Archive for the ‘Excerpt’ Category

Have You Ignored an Important Call?

Take that call next time.

Telemarketers always bug me during my writing time – afternoonish when my kids are sleeping. One or two a da. You’d think I was rich.

November 4th I sat down to write a particularly difficult scene and my phone rang. I glared at the offending buzz and shook my head.

Buzz. Buzz. Buzz. I groaned and answered. “Hello?”

“Is Bonnie Paulson available?” Super sweet voice which makes it even harder to say “no, not interested”.

“This is.” Mama taught me manners and I use ‘em.

“Hi, Bonnie. This is Angela James from Carina Press. I’m calling about the manuscript you submitted.” At this point, my eyebrows scrunched together. Had I done something wrong?  I’d never heard of an editor calling an author. Maybe I’d offended someone. Still wasn’t 100% certain she wasn’t a telemarketer.

But Ms. James continued on and I realized she was offering me a contract. I’d said “Uh hunh” to her comments and she paused, asking if I had any questions so far.

My response? Yeah, she tweeted about it. I said, “I think I’m gonna throw up.”

And you know what? I didn’t, but that sense of surreality hasn’t left.

Mallory Braus proved to be as sweet and romantic-at-heart as Breathe Again needed.

Angela James has been more than accessible and supportive at every turn – even when I sent her interview questions for my own blog that were less than professional.

My cover artist took my breath away.

The copy editor made me smile and taught me a thing or three.

But Mallory worked my story over and in my developmental edits she made a suggestion that, as I worked it out, brought me to tears. I finished the scene sobbing, closed my laptop and looked around. The only think I wanted to do involved an empty wineglass (I don’t drink), a fireplace (green of course) and me looking for tissues around the apartment/house.

Mallory and the Carina Press team made me feel like Joan Wilder discovering my stories all over again.

Here’s a favorite part of mine from Breathe Again.

How could one man be sweet and genuine while the other lacked all sense of manners? Maybe the brute was raised on a farm where he never had the opportunity to see normal people and acted like a bull because he was raised among the cows. Maybe my sheep reference hadn’t been far off… Shampoo bubbles filled my hair and a chuckle escaped at the thought of Brodan in denim overalls slinging muck.

Ryan, on the other hand, seemed smooth and courteous, fun even. He’d made me laugh and that hadn’t happened in a long time.

But if I could put Ryan’s personality into Brodan’s body, it might have been just what I would be looking for, or not looking for, since the idea was strictly shower thinking. I’d gotten in trouble before, pursuing thoughts generated in the shower.

I lathered my body, trying to push the images of the men from my head. Aided by my hunger, I switched easily to considering menu items, with thoughts of pancakes smothered in syrup and crisp sizzling bacon ruling my mind.

By the time I finished washing, my stomach growled in earnest. I wouldn’t make it another two hours. Rather I left for the 24-hour one-stop shop ten minutes farther.

Beside my adorable VW van, blue with a white top from the early 70s, I drew in a deep breath. I loved when the rest of the world slept and it felt like I was the only one awake. Opening my door, I tossed my purse onto the seat beside the driver’s side. Before I climbed in, the blue paint glinted, reminding me of Brodan….

Dang. I’d have to retrain my attraction guide. The man’s similarities to Dean should have been the only repellent I needed. Add his rudeness and the fact we couldn’t be in the same room together, I should feel nauseated just thinking of him. Get him out of your head, Maggie.

I wrote Breathe Again while I was pregnant and you’ll notice I involve food a lot in my story. I’d write about the lasagna (recipe to follow) Maggie makes for Brodan and of course, finished the scene and had to make some. I ate most of it – much to my Hubs distress.

I drew my husband in with this recipe I developed – my own personal creation. You can find it at the bottom of this post. Maybe make it for you and your *wink* friend or eat it while you read Breathe Again.

Breathe Again Cover
Don’t you love this cover? Maggie leans against Brodan. The skyline reminds me of a Montana sunset. Carina Press artists captured the mood perfectly. I literally gasped when I saw it – and teared up.

I hope you enjoy Breath Again. Another book I would direct you do – well, two actually – Craving Perfect by Liz Fichera and Endless Night by Maureen A. Miller OH and Man Law by Adrienne Giordanno, so three.

They capture the essence of what Carina has to offer – exceptional authors with a phenomenal team backing them. Harlequin is so awesome I used superlatives that aren’t slang.

Knock-Your-Socks-Off Lasagna OR Dip-It Lasagna

  • Sauce Ingredients: One large can of tomato sauce, 1 large can diced tomatoes, 1 TB of minced garlic (with oil), chopped onions, italian sausage, 2 TB dry/fresh parsley, 2 TB sugar, 1 – 2 TB salt with pepper:
  • Everything but the sauce and diced tomatoes brown in a pan keeping the sausage oil. Add the tomato sauce and tomatoes. Simmer until the rest of the ingredients are ready.
  • Cheese ingredients: One small ricotta cheese, one medium cottage cheese, 2 cups mozzarella grated, garlic salt (about 1 TB).
  • Mix all and set aside to be layered.
  • Layering ingredients: Fresh spinach, fresh sliced mushrooms, sliced olives, anything else you like in your lasagna – like noodles – but don’t prepare too many, this is a less-pasta-more-fun-stuff dish.
  • Start your layers. Best to start with something like mushrooms then top with pasta, sauce then cheese. Next, olives, spinach, pasta, sauce then cheese. You should have a fairly thick dish with few layers. Cheese tops it and you’ll cook it in your pan (whatever kind you love) at 350 F for 30 to 40 minutes. This is SLOPPY and great to dip your garlic bread in. I love garlic.
  • Also, play with this recipe. You can’t ruin it because it’s a subjective dish. Like it sweeter? Add more sugar. More noodles? Add more. The sauce and the bread is the only reason I make it.

Bonnie R. Paulson

Enjoy and please! Please! Please! email me and let me know how you liked it! bonnierpaulson@gmail.com

Come find me on Twitter – @bonnierpaulson

And my blog: www.bonnierpaulson.com

I’m offering a $10 gift card to a randomly selected commenter on today’s post. To another a copy of BREATHE AGAIN – Woot!

I’d like to know who has supported you throughout your life? It’s all about people and the roles they play to our hearts. Maggie and Brodan help the other heal… Who do you have? This is your “I’d like to thank the Academy” moment. What would you say?

Oh, sorry? Did you say you wanted to know how you can purchase Breathe Again?

Carina Press (of course!), Amazon, Nook,Lybrary.com.

If It Feels Right

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“I’m more of a go-with-my-gut person.”

Liv Braxton says this to Zia Talbot in Rulebreaker after Zia starts to over-think their budding relationship. As a thief, Liv has to plan jobs and consider possible outcomes, but if it feels right, she does it. Even when she has time to mull and realize some things aren’t meant to be, she does it anyway. Which explains why she gets herself into a bit of a mess in the story.

I’ve had a fair share of go-with-my-gut moments. Times when the thought hit my brain and my immediate reaction was “Yes!” Moving from New York to attend school in North Dakota then Alaska. Deciding to room or share a house with people I didn’t necessarily know well, one of whom became my BFF and another who later became my husband.

Sticking with the characterization of Rulebreaker was one of those “Yes!” moments.

I knew Liv’s rules would be foiled by her feelings for the person she’d be stealing from. That was a given in the plot. So who would fit the bill? Almost immediately, Zia popped into my brain, a no-nonsense executive with an underlying vulnerability (as well as her own secrets) to keep Liv on her toes. The fact she was a woman gave me pause for about a nanosecond. This was new territory for me, but it felt right.

Along the way, I was asked more than once, wouldn’t it be easier to make Zia’s character a man? Easier for the purpose of marketing, maybe, yes. But the story in my head—and gut—was about these women finding each other. So I wrote the story I wanted to write. What my gut said was the story I needed to tell. I’m glad I did. And I’m grateful no one asked me to make Zia a guy.

Sometimes you have to rein in your immediate reaction or response, sit back and consider ramifications. Sometimes going for it is the best option. Granted, we don’t always feel that way if things go awry, but over-thinking can be detrimental too.

When have you just jumped right in and gone with your gut? How’d it go? Have you ever over-thought yourself out of something and regretted it?

Leave a comment with your “gut” story (or just a “Hello”) and I’ll randomly choose one to win a copy of Rulebreaker or some canned salmon. Your choice : )

Here’s the bit that leads up to Liv’s line from above. Enjoy!

“You think you’re ready.”

“I know I am,” I lied.

“Maybe I’m not,” she said softly.

Now who was lying?

I brushed her hair back off her shoulders. As my fingers grazed the silk covering her skin, Zia closed her eyes. When I skimmed my palms down her arms and pressed my lips to the spot under her left ear, she moaned. The sound sent a spark from my belly to my groin. I kissed along her jaw, her chin, took in the wine-scented breath she exhaled, and continued across to her other ear as I grasped her hands in mine. She squeezed tight.

“Do you know,” I whispered then nipped her ear, “what I find most attractive about you?”

“What?” Her voice was barely audible.

“Your brain.”

She gave a low chuckle and canted her head to give me better access to her slender neck. “That’s a line if I ever heard one.”

“No, it’s true.” I flicked my tongue along her soft skin, gently blowing across the damp spots. Zia moaned again. She pressed her breasts against mine, and I gave a groan of my own. God, she felt good. “The way you think things through, how you make decisions. Very methodical, but with instincts to guide you.”

I lifted my head so I could see her face. She opened her eyes. A thin ring of green circled her expanded pupils. Her breath came fast through full, parted lips.

“I’m more of a go-with-my-gut person,” I said. “And my gut says, no more waiting.”

**********************
Cathy lives in Alaska with her husband, kids, critters and the occasional black bear roaming through the yard. There are no street signs in her neighborhood, so it’s easiest to find her at her website, blog, on Facebook or on Twitter.

Grab your copy of Rulebreaker here!

Oh, look! A Bride!

In my town on spring, summer and autumn weekends, when I’m walking along the waterfront, I often see a bride with her newly-minted groom having their photos taken, and I always stop for a longer look. There’s something about a bride that makes me smile.

Maybe it’s the thrill of two people starting out life together and the hope I have for them. Perhaps it’s because they (usually) look so very happy or maybe it’s just because I’m a sucker for a bridal gown. I love bridal dresses and you know, I don’t think I’m alone in that. Remember the ‘Friends’ episode where they all cheered themselves up by wearing a wedding dress around the house and eating icecream, including a heavily pregnant Phoebe?

When I was a kid, I would haul out my mother’s wedding album on wet and rainy afternoons and gaze at the black and white photos. Then I’d go find her dress. I so wanted to wear that dress when I got married, but my aunt who is shorter than me had also worn it and had heaps cut off the hem. I was too tall for the dress (sob!).

Given the buzz I get whenever I see a bride, I suppose it isn’t any wonder that when I wanted to try my hand at writing a different kind of book from my Harlequin Medical Romances, an idea featuring a bride popped into my head.  Only it wasn’t the picture of a beautiful bride posing for photos, it was a modern bride dressed in a sixty-year-old wedding dress, holding a cake and staring into a vacant shop window in small town USA.

And so the story of Boomerang Bride evolved, pushed along by a song about an Australian World War Two bride who ‘married her Yankee sailor’ and sealed by my love and affection for Wisconsin, and the wonderful people of that state.

Why is the book called Boomerang Bride? Because much to Marc Olsen’s dismay, Matilda Geoffrey, the woman he meets standing on a street corner holding a wedding cake and looking like a cross between Miss Havisham and the bride from the Rocky Horror Picture Show, just keeps coming back.  Every time he thinks he’s free of her, she turns up again, and much to his chagrin he feels honor-bound to help her. Only she doesn’t want his help at all, and he isn’t totally certain why he feels so compelled to get involved in her chaotic life when he’s got enough on his plate with his sick sister and a moody teenage nephew.

I had so much fun writing this book and then I started looking for a home for it. Carina Press had just published its debut books so I bought one of their contemporary romances— Unexpectedly Yours— by an author I’d never heard of called Shannon Stacey. I loved the book and immediately knew that Carina Press was the perfect place for Boomerang Bride. Fortunately for me, Carina Press agreed!  I’ve been blown away by the entire experience starting with the support of my wonderful editor, Charlotte Herscher, the professionalism and support of the company, and the enthusiasm of my fellow Carina authors.

So it’s time to celebrate now that Boomerang Bride is on sale at Carina Press and that lends itself to a contest! I have two fabulous boomerang magnets decorated with Aboriginal dot paintings to give away, along with signed postcards of the cover of Boomerang Bride and a BB magnet too. So to enter, read the excerpt on my website and then leave a comment here telling me something about Matilda or Marc and something memorable about a wedding you’ve attended. Remember to call back on August 12th to see if you’re one of the two lucky winners.  Thanks for helping me launch Boomerang Bride!

Fiona Lowe is an award-winning, multi-published author of romance fiction with Harlequin Mills & Boon and Carina Press.  Whether her books are set in outback Australia or the USA, they all feature small towns with big hearts, and warm, likeable characters that make you fall in love.  When she’s not writing stories, she’s a weekend wife, a mother of two boys and she’s trying really hard to instill in them heroic characteristics like cooking and ironing.  She’s an avid reader, a guardian of 80 rose bushes, attempts to stay fit and is often seen collapsed on the couch with a glass of wine.  A previous Romantic Book of the Year finalist, Fiona is currently writing her 18th novel and says, ‘it doesn’t get any easier.’  You can find her at her website, her blog, confused on Twitter and a bit more together on Facebook . She loves hearing from her readers.

Writing in Paradise

DARK MAGIC Cover

It’s a hot afternoon, but I’m outside on the screened porch, enjoying the world around me.  Cone flowers and tall phlox sway in a gentle breeze.  A dove is eating the birdseed I put out a while ago.  Cat birds have come to splash in the birdbath.  The koi in the pond glide in and out of the cascading waterfall.  Two of my cats are sleeping nearby.

This is the perfect place to write.  If I’m trying to think of a word or a sentence or struggling to figure out a plot point, I can look up and enjoy the garden for a few minutes.

I think most writers have other creative outlets as well.  One of mine is gardening.  I love putting in plants and flowers and watching them grow.  I love moving rocks around the pond until I get their placement just right.  Weeding the flower beds isn’t as much fun, but it’s part of the job.

I edited a lot of my August Carina novella, DARK MAGIC, while sitting here in my little Eden.  That story took me away to another world entirely–one I’d made up for my own pleasure.  I started with the idea of a kingdom under siege and a virgin princess who thinks she can save her father’s people by sacrificing herself to the dragon who saved them long ago.  She doesn’t know her plans aren’t going to work out the way she expected.  A dark, mysterious, sexy stranger has taken the dragon’s place, and he wants to awaken Princess Devon’s sensuality rather than ravage her while she’s tied to a stake.

I had a lot of fun with this story–with Devon’s sexual awakening and also with her courage in choosing a heroic way to save her people–rather than the shameful fate her father had planned for her.

This isn’t contemporary romantic suspense, which is what I usually write.  Instead, I get to explore a fantasy realm where women are only pawns in the games that men play.  Of course Devon’s not willing to stick to her assigned role, which is what made her fun to write.

You can read an excerpt of DARK MAGIC here .

What kind of heroines do you like best?  Or do you care, as long as she’s the right match for the hero?

On August 8, I will give away an autographed copy of my classic Harlequin Intrigue, NOWHERE MAN, to a randomly selected reader who comments on my above heroine questions.

A USA Today Best-Selling Author, Rebecca York is a 2011 recipient of the Romance Writers of America Centennial Award.  Her career has focused on romantic suspense, often with paranormal elements.

Her 16 Berkley books and novellas include her nine-book werewolf “Moon” series.  KILLING MOON was a launch book for the Berkley Sensation imprint. She has written over 50 books for Harlequin Intrigue, many in her popular 43 Light Street series.

She has written for Carina Press, Harlequin, Berkley, Dell, Tor, Kensington, Tudor, Scholastic, and Pageant Books.

Her many awards include two Rita finalist books. She has two Career Achievement awards from Romantic Times:  for Series Romantic Suspense and for Series Romantic Mystery. And her Peregrine Connection series won a Lifetime Achievement Award for Romantic Suspense Series.

Many of her novels have been nominated for or won RT Reviewers Choice awards.  In addition, she has won a Prism Award, several New Jersey Romance Writers Golden Leaf awards and numerous other chapter awards.

Web site:  www.RebeccaYork.com

Twitter:    @rebeccayork43

Facebook: www.facebook.com/RuthGlick

Mixing Romance With Politics STILL Can Be Fatal

By: Marie Force

Happy launch week for Fatal Consequences, book 3 in the Fatal Series! Sam, Nick and their cast of supporting characters are back for another installment in the series that pairs a Washington, D.C. homicide detective with a U.S. Senator. In this third book, Sam and Nick are thrust into another high-profile murder case in which his world bumps up against hers, causing no end to the fireworks as our favorite couple also try to plan a wedding in the midst of mayhem. Here’s a little bit about Fatal Consequences:

The murder of two members of the Capitol Cleaning Service might’ve been just another homicide investigation—that is if one of them hadn’t been romantically involved with a married senator from Arizona. Lt. Sam Holland and her team are plunged into another complex case that at first seems open and shut. But as Sam tugs on the threads of the investigation she uncovers a deep, dark Washington secret that threatens the careers of some of the government’s highest-ranking officials. Racing to catch a killer before he can strike again, Sam and her fiancé, U.S. Senator Nick Cappuano, attempt to plan a wedding while her colleague Detective Tommy “Gonzo” Gonzales faces life-changing news.

Here’s a brief excerpt:

Nick approached her from behind, resting his hands on her shoulders and massaging the tense spots. He knew exactly where her stress collected, and it was all Sam could do to remain standing as his talented fingers hit all the right places. “It’s getting late, babe.”
“Did you clean up my desk again?”
“Maybe.”
“It’s a sickness. You have a sickness.”
“Guilty as charged.” He laughed softly and planted a kiss on her neck. Desire rippled through her. She was so easy where he was concerned, and he knew it. “What’s up with the case?”
The facts ran through her mind like a silent movie. “Until I get Lindsey’s report, I’m at a standstill.”
“Then let’s go home.”
Back in the day, Sam would’ve waited all night—if necessary—for the autopsy report and lab results. Now, though, she had a good reason to go home. She looked up at him. “Sorry for letting work invade our day off. Maybe one of these days we’ll succeed in actually scoring a full day off.”
“We can dream.”
She let him help her into her coat and lead her from the office. “I know you really needed the break.”
“Not your fault, and besides, I did get a day off from campaigning, so it’s all good.”
“We missed out on our early Valentine’s Day,” she said once they were in the car.
He reached for her hand, laced his fingers through hers. “Every day with you is Valentine’s Day.”
Sam smiled at him. “Even if we end up on different sides on this case?”
“We may not always agree, Sam, but we’re always on the same side.”
She relaxed into the heated leather seat and enjoyed the companionable silence. That was one of her favorite things about her relationship with Nick. Even in the quiet spaces between words, she was always in tune with him. In the past, when she’d been unhappily married to a manipulative man who wanted to control her every thought, she’d often been lonely even when he was sitting next to her on the sofa or lying next to her in bed. She had never once felt that way with Nick.
“What’re you thinking about over there?” he asked.
“I’m thinking about us.”
“What about us?”
“Could I ask you something and will you tell me the truth?”
He glanced at her. “Of course you can and of course I will.”
“When we’re together, do you ever feel lonely?”
“Lonely?” He released a short laugh. “That is one thing I never feel when I’m with you.”
“Good,” Sam said, relieved. “That’s good.”
Nick parallel parked on Ninth Street, killed the engine and turned to face her, reaching out to caress her cheek. “What’s that all about?”
“Sometimes, well…a lot of the time when I was with Peter, I remember being lonely even when he was right there with me. I was thinking that I’ve never felt that way with you, and I was hoping you hadn’t either.”
“I’ve never felt that way, and I’m glad you haven’t.” He reached for her, and she leaned into his embrace. “If you’re ever lonely, will you tell me?”
She nodded. “Will you?”
“I promise.”
“I doubt it’ll ever be an issue between us. Everything about this is different.”
“Yes,” he said, kissing her. “It is. Come on, let’s go in.”

I’m really excited to get Fatal Consequences out to readers this week! You can find it at Carina Press and everywhere ebooks are sold. Sam and Nick’s big year continues on Aug. 22 when we begin to reveal the choices readers made back in February for the Fatal wedding. Watch my blog, http://mariesullivanforce.blogspot.com, for the grand reveal over the 14 days leading up to the launch of the wedding novella, Fatal Destiny, on Sept. 5. As we reveal the wedding choices, we’ll have all new prizes and chances to win copies of the books.

I’m happy to take any questions readers might have about plans for the Fatal Series. Sam and Nick told me they are also happy to take questions. I’ll give away a copy of Fatal Consequences to the respondent with the best question, so fire away!

Marie Force is the bestselling, award-winning author of the Fatal Series from Harlequin’s Carina Press. The series includes FATAL AFFAIR, FATAL JUSTICE, FATAL CONSEQUENCES and FATAL DESTINY, which is out Sept. 5. “This novel is ‘The O.C. does D.C.,’ and you just can’t get enough.” (RT Book Reviews, 4.5 stars for FATAL AFFAIR). In its July 2010 issue, RT Book Reviews named Marie a “Future Star of Romantic Suspense.”

Marie is also the author of the following contemporary romances: EVERYONE LOVES A HERO, LINE OF SCRIMMAGE, LOVE AT FIRST FLIGHT, TRUE NORTH, THE FALL and THE WRECK as well as her popular McCarthys of Gansett Island Series: MAID FOR LOVE, FOOL FOR LOVE and READY FOR LOVE.

Since 1996, Marie has been the communications director for a national organization similar to RWA. She is a member of RWA’s New England and Published Author Special Interest Chapters.

While her husband was in the Navy, Marie lived in Spain, Maryland and Florida, and she is now settled in her home state of Rhode Island. She is the mother of two teenagers and a feisty dog named Brandy.

Find her at www.mariesullivanforce.com, on her blog at http://mariesullivanforce.blogspot.com, where she runs the weekly Romance & Oreos Book Club, on Facebook at www.facebook.com/pages/Marie-Force/248130827909, and on Twitter @marieforce. Marie loves to hear from readers. Contact her at marie@marieforce.com.

Clang, clang, clang went the trolley…

Last Car to Annwn Station started life as The Phantom Streetcar Novel. Actually, it started life as the The Phantom Streetcar short story, but it took on a life of its own and morphed into a novel. It became The Dark Urban Fantasy Relationship Driven Paranormal Romance Revenge and Redemption Supernatural Horror Novel with Fairy Tale and Mythological Overtones and Lesbian Protagonists Featuring the Ghost of the Defunct Twin Cities Streetcar System and was eventually titled Last Car to Annwn Station. In many way it was written as two different books: a short urban fantasy/paranormal romance novel with Mae and Jill as the protagonists and a long horror novelette in diary format featuring Fay.

It was my second novel written and is my first one published. With Last Car to Annwn Station I had a lot more seasoning as a writer, with several pieces of published short fiction behind me and a whole load of shiny new things in my Writer’s Toolbox. The novel has phantom streetcars, Minneapolis / St. Paul magic, and Welsh mythology. This was also the novel where I learned about tight plotting and really digging in and doing deep rewrites, and it was good.

And there were rewrites. Before I ever submitted the novel to Carina Press, I worked on it diligently. I rolled a few characters together and cut others completely. There was a consensus from my early readers that it started too slowly and in the wrong place. It fell apart at the end and at no point had I explained why the phantom streetcars were helping Mae. When my editor at Carina (Melissa Johnson) handed me the developmental edits, there was even more rewriting and tightening, including trimming some excess play-by-play, making the point-of-view consistent, and bringing a character that had been hovering near the edges closer to the center of the story.

I discovered on a closer read all the unintentional echoes of early Arthurian myth and stories from Mabinogion. There is bit of the Mabon ap Modron myth, heavily disguised, but it is there. A champion receives a sword from a Gwaragedd (a female lake spirit) to aid in the rescue of her love. No one received wisdom from a salmon, but they did receive wisdom from a fey-creature, so I get partial credit. There’s a kidnapping, stolen identities, talking to animals, dark betrayal, and a descent. There’s a triple death that ends with the character hung from a tree. All I really needed was a cattle raid, symbolic or otherwise, to round it out. I even accidentally named my main character after a Celtic warrior-queen.

I had a blast writing it, and I hope you have as good a time reading it. I really can’t thank everyone at Carina Press enough. I’ll leave you with a little taste.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Jill’s eyes lit up. “You said there was a story.”

Mae looked down at her half-eaten cheesecake. “I think it might be more of a—”

“Third date story?” Jill supplied. “Because if that’s the case, then what say we go out to dinner tomorrow night and you can tell me all about it.”

Mae frowned. “I was going to say it was more of a ‘one year into the relationship’ kind of story, and did you just ask me out?”

“That must be some kind of story and yes, I did.” Jill scooped up another huge bite of cheesecake on her fork. She paused before popping it into her mouth. “So?”

Mae rested her elbows on the table and laced her fingers together in front of her. She settled her chin on top of her fingers and tried to keep her expression as neutral as possible. She thought Jill was interested in her, but Mae also knew she was lousy at reading signals. “I thought you liked the ‘hot, hot boys’ down at the Fine Line.”

Jill swallowed her cheesecake and gave Mae a little smirk. “I do.”

Mae sat up straight in her chair in an attempt to, as a friend from college once said, “Get the girls up where they can draw attention.” Mae was not sure if the effort was having the desired effect, but it was the best she could do short of taking off her blouse. She could not stop a slight smile from forming on her lips.

“In case you haven’t noticed, I’m not a boy. I mean, I realize I’m a little—”

“Waif-like?”

“I was going to say ‘boyish’ but that works as well. However, I am not a boy.”

Jill rolled her eyes and took a drink of her coffee. “Yes, Mae, I realize that. Did it ever occur to you that maybe I like hot, hot girls as well?”

Mae’s posture relaxed and she leaned back on the table again. “Oh. Well, then…”

“Or maybe I like hot, hot lawyers.”

“I could introduce you to some, if you’d like.”

Jill reached across the small table and placed her left hand on top of Mae’s right one. “Maybe I like hot girl lawyers named Mae.”

Mae gave her a soft smile. “Jill—”

Jill released Mae’s hand and leaned back. “This is the part where you tell me you’re not interested in me as girlfriend material, and I get to feel like a damned fool, right?”

“Actually, this is the part where I tell you I’m terrible at relationships, and that right now may not be the best of times for me to start something new.”

Jill’s face broke into a wide grin. “So you are interested!”

Mae looked straight into Jill’s pale blue eyes. “Jill, I’m not going to lie to you. There is a lot of—weirdness—going on in my life right now.” Mae sighed. “There are things I’m not sure I can talk about, not without sounding like a complete loon.”

Jill crossed her arms. “Try me. I’m into weird.”
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Purchase Last Car to Annwn Station at the Carina Press website!

Free Book!

Photographs & Phantoms cover

Ah, I thought that would get your attention. :-) It certainly would mine. And it’s true. Carina Press is giving my novella, Photographs & Phantoms away free as a special promotion for Steampunk Week. It’s a real honor to be part of such a great lineup, and I urge you to check out the other great steampunk titles available.

My Gaslight Chronicles series is a mash-up of steampunk, romance, and fantasy.  It’s England in the 1850’s but not the way our history books remember it. You see, in this world, computers, driven by steam and clockwork, already exist. Imagine Dickensian London with robots and dirigibles. Oh yeah—there’s also magick, and the vampyres here aren’t the sparkly kind. They’re gross and smelly, and they want you dead.

To combat evil wizards and vampyres and other things that go bump in the night, a venerable British institution still exists, undercover, but charged by the crown with protecting the realm from all threats mortal and otherwise. The Order of the Round Table is still mainly composed of the descendants of Lancelot, Merlin, Tristram, Kay, and all the others. They’re trained to fight with pistol, sword, technology and magick. And sometimes, they fall in love.

If you enjoy your free taste of the Chronicles, I hope you’ll also check out book 1: Steam & Sorcery.  Now here’s a little excerpt of Photographs & Phantoms whet your appetite.

Excerpt (PG):

They wove among the tourists and barrows and tents. “Sergeant Peterson built me a steam barrow to carry my equipment and a small canopy. It even has feet rather than wheels to accommodate the steps.”

“Very thoughtful of him.” Kendall’s tone was utterly neutral. “Are you and the sergeant…an item, perhaps?”

“What? No, of course not.” While Michael Peterson was a nice enough young man, and relatively attractive despite his missing arm, he was far too…traditional for Amy’s taste. He’d hinted in that direction a time or two, but she knew he’d never tolerate a wife or even a lady friend with a profession of her own. “Whatever gave you that idea?”

“Just something in his demeanor. Whether you believe so or not, the man has a definite interest in you, Amy.”

“I’ve never given him any reason to. I’m not looking for a husband—or a lover, for that matter. Certainly not unless I find one who understands my need to work.”

“Your photography is a part of you—not just the way you make your living—is that what you mean?” He spoke as if he actually understood. “I’ve a cousin who’s a concert pianist. She feels much the same way. Her husband has learned to cope, so I imagine there are other males out there who can adapt.”

“If you happen across one, send him to Brighton,” she replied. “But I’m not going to hold my breath. I’m happy with my life the way it is.” Except—in the last few hours, she’d realized there were parts of the male-female relationship she wouldn’t mind exploring further. Kendall Lake did something funny to her insides in a way no other man ever had. He made her think of things, wish for things, that could certainly never be. He was a marquess, for heaven’s sake, and the heir to a dukedom. No good could come of imagining herself in his arms, his lips upon hers.

Turn Left at the Mean Streets

width= I was watching the 1946 version of The Big Sleep for about the millionth time the other day, and it occurred to me that, in a weird way, black and white movies seem more real than color. Not just movies, come to think of it. Stills too. There’s something about the play of shadows and light, the almost textured quality of the film that seems to offer a new perspective, capture a reality that reality itself can’t quite pin down.

Or possibly I’m finally losing it.

I do realize that not everyone shares this black and white view. In fact, back when I was teaching, one of the hardest things was to persuade kids to watch movies that weren’t in color. It was akin to trying to get them to read non-fiction. Ah, but there’s that reality factor again.

Anyway, it could be something much simpler, like the fact that I’m a nut for all things vintage. Me and eBay? We go way back. From fading lithographs to fragile crystal martini glasses, I seem to be on a quest to recapture a world I never experienced. So naturally I like black and white movies — and film noir in particular — because, ultra-reality not withstanding, there’s nothing more vintage than B&W.

This being the case, it’s inevitable that I’d eventually want to write my own “vintage” mysteries. Snowball in Hell, the first book in the Doyle and Spain series, is my homage to film noir and the pulp novels I read as a kid. Frankly, it’s darker than a lot of my work, but in a strange way, I think it’s one of my most romantic efforts.

In that romantic spirit, I decided to give away a little something to celebrate the novella’s re-release through Carina Press. I’m giving away a copy of the Film Noir Classic Collection, Vol. 1 (The Asphalt Jungle / Gun Crazy / Murder My Sweet / Out of the Past / The Set-Up) .

Of course, we have to have a little contest, but it’s pretty simple: name two romantic pairings from any of my novels EXCLUDING Adrien & Jake, Kit & JX, Elliot & Tucker and Nathan & Matt. That still leaves PLENTY of guys who found their happy endings in my stories. Just enter your two romantic pairings in the comment section below and then the randomizer will pick a lucky winner for an Amazon gift certificate of the collection. I own the collection, by the way, and it’s a great one.

While you’re racking your brains, I’ll leave you with a brief excerpt from Snowball in Hell — a scene that happens to be one of my favorites.

Spain proffered a pack of Camels. Nathan took one, and Spain leaned forward to light it for him. Spain’s hands were large and well-shaped. His lashes made dark crescents against his cheekbones. As though he felt Nathan’s stare, he raised his eyes — and Nathan couldn’t look away.

He stared into Mathew Spain’s long-lashed hazel eyes, and he realized with sudden terrible clarity that Spain knew all about him. Knew exactly what he was. Knew it as surely as though Nathan’s ugly history were an open file on his Spain’s tidy desk. In fact…Nathan glanced at Spain’s desktop as though somehow the explanation could be found there, because how did Spain know? How? Had it become that obvious? Like a scarlet letter branded into his skin — or the mark of Cain?

Hot blood flushed Nathan’s face, and just as quickly drained away, leaving him feeling light-headed. He drew back, drawing sharply on his cigarette. He sat very straight.

Spain flicked his lighter closed, put it away. He seemed to be in no hurry.

“Why am I here?” Nathan asked, blowing out a stream of blue smoke. His voice was just about steady.

Spain watched him, eyes very direct between his straight, black eyebrows.

“Why didn’t you mention you were with the Arlen kid on Saturday night?”

“I wasn’t with him,” Nathan said. “I ran into him at the Las Palmas Club. We had a drink together.” He shrugged.

Spain leaned back in his swivel chair and rubbed his chin. “Listen, Sir Galahad, it might interest you to know that the lady in question didn’t mind throwing you to the wolves. She said it looked to her like you were pretty angry with Philip yourself. Like you were mad enough to kill.”

“She doesn’t know me very well.” Nathan studied the ashes on his cigarette.

“Did she threaten to kill her husband and Pearl Jarvis?”

“She might have.” Nathan smiled wryly. “I wasn’t listening that carefully to tell you the truth.”

“Why’s that?”

Nathan said slowly, “I went there for a few drinks and some laughs, but after I got there…I realized that really wasn’t what I needed.”

“What did you need?” Spain asked — and Nathan, for the life of him, couldn’t think of how to answer.

Neither of them spoke. Neither of them looked away.

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Tessa’s Pain

My name is  Olivia Brynn, and I’m a pantser. (All together now….”Hello Olivia”)

Yes, I write books without thought as to where they come from, or where they should go. I’ve tried plotting like a good little author, really I have. But as I sit down to write an outline, I start writing some dialogue and action, and before I know it, I’ve written a few chapters. When I started writing Tessa’s Pride, I had no idea what I was getting myself into, which is part of the fun.

I knew Tessa’s ranch was devastated. I didn’t know how. So thanks to the Internet (aka an author’s lifeline) I discovered quite a few ways that a modern ranch could flounder. I Googled “Horse Disease” and I found a plethora of ways.

I discovered a disease called Equine Infectious Anemia, which seemed to fit the bill. From Wikipedia:  ”Currently in the United States, all horses that test positive must be reported to federal authorities by the testing laboratory. EIA-positive horses are infected for life.Options for the horse include sending the horse to a recognized research facility, branding the horse and quarantining it at least 200 yards from other horses for the rest of its life, and euthanizing the horse. Very few quarantine facilities exist which usually leads to the option of euthanizing the horse.”

Yikes. Add to the fact that most infected animals don’t even show symptoms, and I had my disease. Then I came across Don Blazer’s website I spent a considerable amount of time  learning everything there was to know, and emailed Don for other questions I had. (Thanks, Don!) The first thing I read on Don’s site:

“The chances your horse is going to die from Equine Infectious Anemia (EIA) are slim and none.

The chances your horse is going to die from a Coggins test are very good.

Why?

Money!”

(A Coggins test determines EIA) and so the plot bunnies started fornicating, and Tessa’s Pride was born. Although I don’t plot like a good little organized author,  I could see how an entire herd could be infected without the ranch owner’s knowledge. As an animal lover, I could just imagine what these owners went through as they were forced to euthanize their horses.

I could go on, this soap box is pretty strong, but instead I’ll leave you with an excerpt from Tessa’s Pride, showing just how hard it was for Tessa.  Thanks for stopping by!

Olivia

OliviaBrynn.com

(more…)

Nobody’s Hero

Genes shape who we are when we’re created. The argument of NATURE vs. NURTURE rears its head every time a baby is born. He has his mother’s eyes, his father’s nose, his grandfather’s hands. As a child grows, Nature comes into play even more. He’s allergic to peanuts just like his uncle, is left-handed like great-grandma, etc. If Daddy is an artist, we watch for those seeds of creativity to bloom in that child. Music lives in his blood and we’re not surprised when the child of a musician takes up an instrument at an early age.

Then Nurture comes into play… and beats the living hell out of the kid.

John Murphy was never meant to be a hero. He has a poet’s soul, sees imaginary friends and has whole worlds in his head. But the abuse he suffered growing up forced him to become what nature never intended. Hands that were designed to create clenched into angry fists. An open heart that believed in magic was broken until it hardened and shut people out. Eyes that saw wonder in every cloud and possibility in every sunbeam pinched tight in hatred.

To defend himself and his sister, he honed his body into a weapon, a shield. Life kicked him in the teeth over and over again. Every time, he’d emerge standing. Bloody maybe, but on his feet. He became used to pain. He became a loner. He became a survivor. He wasn’t anyone’s hero.

But those voices, those whispers of things not seen and stories not told, never left him. They were his only comfort. He’d close his eyes and let his pain-riddled body rest while his mind soared to lands of beauty and color, of goodness and warmth. In his world, monsters were kind, loving and loyal. His dreams became his refuge and he shared those with no one but his sister. Then she grew up, got married and John was alone, just him and his monsters… and the demons of his childhood.

One woman, a bright-eyed angel, saw past the darkness. Livvy saw beyond the hard shell to the tender poet underneath, to the child who dreamed, to the man who wanted to believe in those dreams. Livvy could take care of herself. She didn’t need a hero. She needed John.

SWEET AS SIN isn’t always nice. It isn’t always pretty. It is a gritty, intense look at the most wounded heart being healed with a sweet love.

~~~~~~~~~~SWEET AS SIN excerpt~~~~~~~~~

He tried to pull away, but Livvy hugged him tighter, squeezing her faith into him. “Alan what, Murphy? What did Alan do?”

“He beat the shit out of me daily until I was almost sixteen, among other things.”

Tears dripped down Livvy’s cheeks. She’d known. Somewhere inside, she’d known. There was no other explanation.

“He never touched Gina. That made it okay. As long as she was safe, I could handle anything he wanted to dish out.”

When he hadn’t spoken for a long time, Livvy raised her head. John stared deep into nothing. Something tremored in his body and he tightened his hold on her waist. Ache filled her and she clutched his arms. “What happened?”

He shook his head and blew out an oath. “That’s enough, Livvy. Let it go.”

“I can’t. I hurt for you.”

“Don’t.” The word sounded like a bark. The strength in his grip when he tried to push her away stunned her but she didn’t let go. For one brief second, he looked in her eyes, then shifted away. “You don’t understand. I—it’s ugly, Liv.”

“Whatever it was, you survived it.”

“Did I?” John closed his eyes and pulled her close.

~~~~~~~~~~

She was made for sin. Sin was something he knew intimately.

John Murphy is tormented by nightmares. A bestselling young-adult author, he writes the ultimate fantasy: stories where good always triumphs. He knows better. His past has shown him the worst in people—and in himself. When he moves next door to the sexy, vibrant Livvy—a woman completely unlike his usual one-night stands—he’s driven to explore every curve of her delicious body.

Pastry chef Livvy knows that giving in to the temptation that is John Murphy won’t lead to anything permanent, but she deserves a passionate summer fling. John discovers she’s as sweet as the confections she bakes while Livvy slowly unravels his secrets. But what will happen when she uncovers them all?

Inez Kelley is a multi-published author of various romance genres. You can visit her at her website http://inezkelley.com/ Follow Inez on twitter at @Inez_Kelley or on Facebook at http://www.facebook.com/inez.kelley

Buy SWEET AS SIN now from Carina Press.