Archive for June, 2012

Authors online–good or bad?

It’s funny when I think about how things used to be with authors, back before the days of the internet–writers were mysterious, secreted away as they worked on their manuscripts. They weren’t on Facebook or Twitter. They didn’t have websites or Tumblr or anything like that. Back then, my only real way to express my love of a book was to gush about it with other readers.

Nowadays, I think it’s mostly great that we’re able to reach out to our favorite authors now. Let them know how much we loved their books, that we’re excited about what they’re doing. And I think most days, authors are happy about that too.

But I’ll be honest…there’s a small part of me that kind of misses the way it used to be.

I’ve had authors I used to LOVE but now can’t read anymore. Why? Because of the way they behave online. Things they’ve said that are so offensive/rude/etc, I couldn’t get past it. Now I can’t look at a story by them without it being tainted by their online personas.

Another thing I’ve noticed is that some readers make it a point to contact authors about every single problem they had with the book. I know of authors who got scathing messages blasting their newest releases.  Authors who were tagged on Twitter by book reviewers–and when clicking on that review link, found out the book was shredded to pieces.

For me, when I was a kid, authors were my superstars. There was always something magical about the way a book was produced, the way a person could pull words out of the soul and create a book from nothing. Now we can see authors posting on Twitter every day about writing. Struggling with scenes. Issues with covers. Stress over money. Yes, transparency is awesome for authors in many ways, but some of that magic, that mystery is gone now. Since authors need to be online, need to keep promoting, I wonder if this has removed a little bit of what used to make them superstars for me.

What do you think? I’d love to know!

Steampunk Cover Magic

When it came time to fill in the art fact sheet for my steampunk romance, Asher’s Invention, I trawled through hundreds of images on the internet in my hunt to find pictures that best captured the mood of my story. Nothing really struck a chord, but I had faith that the cover art department would weave their magic, and I wasn’t disappointed. I love the eye-catching charisma of the hero and the overall brooding atmosphere of my cover!

CARINA_0612_9781426893988

Asher Quigley, the hero of my story, is definitely a maverick. He’s defied the wishes of his rich, conservative family to become an inventor, and even though he’s received acclaim they still disapprove of his unconventional career choice. Asher is stubborn and proud, traits that stand him in good stead to defy traditional wisdom and make important breakthroughs, but his strength is also his weakness in that he finds it difficult to forgive— especially when it comes to Minerva Lambkin, the woman who stole his heart and then betrayed him.

When Minerva comes to him for help, his first instinct is to show her the door, but he’s a gentleman to the core, and he can’t refuse her even though it grates to do so. Even more galling, he finds himself still attracted to her despite his years of trying to forget her.

Asher is a flawed hero, but what true hero isn’t? A perfect man would be boring in my opinion. Asher has plenty of faults, but he’s also a man impossible to forget. And that’s what this cover perfectly captures!

BOOK BLURB
Five years ago, Asher Quigley broke his engagement to Minerva Lambkin, believing she was an accomplice in a scheme to steal his prototype for a wondrous device. Minerva swore she was innocent, though the thief—and Asher’s mentor—was her own father.

Now, sheer desperation has driven Minerva to Asher’s door. Her father has been kidnapped by investors furious that he’s never been able to make the machine work. Only Asher, now a rich and famous inventor in his own right, can replicate the device. He’s also become a hard, distant stranger far different from the young idealist she once loved.

Despite their troubled past, Asher agrees to help Minerva. He still harbors his suspicions about her, but their reunion stirs emotions and desires they both thought were buried forever. Can they rebuild their fragile relationship in time to save her father and their future together?

ABOUT THE AUTHOR
Coleen Kwan has been a bookworm all her life. At school English was her favorite subject, but for some reason she decided on a career in IT. After many years of programming, she wondered what else there was in life — and discovered writing. She loves writing contemporary romance whether it’s sweet or sensual, and has recently discovered a whole new genre in steampunk romance.

Coleen lives in Sydney with her partner and two children. When she isn’t writing she enjoys avoiding housework, eating chocolate, and watching The Office.

Contact Coleen at her website www.coleenkwan.com.

BUY LINKS
Carina Press
Amazon
Barnes and Noble

Series – Covers and Cohesiveness

I am so glad to be here, celebrating The Confederacy Treaty series and book three coming out on June 25th, Undercover Alliance.  It’s amazing that Carina has just passed its 2nd anniversary and I am so happy to be a part of that! This series has been so fun to write and such an interesting experience. Thanks Carina!

You know when you are reading a series that you can expect certain things. A certain style, a flavor to the writing and a flow.  In my books that flow includes a sensuality that sizzles, action and sci-fi fight scenes, and emotional trauma that spans time and even species. In the same way, the covers of a series have a cohesiveness that is very important. 

I am so happy that all of the designs for all three of the Confederacy Treaty series to date have been by awesome artist Angela Waters! Check out her website at http://www.angelawatersart.com

I’ve worked with Angela on independent projects as well, and I really appreciate the detail she brings to her work, and how she puts in the elements that readers are going to look for and still makes the writers happy (it can’t be easy!) Today I wanted to share a few of her ideas on covers from an interview I did with Angela as part of a workshop on cover design that I presented to my local Romance Writers of America chapter last year.

Lilly: What do you feel is the most important element of book design?  The characters portrayed, the fonts or colors? Something else? What do you think makes a reader pick up a book?

Angela: I believe that all of the elements are important. Each element of the design must tie into each other in a way that it creates an impact on the reader.  I think it really depends on the reader. I am drawn first by colors and second a key element that is the focus of the design.

Lilly: Do you work heavily with the author’s notes when designing the covers? An art fact sheet?

Angela: I normally use an art fact sheet. Some have just the basics like hair color, setting, and a couple of pertinent symbols. Others are more in depth and include pictures as character examples. Sometimes I work from a few short facts given to me in chat.  These can be interesting because I don’t have a blurb or a synopsis to give me an idea of what the story is about.

Lilly: Do you design ebook covers and print covers?  What do you see as the difference between the two?

Angela: I design both ebook and print covers. The only difference is you’re a designing a full cover flat when designing print. Ebook covers deserve the same attention to detail as a print cover and depending on the publisher, many ebooks do go to print.

Lilly: What about when designing covers for series’? Do you approach that differently?

Angela: I use the same process as any other cover when designing a series. The big difference is once the first cover of the series is designed, you have a template for the rest of the series. This saves a lot of time since the basic layout, style and fonts have already been designed.

Lilly: How do you feel about cover art – is it art? Is it a commercial effort?  What does it mean to you as the designer?

Angela: Yes it is, if I were using a stock photo and adding a little bit of text then I’d say no it isn’t art. Yes it is a commercial effort. I am designing the first thing a reader sees when they pick up a book. I want that cover to draw them in and want to know what is inside. I want the potential reader to want to buy that book because the cover art grabbed their attention. I am a voracious reader and designing cover art has given me the opportunity to help bring an author’s words to life visually. I’m always searching for ways to improve my work and keep it fresh and different. I absolutely love my job!

I love my covers.  I think Angela really caught the feel of the books – erotic sci-fi romance.  What do you think?

Lilly Cain

About UndercoverAlliance…

Sarina is scarred. Her L’inar, the curving nerve lines that enable Inarrii to experience their full sexuality, were severed in battle and she can no longer reach completion. Until she accepts a job as bodyguard to the human ambassador John Bennings, and is astonished to discover that they share a mental bond—a mirrored pathway of thoughts that will allow Sarina to climax.

When John’s the target of an attack and they are forced into hiding, he’s not sorry to be in close quarters with the compelling Sarina. They explore their erotic connection, and John is happy to demonstrate that humans have more sexual skills than Sarina thought.

To prove that she is whole and rejoin her Inarrii clan, Sarina needs John to bring her to climax in public in accordance with tradition. With a roomful of Inarrii and humans watching, will John be willing to perform as Sarina needs—and will their public display make John vulnerable to another attack?

Lilly has been a member of the Romance Writer’s of Atlantic Canada for about ten years, and writing erotic romance for the last three. When not living up to her pen name, Lilly is a single mom who loves reading and writing, dabbling in art and loving and caring for her two daughters. She loves romance and the freedom erotic fantasy provides her imagination. Her stories are an escape and a release, and she hopes that they can give you that power, too.

For more about Lilly and her stories of darkly seductive fantasy and sensual romance, visit her website at www.lillycain.com

Follow Lilly on Twitter at http://twitter.com/LillyCain
Visit Lilly’s facebook at www.facebook.ca/Lilly.Cain

The Hunter Files – Risky Business

As a reader, can you tell if an author has first-hand knowledge of her subject matter? Personally I think it always shows, which is why I’ve made write about what you know and never waste an experience my personal mantras. They not only save on all that time-consuming research but also increase your chances of actually getting it right.

We’ve owned boats for years, thanks to my husband’s ceaseless wanderlust, and I know more about the wretched things than I ever wanted to. Trust me on this! I never thought I’d have reason to be grateful for all those hours of fighting sea-sickness and staring at endless expanses of ocean, until my mind went off on a tangent one day and I started thinking about all those detective programmes featuring cold cases. A combination of unsolved crimes and life on the ocean waves? Hmm, I might just be on to something.

That’s how the Hunter Files, my marine crime mysteries featuring youngish retired detective Charlie Hunter came into existence. Charlie lives aboard his motor yacht and just wants to be left alone. No such luck! He gets dragged back into his cold cases, simply because he can’t say no. Risky Business, published today, follows on the heels of Unfinished Business. Once again Carina artists have come up with an awesome cover. What do you think of it?
Risky Business
The recurring theme in these books is Charlie’s desire to solve the senseless murder of his mother twenty years previously. It’s what made him give up a promising career as a jazz musician and join the police force instead. At last he seems to be getting somewhere—at least that’s what he thinks at the end of Unfinished Business. Risky Business plunges him into the murky world of fixed dog racing when Cleo Kendall tries to convince him that her father, who’s serving a life sentence for murder, isn’t guilty. Everyone thinks the case is closed. Charlie doesn’t agree, especially when his investigation points towards his difficult stepbrother, who may be involved with his mother’s murder and Cleo’s family.

Charlie delves deeper and deeper into dangerous territory but someone doesn’t want him getting to the bottom of this case–ever. Fighting against the bad guys, Charlie unearths more clues about his mother’s demise, which strike much closer to home. All he has to do now is stay alive for long enough to chase them down…

Risky Business $5.39 from Carina Press: bit.ly/KEefji

Check out my website: www.wsoliman.com

I’m on Facebook at https://www.facebook.com/wendy.soliman.author

Or follow me on twitter @wendyswriter

Thanks for stopping by, Wendy

You tell us: Have you ever bought based on cover art alone?

Once again, I was late writing this post, and as I was searching my drafts for inspiration on the next topic, this comment came through my inbox… “That is one of those covers that would make me buy the book without even checking the back cover or anything.” The statement was made of the cover of BY ROYAL COMMAND by Laura Navarre on our Facebook page. I know how that commenter feels. The first time I saw that cover in my inbox and gasped. It took my breath away, it was so beautiful and lush and rich. The perfect cover for a sweeping historical romance!

But though I’ve heard people say that cover art is important in drawing them in to find out more about a book, and that sometimes they do judge a book by its cover if the cover is B.A.D., I’m uncertain if I recall anyone ever saying a cover caused them to buy a book, or might cause them to buy a book, without knowing much else about it.

So I’m curious, you tell us…have you ever bought a book based on the cover art alone? What book was it?

And in case you’re wondering, this is the beautiful cover art that prompted this discussion:

 

On Moving Beyond First Impressions

An encounter on Tuesday night has had me thinking about first impressions, in a not-judging-a-book-by-its-cover sense. In my experience, this phrase almost always refers to people rather than books (emphasis on the almost), but despite how often I’ve heard it I still find myself surprised by my own preconceptions about both people and books.

A few days ago, my wife and I were at a pub trying some unique local brews (it’s Craft Beer Week, apparently), when a seemingly inebriated man sat down beside us. He didn’t appear to be your average barfly, and he was fairly young compared to us, but something in his manner as he commented on the type of glass containing our drinks gave us both the idea that things might get a little awkward. The glasses were stout, had stems and were meant for a Belgian weiss style of beer; he referred to them as sippy cups.

We were polite and laughed with him a bit, then returned to our private conversation. He continued to talk to us, though, and what followed was a surprisingly interesting discussion of mental illness, addiction and stigma in which he—a complete stranger who was not as intoxicated as we first assumed—bared intimate details of his life and personal struggles he has been facing since childhood. We heard him out, shared some things about ourselves and left feeling like we had made a real connection. We also felt a little guilty about our negative first reactions.

The encounter has stuck with me, and I’ve been thinking about other times when I may have misjudged a person, or even a book, too quickly. I might be at risk of trivializing the above experience, but there have been quite a few books where preconceived ideas left me disappointed, or conversely where I found myself discouraged at first but completely in love by the end. Hilary Mantel’s Wolf Hall has an opaque POV at first, but proved to be ultimately captivating. Likewise with Frank Herbert’s Dune, which admittedly took a few tries but opened my eyes to a whole universe of science fiction. A Complicated Kindness by Miriam Toews seemed (to my then grad student self) to be just another purple literary piece, but became the most touching story I have ever read (I admit I cried more than once). I can’t count how many times I have recommended this book to friends and customers at the neighborhood book store where I used to work.

I don’t believe the comparison is trivial, for stories are like relationships; we can only realize them fully by suspending judgment and embracing what is larger than ourselves.

If you have any similar experiences feel free to comment and share them.

The book that almost never was

The Pirate’s Lady almost didn’t get written, or at least not as it is. Because I made Deb (Nemeth, my truly fab editor) cry just a little too hard in the first book of the series – Ten Ruby Trick – we tweaked a few things before it was published. And those tweaks are what kick started the whole idea of this book. Glad they did too, because I had forgotten just how much fun it was to write about Van Gast and Josie.

Writing about them again gave me the chance to unleash my inner tease – Josie does so love to tease Van Gast – and also my inner rogue with Van Gast, or as a friend of mine calls him, Van Gasp.

Because Van Gast doesn’t play by the rules – any rules, which means he can, and does, do anything at all. And naturally this never fails to get him into trouble. Quite a lot of it as it happens….

It’s a trait I tend to share with him, if I’m honest, but it’s never landed me in any cells, or got me shot. Yet.

So, what’s your experience of breaking the rules? Did it ever get you into trouble?

Photobucket

So, the Pirate’s Lady

There’s a price on privateer Van Gast’s head. So high that Van is tempted to turn himself in for the reward, then escape with it. Escaping with full pockets is what he does best. He managed to steal a ship, a bride, a dowry, a diamond the size of a fist—and then disappear without a trace.
But this time, he can’t go very far. The woman of his dreams, his Josie, has stolen his ship and is leading him on a merry chase dangerously close to Estovan, the one place Van Gast should steer clear of…

Julia Knight is married with two children and the world’s daftest dog. She lives in Sussex, UK and when not writing she likes motorbikes, watching wrestling (it’s the muscles, sweat and baby oil combo) and exploring new ways to get a giggle out of life. Julia is a member of the T Party writers’ group.

You can find out about all her books at her website here, or follow her on twitter @Knight_Julia

If you love someone, set them free.

It’s probably not breaking news that I adore a good love story, but sometimes I wonder if that really makes me a romantic or not. There are some things which are often labelled as ‘Romantic’ that I have to admit skeeve me out. One of these is the idea that obsession is a good thing – the idea that obsession is equivalent to love.

When I think of men who are so determined that their love interest must return their affection that they follow them night and day, drive off all other suitors, break into their rooms to watch them sleep, steal their pillowcase so they can sniff it etc etc, I don’t think “wow, that’s real love, right there.” I think “sheesh, you’re a creepy stalker, aren’t you? I wonder when this will escalate to you trying to kill your lover so you can possess them forever.”

So why have I written a book called His Heart’s Obsession, you might ask? Well, I wanted to write a love story that pitted that kind of obsession against what I think of as the real thing – real, giving love, which is not about possession but is about healing and growth.

I wonder, though, whether beside the black salty hungriness of obsession, love might come out as a bit milk-and-water. What do you think? Is the thing that ruins lives and destroys souls more romantic than love? Does love look weak next to it?

These are the kind of questions I was asking myself when I wrote this book. Whether I’ve answered them is up to you to say. I hope so!

~*~*~*~

 

Blurb for His Heart’s Obsession:

 

Kingston, Jamaica, 1752

Robert Hughes, a lieutenant–and rogue–in the British Royal Navy, is in love with his gorgeous fellow officer, Hal Morgan. Hal only has eyes for their captain–a man who’ll never share their inclinations. Night after night aboard the Swiftsure, it kills Robert to listen to Hal’s erotic dreams of a man he can’t possibly have. Determined to protect his friend, Robert stages a seduction.

But Hal demands proof of love before he will submit to the rakish Robert.

Mission accepted. After all, how hard could it be to show what’s inside his heart? Yet Robert’s move to claim Hal’s love leads to the threat of exposure, and mortal danger from the French. Will a heart obsessed ever accept defeat?

 

Excerpt

 

The candles flickered, the gold and brown dusk of the room filling up with their sweet honey scent. Robert worried his lip between his teeth. Sure though he was of Hal’s inclinations, at this final pinch the terror of exposure burned its way down his backbone like a live ember creeping its way down a slow-match. I know I’m not wrong. But if I am…?

Glancing up, he found Hal watching him with a look of wary despair, as if he too held back some all-or-nothing confession. The intimacy, it seemed, was encouraging a very different reaction to that for which he’d hoped, other secrets trembling on the brink of exposure.

The end of the world, it seemed, was nigh, and what would come afterward? Heaven or hell?

“Hughes, I… Please. I need to tell you something.”

The words came just as Robert’s pent-up eloquence burst its banks. He couldn’t stop the flood until it was all out. “I’ve loved this young person for years now, unrequited. I believe my beloved thinks of me as a friend. A good friend, I hope. But it’s…it’s… For romantic purposes, I might not exist at all.”

Hal’s lips disappeared as his mouth drew a clamped line of pain. His fingers tightened on his mug. “I wouldn’t wish that on anyone.” He stood up to take off his coat and, once he had folded it over the back of the chair, he abandoned its discomfort and—as planned—drifted slowly over to sit next to Robert on the bed, looking concerned. “You should tell her. Is she someone I know? Perhaps I should talk to her for you.”

Almost from his first week on station Hal had attracted the young ladies of Jamaica as a flowering tree attracts hummingbirds. With his bright good looks, physical grace and, most of all, his air of romantic tragedy, he remained their darling years later, to the envy of the other officers. An excellent camouflage for his true nature. Robert could have told him that his throng of female admirers was the reason the squadron had a tendency to ask him for romantic advice. Yet how very abandoned he must feel—the unwanted centre of that whirl of intrigue and desire. Surrounded by love’s young dream, condemned himself to loneliness.

Robert ached for Hal with a fierce, hot pain. He put a carefully casual hand on Hal’s knee, feeling the roughness of the heavy linen. The warmth of Hal’s flesh, seeping through it, travelled up his arm like flame eating along a fuse. So far, so good, and yet Hal had been about to tell him something. After all these years of being held at arm’s length, he had been about to confide in Robert as though he considered Robert a true friend.

That was new. The plan could surely wait half an hour while he showed himself worthy of Hal’s trust. “Forgive me. You had something you wanted to tell me and I interrupted.”

Robert refilled the brandy—splash of liquid, reeling pepper-hot smell—and raised his eyebrows enquiringly. “I’m at your service.”

Hal looked away. “It isn’t important.”

“It seemed grave enough to me.”

The refusal ached a little—had the moment passed so quickly? But Robert took the chance to lean forward and slide his hand, in a friendly sort of way, up onto Hal’s white-clad thigh. Hal’s head came up, his eyes dark and startled. For a fleeting instant, Robert thought he saw realisation, understanding, until Hal gave a shudder and dropped his gaze to the surface of his liquor.

“I have a moral dilemma of my own.” Setting his back against the wall, Hal pulled his knees up and wrapped an arm around them, seeming to huddle close inside his own skin against the cold of the outer world. “To tell the truth, it’s wearing me out. I…I am almost at the stage where any outcome, however unfortunate, would be preferable to continuing as I am. But if I were to tell you what troubles me, I don’t think you’d accept my help after.”

Oh, God bless you. The splinter of heartache beneath Robert’s breastbone stabbed him again, joined to a joy almost equally sharp. He had guessed the secret—unaware of Robert’s nature, Hal was obviously nerving himself up to make the sort of confession that could lead to death. “Tell me, Morgan. You can trust me.” What will it be? “Hughes, old chap, you’re pouring out your problems to a filthy sod. Don’t hurt me…please don’t hate me…” “Whatever it is. Nothing you say could damage my respect for you, I swear.”

Robert smiled encouragingly, slipped his hand farther up Hal’s thigh. He hooked his thumb into the flap of Hal’s breeches and pulled it a little open. If the confession proved too hard, all Hal needed to do now was to nod.

But Hal reared back, startled. His eyes rounded, wide and puzzled. “What…?”

“I’ll tell you my secret if you tell me yours.”

Robert leaned in until his nose scraped in the blond stubble of Hal’s cheek. He smelled salt and ambergris and the faint clean scent of Hal’s skin. Cupping Hal’s confused face between his hands, Robert tilted it and kissed him. Hal gasped, his lips parting in surprise, and Robert licked his way into Hal’s open mouth, tasting brandy and apples. Caught off guard, Hal’s first reaction was everything he’d hoped for, his hands coming up and gripping Robert’s arms, pulling close. Hal’s tongue touched his, tentatively, and the flicker of interest poured like fine liquor down his throat, pooled in liquid fire in his belly and groin.

Warmth pulsed beneath Robert’s fingers from Hal’s furious flush. He slid one hand around the nape of Hal’s neck, fingers tangling in silk-sleek hair as he dragged the younger man closer. The other he dropped to Hal’s breeches, worrying the first button through the stiff material. Pleasure vibrated through him in a chord, his whole body singing like a plucked string. Oh, this was all going so very…

Then Hal’s mind must have caught up with what his body was doing and reacted violently against it. He bit down hard on Robert’s tongue. Robert’s mouth exploded with pain and, when he recoiled, Hal shoved him away.

“What the hell are you playing at?” Hal shouted.

Robert swallowed, wincing. His tongue throbbed. The copper taste of blood mingled with the apples. His yard, once stiff and sore with wanting, drooped sadly at the pain and disappointment. “Was there any call for that?” He dabbed at the cut with the back of his hand. “There I am trying to tell you I love you, and you bite my damn tongue off. I have to say it’s not what I hoped. A man could feel hurt.”

Hal slammed his fist down on the window ledge, scrambled off the bed and launched himself to his feet, where he stood gaping at Robert like a fish. A very angry fish. “You—you—I don’t know what to make of you! Are you mocking me? Because…” His fists clenched and he bared his teeth, but furious tears glimmered in his accusing eyes. “Don’t! So you guessed my shameful secret already? Well, you can have me hanged if you will. You can cut me dead if you will. But don’t laugh!

Robert dabbed at his tongue again, the sting of salt from his fingers a distraction from the sensation of having thrown the dice badly and lost everything on the gamble. What was left except honesty, naked and inadequate though it was? “I’m not laughing, Morgan. This person I’m in love with? The one who doesn’t have the faintest idea of what I feel? It’s you, you fool. Didn’t you know? It’s always been you.”

Available here

 

 

Author Bio

Alex Beecroft was born in Northern Ireland during the Troubles and grew up in the wild countryside of the English Peak District. She studied English and Philosophy before accepting employment with the Crown Court where she worked for a number of years.Now a stay-at-home mum and full time author, Alex lives with her husband and two daughters in a little village near Cambridge and tries to avoid being mistaken for a tourist.

Alex is only intermittently present in the real world.She has lead a Saxon shield wall into battle, toiled as a Georgian kitchen maid, and recently taken up an 800 year old form of English folk dance, but she still hasn’t learned to operate a mobile phone.

 

Find me on

 

Author Website: http://alexbeecroft.com

eHarlequin author page: http://community.harlequin.com//users/alex-beecroft

Goodreads Author Page: http://www.goodreads.com/author/show/1289325.Alex_Beecroft

Facebook: http://www.facebook.com/AlexBeecroftAuthor

Twitter as: @Alex_Beecroft

You tell us: What innovation are you looking for from a publisher?

Last week, oh last week, I was in Toronto. And I was in meetings. Hours and hours of meetings, until I thought my brain might spontaneously shut down and then fragment into millions of little pieces from overuse. No one should sit through that many meetings in one week, especially not meetings that require a lot of planning and creative thinking. But I’m happy to say that as we settle into the Harlequin reorganization, and have a team even more focused on Carina Press, our planning was amazing. We have plans and ideas and even still, after nearly 3 years of building, a heck of a lot of enthusiasm. Oh, and did I mention a new editorial assistant for me? Oh yes, the most amazing thing ever, having an assistant. She’s not been there quite long enough for me to see a dramatic effect on my to-do list, since training someone takes 2x longer than doing it yourself, up until the moment you finally realize you can let it go because they’ve got it! But I expect that in the next few weeks, I’ll notice it quite significantly and I’ll be able to focus even more on special projects, rather than admin tasks!

All that said, one of the things we talk about is what we can do to improve as a publisher, for the reader. So during the course of our meetings, someone looks at me and says “hey, why don’t you ask on our blog what readers want from us?” So I am. Perhaps this is the ultimate You Tell Us post, where you get an opportunity to really talk back and tell us what you want from Carina Press, from a publisher in general, from books. What do you wish we’d add to our business, how would you like us to be different, more innovative? Should we do more of something or less of something? Want different access to books, in a different way? Or a different genre? Or no more of a genre?

You tell us, readers, what do YOU want?

We love fantasy!

Several months ago I was invited to speak about our fantasy offerings on The Bookpushers blog. I’m reposting that post here (this is pretty exact repost, so sometimes wording is directed at Bookpushers’ readers) because I want to make sure our blog readership also gets a little taste of our fantasy lineup. We’ve been acquiring a lot more fantasy and science fiction titles and you’re going to see a lot more joining our catalog in the coming months, and really ramping up in 2013, with a 2-week marketing and release campaign around scifi/fantasy in February 2013.

We’re very proud of our fantasy offerings, and I think they often just don’t get enough love, so it was hard for me to choose just a few to talk about.

I’ll start with Gate to Kandrith by Nicole Luiken, which is actually available now. This book has been released to incredible reviews from readers, including 4 1/2 stars from RT Magazine. This fantasy romance is the first part of a duology, so the story isn’t drawn out over many books, but is instead contained in just two books. The second will be released in early 2013.

Sarathena Remillus, daughter of the newly elected Primus of the Republic of Temboria, has been given a mission: discover the secret of slave magic. Anxious to escape the corruption and treachery of the capital, Sara welcomes the chance to finally prove herself far away in Kandrith, the tiny nation of former slaves.

Accompanying her on the journey is Lance, a Kandrithan to whom Sara owes her life. Lance despises the nobility, and is determined to resist his desire for Sara, despite her attempts to entice him into divulging the secret of his magic.

Soon their travels become fraught with peril, and Sara discovers she’s fallen victim to the ultimate betrayal. To end a war between two nations, she will have to make the ultimate sacrifice…

Nicole has written an incredible, intricately plotted fantasy romance with richly developed characters and an ending that will leave you both gasping and cheering. Recommended for fans of Isobelle Carmody, George R.R. Martin, Lois McMaster Bujold and Juliet Marillier.

This summer we have two titles releasing in June and July that readers of this blog may be interested in. The first is The Pirate’s Lady by Julia Knight. This fantasy romance, featuring a strong female character, continues the story begun in the now available Ten Ruby Trick. Recommended for fans of Katherine Kerr and Zoe Archer.

There’s a price on privateer Van Gast’s head. So high that Van is tempted to turn himself in for the reward, then escape with it. Escaping with full pockets is what he does best. He managed to steal a ship, a bride, a dowry, a diamond the size of a fist—and then disappear without a trace.

But this time, he can’t go very far. The woman of his dreams, his Josie, has stolen his ship and is leading him on a merry chase dangerously close to Estovan, the one place Van Gast should steer clear of…

Following that in July is the first book in Jeffe Kennedy‘s new Covenant of Thorns fantasy series, Rogue’s Pawn.

This is no fairy tale…

Haunted by nightmares of a black dog, sick to death of my mind-numbing career and heart-numbing fiancé, I impulsively walked out of my life—and fell into Faerie. Terrified, fascinated, I discover I possess a power I can’t control: my wishes come true. After an all-too-real attack by the animal from my dreams, I wake to find myself the captive of the seductive and ruthless fae lord Rogue. In return for my rescue, he demands an extravagant price—my firstborn child, which he intends to sire himself…

With no hope of escaping this world, I must learn to harness my magic and build a new life despite the perils—including my own inexplicable and debilitating desire for Rogue. I swear I will never submit to his demands, no matter what erotic torment he subjects me to…

Then, in August and September we have three urban fantasies releasing. Fans of the male/male genre will want to check out The Druid Stone by Heidi Belleau and Violetta Vane. Debut author Jacqueline M. Battisti brings us her first novel, Guardian of Bastet, and in September author Sandy James kicks off a kick-ass five-book urban fantasy series, The Amazon Sisterhood, with The Reluctant Amazon (You should check it out simply to reward it for being a series that has a planned end!)

But if you’re not willing to wait for what’s in store, I hope you’ll check out some of our already available fantasy offerings. Just a very few of our diverse collection include The Sevenfold Spell by Tia Nevitt (a Sleeping Beauty “retelling” that’s like no retelling you’ve ever read before), Should We Drown in Feathered Sleep by Michael Merriam(post-apocalyptic fantasy. With loons. Yes, loons), Altered Destiny by Shawna Thomas (psst, this book just won a major award but I’m not allowed to tell you what it is yet!), Dark Vow by Shona Husk (for those of you who’ve been longing for a good fantasy with a western-type feel), the Gaslight Chronicles series by Cindy Spencer Pape (Steampunk! and you can dl one of them for freeee…) and Salome at Sunrise by Inez Kelley, a fantasy romance for which we’ve just contracted the next book!

Leave a comment and tell me if you’ve read any of Carina’s fantasy titles, and what you thought. If not, tell me what’s been stopping you!