Archive for the ‘Authors’ Category

Meet the Lost City Shifters

Rebellion is Book 3 in the Lost City Shifters series. For those who haven’t read the first two books and want to jump in with Rebellion, I put together a quick and dirty primer to catch you up:

  • The series revolves around the Yaguara, a tribe of jaguar shapeshifters living deep in the Amazon rain forest. For centuries they’ve inhabited an ancient city well outside the influence of human culture and, as a result, the society which has developed is traditional, isolated and based on the premise that strength is the highest virtue.
  • They’re ruled by a King who earned his place in a bloody tournament of succession. That would be Gabriel Alvarez—a half-human outcast who fought his way to the crown, going through the ruling family’s champion, Iada Silveira, and claiming her as his mate in the process.
  • They resent human intrusion into their territory and are distrustful of them to the extent that until Gabriel assumed the throne, taking a human mate was forbidden.
  • Secrecy is of the utmost importance in preserving their way of life. After an earthquake in Peru disturbs a buried temple threatening to expose an ancient tablet that would reveal the location of their home, jaguar shifter Adriano races human archaeologist Sophie Martin and a pack of revenge-minded wolves to get to it first.
  • There’s an ongoing conflict between those who want to deal head on with the reality of human encroachment and a more traditional group clinging with increasing desperation to the old ways.

That brings you right up to the events in Rebellion when Gabriel offers the North American wolf pack a treaty that will allow them to setup a research facility in Yaguara territory in exchange for wolf help in ending the civil war.

Here’s the description:

Cole Brandt is a wolf shifter, sent by his pack to the Amazon jungle to negotiate a treaty. He’s unaware that the kingdom of jaguar shifters he’s meant to meet with has split—and Cole’s suspicion that jaguars are selfish and deceitful is confirmed when he’s seized by the rebel faction.

Taya Silveira, a jaguar shifter and fierce warrior loyal to the king, resents being assigned Cole’s rescue. She doesn’t approve of his pack’s involvement in her jungle—to her, wolves are greedy, weak creatures who will exploit the resources the Yaguara protect.

Struggling against centuries of ill will and prejudice, Cole and Taya must work together to prevent a devastating civil war. They can’t deny their physical attraction—with the heightened senses of shifters, their desires are plain. But if they give in to passion, they may be forced to choose between staying with their tribes, or staying together.

You can find more information about the Lost City Shifters series here and read an excerpt from Rebellion here.

I usually run a $25 gift card giveaway with my new book releases but this time around, I’m going to make a donation to either the Rainforest Alliance or the International Wolf Center. Vote Jaguar or Wolf to help me decide where to send my money:)

About the Author:

Eleri Stone was born and raised in New Jersey. She graduated from the University of Iowa, married her college sweetheart, and settled in the Midwest where she still lives with her husband and their three children. A lifelong fan of fantasy, she started reading romance as an adult and was instantly captivated by the strong female protagonists, character-driven storylines and guarantee of a happy-ever-after. Writing fantasy and paranormal romance, she is the author of the Lost City Shifters series (shapeshifter paranormal romance), the Twilight of the Gods series (paranormal romance based on Norse mythology) and Threads of Desire (a secondary-world fantasy romance).

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Best Friends Are Like Mushrooms

Pooka in My Pantry - cover Most urban fantasy worlds have a built-in requirement that the general population is not allowed to know what’s going on. This rule often leads to all sorts of hiding-it-from-the-best-friend shenanigans.

Will the best friend believe in the ghosts/vampires/werewolves/gremlins if she accidentally finds out? Will she be angry with our heroine for not trusting her enough to tell her about the upcoming zombie apocalypse/escaped souls looking for vengeance/nest of baby aliens in the basement/sea serpent giving birth in the swimming pool? Will she demand our heroine stop sleeping with vamps/running with were-panthers/using her own blood as an offering to the old gods/refusing to share the delicious pastries made by the new closet monster who just moved in?

Being the clueless best friend has to suck. You’re constantly catching the heroine in stupid little lies. The heroine borrows your clothes and keeps returning them with mysterious stains or holes in them. Plans get cancelled all the time, sometimes when you’re already somewhere waiting for the heroine to get there. Sometimes, she stands you up and doesn’t even bother to call.

In the Monster Haven series, this poor, left-out-of-the-loop best friend is Zoey’s business partner, Sara. In the first book, Monster in My Closet, Sara is ignored, lied to, left to do extra work, pushed around, abused, and memory-wiped. Still, Sara’s back for round two in Pooka in My Pantry.

How can Zoey possibly keep Sara in the dark with an invisible, pants-less pooka wreaking havoc in the office, the Leprechaun Mafia leaning on them for protection money, and Zoey’s bad-luck curse causing a car accident in Sara’s own bedroom?

But there are rules. The best friend isn’t supposed to know. Unless she does. But if Sara finds out, will that be the end of the friendship? Sara’s pretty tough, and she runs a tight ship. She probably irons her underwear. The supernatural might not fit very well into her world view.

It might be best if Zoey tried to keep her secret for a little longer.

Or not. You’ll have to read Pooka in My Pantry to find out. And if you haven’t read Monster in My Closet yet, you might want to start there.

And just for fun, tell your best friend you’ve been slaying demons in your spare time and tell us what she said.

Better yet, you be the clueless one and follow your best friend around in case she’s been hiding a gargoyle in the shed behind her house. Accuse her of not trusting you. Be dramatic and loud. Demand answers! (Be sure to have your fists on your hips and give her the stink-eye.) Tell her you’re tired of the lies!

Then report back to us how it went.

It’s for science!

Rachel is a web-ninja, hiding all over the Internet. You can find her on Twitter, Facebook, Goodreads, her websiteblog and Pintrest. She’s not a very good ninja when it comes to hiding.

Sympathy for the Devil: Fallen Angel Heroes in Romance

GIVEAWAY ALERT!

Why do I love fallen angels? At first blush, my fascination with these unconventional heroes seems unlikely. These once-divine beings, their bright beauty forever marred by their plummet from grace into darkness, seem better suited to villainy than romance. That’s why I think I love them—because they’re the ultimate bad boys. Their choice to fall, to reign in Hell rather than serve in Heaven, suggests a profound and bitter disillusionment with their former Paradise that makes me burn to discover what has happened to these tarnished angels to transform the infinite love in their hearts to inconsolable rage.
Fallen angels arrive on the scene with a backstory few mortal heroes can rival. A fallen angel’s very essence is a fatal flaw, a fissure of the soul so profound that this weakness has destroyed him. To me, his dark and tragic history betrays a unique and powerful need for salvation that only the heroine’s love can supply.

My fascination with this midnight of the soul and the themes of salvation, damnation, forgiveness and the redemptive power of love led to The Magick Trilogy, my maiden voyage into the world of Tudor paranormal romance. In my series debut Magick by Moonrise, Lord Beltran Nemesto is a Blade of God, a Church Inquisitor with a ruthless reputation for hunting down suspect witches and heretics. Unknown to Beltran, he’s a fallen angel, sentenced by God to a mortal life, where he must learn the hard lessons of mercy and compassion or lose his divinity forever. Yet he appears doomed to repeat the same mistakes that jeopardize his immortality—until he meets gentle healer Rhiannon le Fay, the Faerie ambassador to the Tudor court—the very woman he’s been ordered by the Church to interrogate and condemn.

Beltran begins his journey to redemption with his forbidden passion for this ethereal, unconventional, utterly unsuitable beauty—a heroine who fits my brooding, damaged hero to perfection. When Tudor England and the Faerie kingdom collide, only love can save them.

Beltran and Rhiannon’s story holds a special place in my heart. I hope you enjoy their journey as much as I have.

What do you think about the emerging trend of angels and demons in romance? Do you find these paranormal creatures sexy, intriguing or unnerving? I’d love to hear your views and any recommendations you might share on books, movies, and TV shows that explore this fascinating trend.

To enter for a chance to win a copy of Magick by Moonrise, please leave a comment and include your email address.
Click here to purchase Magick by Moonrise:

http://www.amazon.com/Magick-Moonrise-The-Trilogy-ebook/dp/B00APEYAO8/ref=sr_1_fkmr0_1?ie=UTF8&qid=1362459701&sr=8-1-fkmr0&keywords=Magick+by+Moonrise+Laura+Navarre

Bio for Laura Navarre:
In her other life, Laura Navarre is a diplomat who’s lived in Russia and works on weapons of mass destruction issues. In the line of duty, she’s been trapped in an elevator in a nuclear power plant and has stalked the corridors of facilities churning out nerve agent and other apocalyptic weapons. In this capacity, she meets many of the world’s most dangerous men.

Inspired by the sinister realities of her real life, Laura writes dark medieval and Renaissance romance spiked with political intrigue. Although Laura is a multi-published, award-winning author, MAGICK BY MOONRISE is her first historical paranormal romance. MAGICK won the Pacific Northwest Writers Association (PNWA) Award for Romance in 2012.

Laura holds an M.F.A. in Writing Popular Fiction from the University of Southern Maine, an M.A. in National Security Policy from The George Washington University and a B.A. in International Relations from Michigan State. Living in Seattle with her screenwriter husband and two Siberian cats, she divides her time between her writing career and other adventures for U.S. government clients.
Connect with Laura at:
www.Facebook.com/LauraNavarreAuthor
www.Twitter.com/LauraNavarre

http://www.goodreads.com/author/show/4013449.Laura_Navarre

www.LauraNavarre.com

Overreaching Can Be Good For You

I’m guessing everyone out there is guilty of bluffing their way through at least one thing in life. Maybe joined in a game of pool without knowing which end of the cue to use, just because there was a hot guy at the table? (Guilty!) Or accepted a new job that had computer program requirements you’d never even heard of (hey, that’s what manuals are for, right?).

Well, here’s my behind-the-scenes confession of one time I overreached as a writer. When my editor, Angela James, put out a call for contemporary trilogies, I got excited. I had a finished book that—in theory—was the start of a trilogy. I say in theory, because I’d never written a sequel, let alone three connected books. Sure, when I wrote that first one, I planned enough secondary characters to sprinkle throughout a trilogy. But all I had was a vague plan. And, when I submitted my manuscript to her, this single, additional sentence: I plan for book two, A FINE ROMANCE, to focus on a sexy male chocolatier fighting his attraction to a romance store manager who hates chocolate.

She bought the trilogy, sending me into about 5 minutes of sheer happiness, followed by seven straight days of sheer panic. Did I have what it takes to write a trilogy? Could I figure out how much of book one’s storyline had to be woven in to book two? Could I figure out how to stretch a dislike of chocolate into 98,000 words? Yup, I overreached. But it was good for me—and worked out far better than my attempt to flirt my way through a game of pool. Sometimes, we need to be pushed out beyond our comfort zone. Now it’s your turn – share your examples of overreaching—and how it worked out!

Here’s a peek at the end result of my overreach—A Fine Romance:

They say you form your first impression of someone within thirty seconds of meeting them. Or, in Mira Parrish’s case, within thirty minutes of not meeting them, when said person is supposed to pick you up from the airport and never shows. This is not a perfect start to her new life. Her friend Ivy is depending on her to run a new romance store, and Mira can’t afford to let her down.

Sam Lyons should probably apologize. But every time he sees Mira—which is often, since his family owns the bakery next to her shop—he can’t resist antagonizing her. There’s something about the sexy, straitlaced woman that drives him crazy. He can’t get involved, though. He has too much baggage to be any good in a serious relationship.

Despite his teasing attitude, Mira finds Sam too sweet to resist. (His hot body may be a factor.) But if there’s going to be anything permanent between them, they’ll need to let go of their pasts and look to the future…

 

 

Purchase at  Carina Press

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The Art of People Watching

Let me say straight off, this isn’t a post about Peeping Toms. Seriously! It’s about taking the time to simply watch, observe and try to understand people in general. Our world moves so fast now. Our schedules are packed between work, kids, family, friends, volunteering, you name it. Add in technology that allows us to communicate without talking and we have no need, let alone time, to just stop and watch anymore.

One of my earliest and favorite memories is sitting with my grandfather people watching. He’s the one who introduced me to the art of story creation. He was never judgmental or mean about people, but he made me think and create as we’d wait for my grandmother.

He would nod to someone and ask me, “What do you think their story is?” Or provide a comment like, “I bet he’s had an interesting life.” That was all it would take to spark my imagination. From their clothes, to their strut or wobble, to their facial expression, every person that passed us by was suddenly more than a stranger to me. My mind wasn’t lost in a hand-held digital game, but wandering the clouds of ‘I wonder’.

So how does this help in my writing now? To this day, I still people watch. I have a story for the guy who pumped my gas one day (he was surprisingly cute) and the lady with four kids behind me in the grocery line and the dynamically different couple buying movie tickets. You never know who can trigger an idea, character or even a subplot for a book.

I also run descriptions in my head. I mentally script sentences that I would write in a story to get the essences of a person outside of the base identifiers and I try to do it before they’re gone. I’ll watch others in a conversation and consciously notice body language and the impressions they give off. From how someone sits, to the way they walk, shoulder position, hand gestures all of it. What are people saying without words? And that transfers to how do I show that with my characters?

In Bonds of Need, Deklan Winters is a people watcher. His military training taught him that everyone could be an enemy, but it also means that anyone could need help. But even his intense scrutiny can miss signs he’s not looking for.

Do you people watch? What do you learn and see when you stop and simply watch?

***

“This is an excellent read.” 4 stars, RT Book Reviews

Bonds of Need - Book two of Wicked Play 

When Kendra Morgan attends a party at an exclusive sex club, she’s not driven by mere curiosity. Hoping to prove she’s put the past behind her, Kendra must instead face up to needs she’s denied for too long. Despite her lingering fears, she can’t resist the temptation to play…

Deklan Winters has had his eye on his attractive neighbor for months, but only senses Kendra is no stranger to the BDSM scene when she walks into his club. And he can tell that’s not her only secret. What surprises him is his own overwhelming desire to give her what she craves—and to show her a side to the Dom/sub relationship she’s never known.

With Deklan’s guidance, Kendra begins to accept her forbidden needs and to recognize the fine line between pleasure and pain. But when her former Master returns to reclaim her, it will take all her courage—and all of Deklan’s love—to defy her past.

For more tales from The Den check out Bonds of Trust.

85,000 words.

Buy It Here

***

Lynda has always loved to read. It’s a simple fact that has been true since she discovered the worlds of Judy Blume at the age of ten. After years of weekly travel as a consultant implementing computer software into global companies, she ended her nomadic lifestyle to raise her two children. Now, her imagination is her only limitation on where she can go and her writing lets her escape from the daily duties of being a mom, wife, chauffer, scheduler, cook, teacher, cleaner and mediator.

Lynda can be found on:

The Most Fun Research Ever

When my editor, the fabulous and insightful Deb Nemeth, emailed to tell me the good news that Carina was excited to be publishing Platinum, she also mentioned a few “little fixes.” Most were very easy, but one sent me for a whirl.

I’d set the story in Charleston, S.C., a lovely, historic city by sea, and she wanted more ambience. More details, more specifics of how it feels to be there.

Now, Deb is always right. (She claims that she isn’t, but she is.) And I knew what was bothering her. I’d been to Charleston, but it was years and years ago. My memories had gone stale. When I mentioned this to my friends, they all said “Great excuse for weekend trip to Charleston!”

Yeah, right.

I live in Santa Fe, New Mexico, which is *not* close to South Carolina. So, instead, I did what I do best – I fretted. I looked up stuff online. I played with maps and photos, but none of it felt write. I tried to revise, but I just couldn’t FEEL it.  So I fretted some more.

Finally, my husband got tired of listening to the fretting and said, “Why don’t you just go already?”

I gave him my same lines about time and money and he just shook his head at me and said, “You have to do what you have to do.”

So I went.

I managed to tack a weekend by myself in Charleston onto a day job trip – and it was amazing. Everything fell into place.

An art gallery owner referred me to a friend who lives above her gallery – and that became Althea’s apartment. I found her neighborhood and a shop that could be her neighbor.

 

 

 
The side paths and courtyards, the stately old mansions by the sea all reminded me.

 

 


 

 

 

 

I saw the window boxes of flowers.

 

 


Had dinner where Althea and Abby meet up, under the old magnolia tree.

 

 

 

 

 

 
And found the house that could belong to Brandon’s mother out on Sullivan’s Island.

All in all, it was money and time well spent. I hope I managed to work in just a bit of how this city looks, sounds, tastes, smells and feels. Althea and Steel’s story is very much about the landscape and the different faces of the culture that shaped them.

 

 

 

 

 

 

About Platinum
Althea Grant is doing fine. Sure, her Charleston gallery is suffering from the bad economy, and her artistic aspirations have gone nowhere. But she’s happy enough. When rugged metal sculptor Steel rides up on his motorcycle looking to rent studio space, his infusion of cash is more than welcome. But his art is raw, visceral, sexual-and completely inappropriate for her pastel world of watercolor landscapes. Steel, fascinated by Althea’s rare albino coloring, sees in her the key to his next piece: a metal satyr that can be used for bondage games. Moving into her gallery basement is the first step; seducing the coolly polite lady into modeling for him is the second. As Steel peels away her careful manners and tasteful outfits, Althea begins to realize her life isn’t just fine at all-it’s as pale and washed-out as the watercolor paintings she’s failing to sell. Can she transform her life and accept her most secret desires?

You can buy Platinum on the Carina Press Website, on Amazon (including an Audible version!) and on Barnes & Noble.

About Jeffe
Jeffe Kennedy took the crooked road to writing, stopping off at neurobiology, religious studies and environmental consulting before her creative writing began appearing in places like Redbook, Puerto del Sol, Wyoming Wildlife, Under the Sun and Aeon. A BDSM novella, Petals and Thorns, came out in 2010, heralding yet another branch of her path, into erotica and romantic fantasy fiction. Since then, erotic shorts in the Blood Currency series—Feeding the Vampire and Hunting the Siren—have come out from Ellora’s Cave. Carina Press is publishing the Facet of Desire series, which includes Sapphire, Platinum and soon, Ruby. Her fantasy romance novel, Rogue’s Pawn, book one in A Covenant of Thorns, came out in July, 2012, and will soon be followed by two more. An e-serial—an erotic modernization of The Phantom of the Opera—will release from Kensington Press soon, followed by a new three-book adult fantasy series.

Jeffe lives in Santa Fe, with two Maine coon cats, a border collie, plentiful free-range lizards and frequently serves as a guinea pig for a professional acupuncturist.
Find her on Facebook and Twitter (@jeffekennedy) or visit her at her website.

The story-writing journey begins with a single word step

I’ve a huge interest in the war poets of WWI, and the soldiers who fought in France and Belgium between 1914 and 1918. I get bored by books giving details of battles, the chronology and geography of the fighting, but I love biographies of poets like Sassoon and am fascinated by the “Voices from…” series by Max Arthur, where people involved in the conflict describe their experiences. By turns amusing, frightening and profoundly moving, those real life stories – and the poems written by men like Wilfred Owen – create a vibrant picture of life back then. How could I fail to be inspired?

That inspiration has come out before, in a book set in 1919 and as the background to a short story, but the era hadn’t been written out of my system. So, in typical Charlie fashion, I opened up a new word document and started to write. No plot, no characters, “no nuffink”. Just one word and then another, until I had:

First light. A distant sound of something heavy being moved. A thin curtain of rain—the sort of misty, drizzly rain that soaked us through to the skin. Prospect of something for breakfast that might just pretend to be bacon and bread.

Good morning, France. An identical morning to yesterday and bound to be the same tomorrow.  Tomorrow and tomorrow, world without end, amen. 

And that has survived from first draft through edits to finished story, a story which has been really well received by reviewers, some of whom don’t routinely read m/m romances, which is what Promises Made Under Fire became, once it had characters and plot. Those books I’d read about Owen and Sassoon began to manifest themselves in a narrator, Tom, who was himself gay and – as was normal at the time – deeply closeted. The first hand accounts from officers and soldiers were woven into Tom’s story, almost without me having to consciously think about it, those unseen voices whispering in my ear as I wrote.

Tom gained a fellow officer – Foden, named after a rugby player as so many of my characters are – and, eventually, an unexpected love interest. All of a sudden I had a real, proper story arc, which I kept developing, one word and then another.

So, tell me – how do you craft a story? Are you a plotter, a pantser or a ‘word by word’er?

 

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France, 1915: Lieutenant Tom Donald envies everything about fellow officer Frank Foden – his confidence, his easy manner with the men in the trenches, the affectionate letters from his wife. Frank shares these letters happily, drawing Tom into a vicarious friendship with a woman he’s never met. Although the bonds of friendship forged under fire are strong, Tom can’t be so open with Frank – he’s attracted to men and could never confess that to anyone.

When Frank is killed in no-man’s-land, he leaves behind a mysterious request for Tom: to deliver a sealed letter to a man named Palmer. Tom undertakes the commission while on leave – and discovers that almost everything he thought he knew about Frank is a lie.

You can reach Charlie at cochrane.charlie2@googlemail.com (maybe to sign up for my newsletter?) or catch me on Facebook, twitter or goodreads.

The Fallen Hero

I love my weird west world. There’s magic, guns and Vampiric horses (although they don’t get much of a look in in Dark Secrets they do in Dark Vow). But I couldn’t do a western fantasy without having brothels or Lust Houses as they are known in the land of Prasine. I mention them in Dark Vow, but they are the focus of Dark Secrets. In fact the hero runs one…yep the hero is a prostitute. A fallen man.

Heroines are often cast as fallen women waiting for a man to rescue them, so I thought it was a man’s turn to get on his er…knees.

Plus I liked the idea of a hero how had screwed up so badly in the past that this where he’d ended up—and while he’s been successful (the best Lust House in the city of Reseda, thank you) it has come with a price. The magic he uses to trick people into thinking they are getting the best time of their lives is slowly destroying him.

I really liked Haidyn because he knows he’s made mistakes even if he has no idea how to fix things. He knows he can’t continue the way he is, and yet hasn’t worked out how to change anything yet.

Like most stories of redemption it is love that holds the key to saving the hero…assuming the heroine can accept who he has become and realize he is worth saving.

DARK SECRETS

Dark Secrets

Six years ago, Haidyn Mast left his home and his betrothed Anisa to follow his magical calling. Too weak to join the Arcane Guild and too ashamed to return home, he has made a life as a prostitute–to all outward appearances. In truth, he sells his mind but not his body, using magic to let his clients experience their most secret fantasies while his hands stay clean. Even the Lawman, the arbiter of justice in Reseda, is one of his clients, but Haidyn would rather not know the extent of that man’s depravity.

Though successful, Haidyn is shunned as a whore and his lack of formal training is causing his power to grow out of control. He’s ready to retire and leave the city, but when he sees his Anisa standing at Lawman’s side, he knows he must rescue her from the abusive enforcer. Risking his life and his sanity, he devises a plan, knowing that failure will mean death for him, and a lifetime of torment for her…

To Buy:
Kindle: http://www.amazon.com/Dark-Secrets-ebook/dp/B00A9V2XFU/
Nook: http://www.barnesandnoble.com/w/dark-secrets-shona-husk/1113984603?ean=9781426895111
iTunes: https://itunes.apple.com/us/book/dark-secrets/id584862588?mt=11

Shona Husk lives in Western Australia at the edge of the Indian Ocean. Blessed with a lively imagination she spent most of her childhood making up stories. As an adult she discovered romance novels and hasn’t looked back. Drawing on history and myth, she weaves new worlds and writes heroes who aren’t afraid to get hurt while falling in love.

You can find out more at www.shonahusk.com

www.twitter.com/ShonaHusk

www.facebook.com/shonahusk

Newsletter: http://eepurl.com/lySiD

Becoming Little

I am of slightly above-average height, but I have written a book about a little person, or a dwarf.

In order to get into character, I had to do a lot of mental adjustment. My heroine, Gretchen, is barely four feet tall. She lives in post-medieval Europe, somewhere around the Schwarzwald, or the Black Forest. She has the most common form of dwarfism, achondroplasia. It is the form you are probably most familiar with.

In order to get to know my character–to try her out, to see if she would work–I wrote a little scene about the kind of treatment she has to put up with:

 

“We have a dwarf here in town.” Gretchen looked around to see who had spoken. It was Gisela, of course.

The minstrel turned toward her. “Yes, so I’ve heard.”

Gretchen sighed. She may as well get it over before Gisela said something nasty. Gretchen stood and clambered onto her chair, and then onto the table. “Over here,” she said, waving her handkerchief.

His eyes snapped her way. “Fräulein,” he said. “Maybe we’ll share a beer together after my performance.”

Gretchen didn’t want to, but she nodded anyway. She would listen to whatever demeaning thing the minstrel had to say in order to hear more about the dwarf asylum.

“Why not meet her now?” Gisela yelled. “Bring her forward!”

“No!” Gretchen yelled, but it was too late. A big man named Karl, who had been sitting with Gisela, jumped up and grabbed her before she had a chance to climb back into her chair. Two other men joined in, although it wasn’t really necessary. A hand clamped around her breast, and fury surged into her heart and stung tears in her eyes. Gretchen began to slap with abandon.

“Stop it! Put me down!” She clouted an ear.

“Ow!” One man yelled.

Emboldened, she began to kick. She heard an “Oof!”

“Gently!” the Spielmann said. “She is a lady, after all.”

This elicited a chuckle all around.

Karl plunked her down in front of the minstrel with too much force. Gretchen’s knees buckled, but the minstrel’s hand shot out to steady her. She glared at him and swiped a tear off her cheek.

 

When this scene practically wrote itself, I knew I had to keep writing. The Magic Mirror and the Seventh Dwarf is a retelling of the Snow White story from Gretchen’s viewpoint. She hears about a farm owned by dwarfs and that that employs only dwarfs, so she travels there in search of love–or at the very least, a husband she can tolerate. She does not expect to actually find love, since she doesn’t exactly lead a charmed life.

Once there, she finds a lot of things she doesn’t expect.

She doesn’t expect to become a very sought-after young lady. She doesn’t expect two men to fight over her. She doesn’t expect a kind and mentoring relationship with the farm wife. She never expects to be swept up in a magical adventure with a runaway princess and a cursed prince.

And the last thing she expects is to have to become a hero, especially at the side of the man she loves.

~*~

Tia Nevitt is an award-winning author who writes fantasy and science fiction with a dash of romance. You can find her online at www.tianevitt.com, @tianevitt and www.facebook.com/tia.nevitt.

Carina PressAmazonBarnes and NobleGoogle PlayOmni Lit

Drynn

I still get nightmares.

Not so much lately, they seem to have mellowed out a bit and found better prey once I hit my thirties, but they’re still around.  Lurking.  Even though I don’t like them much, I can at least appreciate them; anything that can make my heart boom that fast and hard is pure platinum for a writer.  Payment required?  A mere childhood of dashing off the living room floor anytime a scary scene even thought about flashing across the television screen.  Even scary music would have me peeping through splayed fingers.

And that’s what it’s all about, right?  Booming hearts?  Sitting up in your bed when you get to that scene, a little smile tugging at the corners of your mouth, your mind thinking, Oh my God, this is awesome, please don’t die, two hours of sleep is plenty of time… That’s what I live for when I read a book.  Heart-booming.  Somebody once asked me to distill into one word exactly the emotion that I wanted to evoke in my readers when I began writing  DRYNN.  It was hard because there were so many feelings dancing around in my head that I wanted to share, but okay, one word.  I could do that.  Same way I had to have a one-line pitch at a moment’s notice. So, here it is, the one word…ready for it?

Badass.

That’s what I wanted to evoke.  I want somebody to go up to their friend, yank the Kindle out from said friend’s hand, clickity-clack in carinapress.com, command them to put in their password and get the book.  And when it’s done I want that ‘somebody’ to go buy said friend a cafe mocha and talk about it.  Pie-in-the-sky stuff, really.  I once heard the saying, “Shoot for the moon, maybe you’ll fall in the stars,” something like that?  I figured, why not shoot for the Andromeda Galaxy instead of the moon and land someplace on Neptune?  Might as well, right?

I believe I may have done just that.  Neptune City.

Speaking of one-lines, here’s DRYNN’s:  The heroes of two worlds reluctantly join forces to fight the Lord of the Underworld.  Ta-da.

So, genesis #1—harnessing the power of nightmares, pouring that emotion into a basin within my mindscape, modifying it as I see fit (exhilaration, passion, fear, all the things that boom hearts) and forging stories with high tension.

Genesis #2–inspiration.  Every writer has their muse, mine’s music.  Notice the first three letters by the way.  Interesting, huh?  When I hear a song, I see a scene instantly—two cars roaring down the highway, weaving and crashing; a small, anguish-filled shake of the head as tears spill; an electric ripple under the skin summoned by a brush of fingers—I just see it.  And I have to write about it.  I immediately start fleshing things out—who are the players?  Who’s getting chased?  Is it an affair or a first crush?  Is the creature from this world or some other?  And what would lightning wreathed in pale blue flames smell like?

Donald Maass (who’s counsel I hold in high regard) calls these scenes ‘uranium isotopes’.  When I say the movie, AMERICAN HISTORY X, what’s the first scene that comes to mind?  The curb scene, no question about it.  “Hello.  My name is Inigo Montoya…” do I need to finish?    Every great story has them, no matter what vehicle used to tell it–movie, novel, novella, play–pick your ambrosia.  The coolest thing, a thing I am most grateful for, humbled by, a blessing bequeathed,  is that I get these scenes and ideas every day; I actually conjured a whole book (yet to be written but in the noggin) by a single song.  I think of myself as a reservoir, a wellspring of feelings, concepts and bits of dialogue that just…bubble out of me.  Consider yourself invited to drink.

I’d like to share something with you.  While looking for a CD the other day (yes, I still have my black leather zipper-closed CD holders) I stumbled upon my sacred box.  I’ve had it since childhood.  Within it is contained every story I ever wrote as a kid, every paper I ever got an A in, and one of my greatest treasures…

Left hand side, 7th grade, 42 pages on 42 blank restaurant placemats, the first story I ever wrote.  On the right…DRYNN, my first published novel.

I’ve waited my whole life for this.

I hope you think DRYNN’s as badass as I do.

Steve Vera

Twitter: @stevewvera

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Blog: http://www.vera-talk.blogspot.com/