear me snorting? I hardly ever get time for that anymore *sobs*), I tend to be drawn to certain types of books. Certain tropes that time and again fulfill some…need in me. Here are a few of my favorites:

–friends to lovers. I can’t resist these kinds of stories. You know, like, the girl who had a crush on her brother’s bestie for years and years, and he saw her as nothing more than a friend…until one day, VA-VA-VOOM, suddenly she comes back into his life looking SMOKING hot and he’s all, holy crap. I’m an idiot for not seeing that before. lol

–sacrifice. I love stories where people sacrifice for someone they love. E.g., taking on extra work to support a very sick loved one. There’s something so powerful and moving about these types of stories, the way they showcase the generosity of the human spirit.

–chase scenes. This is where I humbly admit how very romance-crazy I am. I can’t quit those scenes at the end of books (or movies!) where someone is chasing after the other person to profess love, or to apologize, or propose or whatever. He takes a plane to find her. She hops in a cab for a race through downtown rush hour. It doesn’t matter. If there’s a race to beat the clock, I’m there, holding my breath in anticipation.

–handy-man characters. I don’t know why I love this, actually. But when there’s a man or woman who does craftwork (e.g., carpentry, metal work, sword-making, etc), I dig that. There’s something about that kind of talent that always draws me in.

Anyway, I could go on and ON… But now I want to hear from you! What beloved story tropes draw you back again and again?

The Importance of Misery

When I was a kid, I tortured my dad with difficult questions.

When Adam and Eve took a bite from the apple in the Garden of Eden…was that a metaphor for them having sex? How can Grandaddy be a Christian minister when he believes in evolution? And the big one that has plagued humanity for ages: Why must there be evil and misfortune in the world?

Now, my dad is the kind of person who’ll make a go at answering any question, but he had no struggle to answer this last question.

Evil and bad things happen so that we can appreciate the good in the world. How much would you love a sunny day if you’d never been cold in the rain? How incredible does your food taste when you are hungry?

I hated this answer when I was a kid. For rainy days and mild hunger, it was barely acceptable, but for hatred, despair, rejection, persecution, poverty, disease, war, torture—you know, big time suffering—it sucked. I figured I could appreciate good things just fine without knowing misery. And what about perpetrators of evil and misery? Were they supposed to get something valuable for having done bad?

As I’ve grown up and experienced a tiny bit of the hardships life has to offer, I’ve discovered that I do like to think the bad times make me more appreciative of the good e.g. experiences with minimum-wage jobs make my later careers paradisiacal, trying to slow the progress of my lung disease has made me rediscover dancing and rock climbing—activities I wouldn’t have made time for otherwise.

I attribute purpose to hardship in order to make a coherent narrative of my life, and most humans do this: we’re storytellers of our lives. We love stories, and those with extremes of elation and tragedy are the most beloved.

So maybe instead of: Why must there be misery in the world? I should ask: How can humans accept and make sense of misery in the world? And maybe one of the answers to this question is stories.

I’m pulled into stories in which the characters go through an intense range of human emotions and experience. In a book I recently edited, Rebecca Rogers Maher’s Snowbound with a Stranger, the heroine is mired in numb loneliness and the hero has intense tragedy in his past. Their joy in each other means so much more to me because of the darkness that has blanketed years of their lives.

I also love characters who’ve been bad themselves. In another book I recently edited, Dee J. Adams’s Dangerously Close, the rock-star hero was a dissolute womanizer. His clean-up and growth are a beautiful thing to experience. His force of will engenders admiration and hope in me, and I can see how doing bad might just give someone an enhanced understanding of good.

Another question I could ask is: Can there be empathy without suffering?

One of my favorite emotions to experience in a story is empathy: my empathy for a character, and the empathy one character feels for another. When a heroine feels fury at a wrong done to the hero, or when a hero is distraught over his inability to change a horror in the heroine’s past, or when the empathy comes from the realization of the pain one character has caused the other—these are the moments that get me choked up, and the scenes I reread later.

Empathy feeds the couple’s determination to make a good future together and makes me root for them. On another level, empathy gives me confidence in humanity. If we feel each others’ pain, maybe we can savor each others’ happiness more deeply, and maybe we will be less willing to inflict pain on others. While reading stories probably won’t end misery in the world—a decent portion of suffering isn’t even caused by human action—I do think stories improve us.

Has the suffering of a character ever made you profoundly empathic, possibly given you insight into something you haven’t experienced personally? Has the empathy between a hero and heroine ever stuck in your mind long after you finished the book?

North To Alaska!

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Alaska is a beautiful state. My family and I took a cruise up the coast of Alaska last summer, stopping in several ports, and loved every moment of it. The scenery is amazing!

I love to write about interesting and beautiful places and as I wrote NORTH OF HEARTBREAK, I fell in love with the state. I hope you’ll fall in love too.

Fascinating facts about Alaska:

• Juneau is the only state capital is the US with no road access.
• Alaska covers 586,412 sq. mi. – two and a half times larger than Texas.
• Alaska was purchased from Russia in 1867 for $7.2 million.
• The highest air temperature recorded in Alaska was 100 F at Fort Yukon in 1915. The lowest temperature, -80 F, was recorded at Prospect Creek Camp in 1971.
• Alaska is only 55 miles east of Russia.
• The Alaska Highway was built as a military supply road during WWII.
• In 1943 Japan invaded Alaska’s Aleutian Islands – starting the “1000 Mile War”. They occupied Agattu, Attu & Kiska.
• The “1000 Mile War” was the first battle fought on US soil since the Civil War.
• There are more than 3,000 rivers and 3 million lakes in Alaska.
• About 52 percent of Alaskans are male, the highest percentage of any state.
• Alaska State Sport: Dog Mushing.
• A 674 mile dogsled relay in 1925 brought diphtheria vaccine to Nome.
• The Iditarod is a dog-team race covering over 1000 miles.
• It takes the fastest dog-team between 9 & 12 days to travel the 1000+ mile Iditarod trail.
• Sled dogs are driven solely by verbal commands.
• Nearly one-third of Alaska lies within the Arctic Circle.
• Alaska’s coastline extends over 6,600 miles.

Share an interesting fact about your home state, province or country in the comments and you’ll be entered to win a free copy of NORTH OF HEARTBREAK!

You can buy North of Heartbreak as for your Nook or Kobo or for your Kindle

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Julie Rowe’s first career as a medical lab technologist in Canada took her to the North West Territories and northern Alberta, where she still resides. She loves to include medical details in her romance novels, but admits she’ll never be able to write about all her medical experiences because, “No one would believe them!” You can reach her at www.julieroweauthor.com , on Facebook at Julie Rowe or on Twitter @JulieRoweAuthor .

What Level of Risk Will You Accept?

I always struggle to find blog topics, but as I was getting ready to face this blank page, I thought about my title (Acceptable Risks) and from there it was pretty easy. Risks. Acceptability. Duh. :)

We all take risks every day of our lives. We run across a busy street, hoping we’ve timed it correctly and the driver of the car bearing down on us isn’t adjusting his radio. We sniff the week-old ham salad, shrug, and make a sandwich. We step into the shower, or answer the phone, or buy something on the Internet. Most of us find those acceptable, right?

How about some bigger ones? Telling someone you care about them is a pretty big risk. I remember, back in college, it was near the end of a summer internship at a nature center. I’d been sharing a house with a couple of brothers and two other women. We were sitting around a fire outside, and I said something like, “I believe in telling people how you feel about them.” Dave got this panicked look on his face, until I laughed and said, “Not like that!” I knew I’d probably never see him again and wanted him to know how much I’d enjoyed working with him.

But telling someone you care about them as more than a friend is a much bigger risk, especially if you’re not leaving forever.

My biggest risk recently was two weeks ago, when I had LASIK surgery. I’d considered it for years. I went to my first seminar in 1999. Number Two was only a few months old. I still had pregnancy and breastfeeding vision fluctuations, so I wasn’t eligible for the surgery at that time. Convenient! I was a little freaked by the blade slicing the cornea flap, and the brush constantly renewing the moisture on the eyeball (they don’t do that anymore).

So when my mother died in 2003 and left me a small life insurance payout, I decided it was better to buy a laptop and pay some bills than to get my eyeballs sliced. I mean, I make my living with my eyes! The risks, even back then, were so minimal. But I couldn’t overcome my fear.

I’m not sure why I decided, a few months ago, that the risks were acceptable. I told my husband we should get LASIK so we could stop paying for contacts, glasses, and exams. He said “You first.” So I went for it! I went through six weeks of glasses hell (I wore rigid gas permeable contacts, which mold the cornea more than soft ones do, and I had to be out of them for that long). I went through hours and hours of tests and measurements. And last Thursday, I did it! (I put full details on my blog here if anyone is curious.)

The payoff has been tremendous. I’m writing this four days after my procedure and my eyesight is fantastic. I ceremoniously chucked my contacts and donated my glasses to the Lion’s Club. I bought new sunglasses, and have an intimate relationship with artificial tears. :) And I am so. freaking. happy.

What about you? What kind of physical or emotional risks have you taken lately? Were they worth it? What level of risk would you find unacceptable? (I have swag! Leave your e-mail in the comments or e-mail me at natalie AT nataliedamschroder DOT com and I’ll mail you a little something! [While supplies last.])

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Buy Now

When security expert Jason Templeton’s team is ambushed while protecting a weapons manufacturer vital to U.S. interests, he risks his life to save the man’s daughter…and loses. Unbeknownst to Jason, his mentor had been funding experimental medical procedures after losing his young wife. Using the untested drugs, Jason is brought back to life, stronger and faster than before, but also vulnerable in new ways. He’s determined to find the traitor in their midst, who is after the miracle drug.

That means protecting the brilliant scientist Lark Madrassa. Their attraction and compatibility are undeniable, but Jason tries to deny his growing feelings for her, thinking he is too damaged. When Lark’s father is kidnapped they have to rely on each other in a dangerous plot to uncover the double agent. Before, Jason always accepted the risks—but what about when the life of the woman he loves is on the line?

4 stars from RT Book Reviews!

“Non-stop action, pulse-elevating romance and a fast pace keep this book flowing smoothly. Damschroder definitely knows how to write one sexy, saucy, exhilarating tale.”—Diane Morasco

You can learn more about Natalie and her books at her website, eHarlequin, Goodreads, Twitter, and Facebook. She blogs with four other obsessed passionate Supernatural fans at Supernatural Sisters, with a number of fantastic romance authors at Everybody Needs a Little Romance, and just to hear herself talk at Indulge Yourself.

Text Copyright © 2012 by Natalie J. Damschroder. Cover Art Copyright © 2012 by Harlequin Enterprises Limited. Permission to reproduce text granted by Harlequin Books S.A. Cover art used by arrangement with Harlequin Enterprises Limited. All rights reserved. ® and ™ are trademarks owned by Harlequin Enterprises Limited or its affiliated companies, used under license.

When you can’t afford to go there, pick up a book

I love to travel.  There’s something thrilling about researching a destination.  Booking a flight.  Making lists of thing to bring, and at long last, packing the suitcase.  The sleepless night before.  The anticipation of adventures that await when I step out of the airplane.

These days I have to budget carefully and only manage to take a big trip every couple of years.  Between times, I indulge my yen for new locales by writing books set there.   Want to spend Christmas in Savannah but can’t afford it?  Read a book set there.  Before you know it, you’ll be strolling beneath the live oaks and exploring one of the antebellum mansions spared during Sherman’s March To The Sea back in 1864.

I discovered all sorts of interesting things about Savannah while writing His Secret Temptation.  For example, did you know that Jingle Bells was written there in  the 1850s?  I found that tidbit intriguing because when I think of Savannah, Georgia, snow is not the first thing that comes to my mind.

So, until the bank balance rises high enough that I can afford to go sailing in Greece or spend a week in New York City, I’ll be daydreaming about ancient temples, skyscrapers and the men and women who fall in love there.

Blurb:  Who’s the sexy blonde stranger sleeping in Simon Holcroft’s bed? The workaholic returns from a business trip to find someone stretched out on his sheets. Between the laundry basket at her side and the smell of orange cleaner, he deduces that the young woman is his maid—and resists the urge to kiss her awake.

But when his brother’s fiancé—his own ex—bursts in and strips down to her panties, Simon has to get her dressed and back where she belongs. So he introduces the maid as his fiancée. But his little white lie gets bigger, because now he has to bring his supposed bride-to-be to meet the whole family. One offer-she-can’t-refuse later, Simon has bought himself a temporary fiancée.

In debt up to her eyeballs and all alone for the holidays, how could struggling grad student Caroline Sampson not accept her gorgeous client’s fantasy proposal? But acting like she’s in love comes more easily than she ever expected.

His Secret Temptation is on sale now at Carina B&N and Amazon

Cat Schield lives in Minnesota with her daughter and their Burmese cats.  Winner of the Romance Writers of America 2010 Golden Heart® for series contemporary romance, when she’s not writing sexy, romantic stories for Carina Press and Harlequin Desire, she can be found sailing with friends on the St. Croix River or more exotic locales like the Caribbean and Europe.

You can find her at her website or on TwitterFacebook or the Get Lost In A Story Blog

Change. The Good. The Bad. The Ugly.

LIFE IS CHANGE. GROWTH IS OPTIONAL. CHOOSE WISELY.

Anonymous

We’ve all heard that there are two things we can rely on in life: death and taxes. Well, for writers, there is another.

Change.

Change is all around us and it is a part of life. We see change in the seasons and the weather. People come and go in our lives, jobs change, our health changes, new businesses spring up, others fall victim to the economy. Or even the death of an owner (our town’s yarn shop) can cause unwanted and sad changes.

Sometimes change is good, other times, it is not welcome. Either way, it is a part of our daily lives whether we want it or not.

Most people do not like change because change is scary but I have always embraced change whether it is a new home or rearranging my house or even a new job. Change freshens my life. It is a renewal of heart, mind and soul–a breath of fresh air to chase away the stale and stagnant.

For writers, it is a part of our careers for if we do not change, then we dry up and fade away like a pile of autumn leaves. In the publishing world, what’s selling now will eventually fade away to be replaced by something new and fresh. Or perhaps something old will be reborn. Like historicals, angels, time travels and ghosts. Think of the writing world as a big circle with cycles and seasons. Nothing remains the same.

I, as a writer, must be open to not just riding the winds of change, but to grow as a writer and a person. While writing White Vengeance, book 11 in my White Series, I felt as though I was slogging through muck. Each word, each scene was a struggle. I loved the characters, loved the story, but something was happening to me as a writer–I was growing and changing yet my White books were not. At least not much.

My stories all had a bit of the mystical with the use of visions, gifts of sight and other aspects of Native American culture. As the series grew, I wanted as a writer to explore the mystical aspects of Native American beliefs and go deeper into the mystical world yet my books were historicals, not paranormals. Suddenly, I had a choice: continue to fight the change happening within me as a writer or give in and grow as a writer.

So I gave in and let myself write what I wanted for that last White book. And I had a blast. Writing was fun again. Things were happening that I never imagined. I allowed

myself to listen to that inner need to change and it revitalized the entire book. I loved the book, the characters, the writing. The change in me, my writing attitude was a wondrous feeling. I knew then that as a writer I had to embrace change–let myself grow. I gave myself permission and the freedom to grow and change. It was a scary step but one I have no regrets in taking.

I also realize in writing this, that Change was responsible for the birth of the White Series. When I wrote White Wind, I didn’t have a series in mind. Just one book. My next book was set on the Oregon Trail. I had the Jones family all set to head west and I needed a wagon master. For Jessie of course.

Enter a half-breed with issues who needed a past, reasons for his conflicts and of course, I turned to his family. Well, I decided to give Golden Eagle & White Wind (Sarah) a second son and named my wagon master, White Wolf. Okay, so now I have two connected books. Still not really a series.

But it became clear that Wolf’s family needed to make a showing in White Wolf. I already knew that Wolf had a powerful warrior brother named Striking Thunder as this was revealed in White Wind. Then I, in my “Godly” role of Creator, gave the two brothers, two sister. Nice even number of children for my original hero/heroine.

Well, it became quite clear that these children all need some major changes in their lives in order to grow and become the adult characters I envisioned! A series was born with the simple act of allowing myself to be open to change.

Change is still happening in my writing. My SpiritWalker series was born of the changes that took place in writing White Vengeance. I’m currently nearly done with my second SpiritWalker book that demanded many changes in my writing. I’ve also taken this new series to contemporary settings and surprise, it changed again.

There are more than just SpiritWalkers in this world. My SpiritWalkers are at the top of the “myth” chain of special humans but there are a whole host of other beings walking my world. Some good, some bad and some truly ugly beasts. None of any of this would have been possible if I had stuck to the same old thing.

Today, change has made me a better person. Even the disaster of losing my retail business is revealing the good. That change wasn’t just bad. It was ugly in so many ways yet due to my positive outlook and my belief that change is ultimately good even when it looks horrid, I’ve come out ahead.

So what is changing for you? Is it a good change? If it’s bad or ugly, is there good that you can see and hold onto? How do you view change? Is it refreshing or something you resist? If you resist change, why? I believe we should all think about change, see and analyze changes around us and allow change to make us better people.

What are your thoughts?

Susan Edwards

Susan Edwards ~ Magic, Myth & Wonder

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