Posts Tagged ‘author’

Where is your Atlantis?

David BridgerWhen you’re living through a tough time, do you go somewhere lovely in your mind?

I do. I experienced two periods of unhappiness in the navy. One was on my first ship, when the captain allowed his first lieutenant free rein to make everyone’s life hell, and I was too young and inexperienced to do anything but endure my two years on there. The other was later in my career, when I worked for three years in a small team doing dangerous work in bad conditions, only saw my wife and our little ones for a few weeks each year, and had no communications with them while I was away.

Five bad years out of twenty isn’t a bad ratio, but they were grim at the time. That’s when I developed the ability to be elsewhere in my mind when I didn’t have to focus hard on the immediate present. I lived in the happy past and the hopeful future, sometimes both at once, and always with my loved ones. It was their presence that made the place lovely.

In my urban fantasy Quarter Square, lovers Joe and Min do the comforting memories thing while living through a dark and dangerous time. Min is immortal. Joe is her reincarnated lover. War in the magical realm is spilling over into our world; everyone the lovers hold dear is in danger; and a crazed immortal werewolf is hunting them to murder Joe again. They’re on the run, and to jog Joe’s memory and help him recover the strengths he had in the past, Min tells him stories of his lives. The oldest story is of their time together in Atlantis, thousands of years ago.

Atlantis is the happy place Min and Joe go to when their world turns hellish.

Do you have an Atlantis? What’s yours like?

Tell us about it and enter the draw for a free copy of Quarter Square. Leave me a comment and I’ll draw a name at 8am GMT tomorrow and post the winner’s name in the comments!

Quarter Square


English carpenter Joe Walker thinks his life is over when he discovers his wife and best friend having an affair. Restoring an abandoned theatre offers little hope for a fresh start…until he follows a group of strangers through a hidden door into a world he never could have imagined.

In the haven known as Quarter Square, Joe encounters a community of supernatural street performers who straddle the mortal world and the magic realm known as the Wild. Here, Joe finds a sense of belonging he’s never known before—and a chance to uncover the truth behind the frightening visions that have haunted him since childhood. He also meets Min, an enchanting singer who quickly captures his heart.

But as Joe settles into Quarter Square, he learns their haven is under attack, while an ancient enemy threatens to tear him and Min apart. Now, Joe must learn to wield his own powers in order to save the life he’s come to love…



David Bridger settled with his family and their two monstrous hounds in England’s West Country after twenty years of ocean-based fun, during which he worked as a lifeguard, a sailor, an intelligence gatherer and an investigator. He writes urban fantasy and paranormal novels, and you can find him on his blog, Twitter and Facebook.

The Problem with Princesses

Princesses are everywhere. You can’t avoid them, can’t escape them. Cinderella, Snow White, Waity Katie. There are princess parties, princess pedicures, princess diaries and princess diets. Little girls dress up in tiaras and tulle; big girls buy out the entire run of a certain royal blue Issa dress hours after the engagement photos hit the net.

According to the media, no matter what heights of personal independence and professional success modern women achieve, we still want the fairy tale. I can’t argue with that—I do want the fairy tale. Just, not the Disney Princess™ version.

Growing up, my favorite fairy and folk tales were “Puss in Boots,” “Brer Rabbit,” “Jack the Giant Killer,” and “Hansel and Gretel.” These stories do not star pretty, passive princesses who sit and wait to be helped, to be saved, to be married. No, my favorite fairy tales feature adventure, danger and derring-do! They are stories where the little guy triumphs over big odds through cleverness, cunning, and courage. Unfortunately, in these tales the “little guy” is almost always just that—a guy. Princesses aren’t the protagonists, they’re the prize. And therein lies the problem.

Most popular female-centered fairy tales are about princesses, but princesses are only special because of who their parents are or who they’re married to. Just as their importance is by proxy, so, too are their adventures. Sleeping Beauty, Cinderella and Snow White don’t really do anything, except suffer virtuously while waiting to be found and rescued.

So what do you do when you love fairy tales, love adventure, and long for a strong heroine who can be clever and courageous and flawed, and still get her Happily Ever After? You write it yourself.

Catriona, the heroine of my novella, Cat’s Tale: A Fairy Tale Retold, is about as far from the typical fairy tale princess as you can get. There’s nothing long-suffering or virtuous about her. She may be beautiful, but at the start of the tale she’s also vain and indolent, a wicked woman with the morals of an alley cat.

After an evil wizard transforms our heroine into the feline she so resembled, Cat has to try to counter the curse without the aid of her looks, her money, or her killer wardrobe. What’s a pampered princess to do? Find a man to fix it, of course.

When she meets Julian, a handsome and kind-hearted miller’s son, Cat thinks she’s found the perfect patsy to buy her a pair of boots and aid her plans. But Julian turns out to be attractive, intelligent, and a bit too honest for his own good. Cat comes to respect him, to like him, to love him.

And all the while, Julian thinks she’s just a talking cat.

If Cat can keep her secret and regain her human form, she’s certain her beauty will win Julian’s heart—even though it means she’ll be gaining a lover at the cost of her only friend. But that’s a sacrifice she’ll have to make. After all, everyone knows men want women who are modest, chaste and virtuous—and Cat is anything but. A good man like Julian could never love a woman with such a wicked past. Could he?

If you’re like me, and you love fairy tales but have a problem with princesses, give Cat’s Tale a read. I guarantee Cat isn’t like any fairy tale heroine you’ve read before. If you’re hesitant to buy an unknown author, try me out first with Ember, my retelling of Cinderella. It’s available for free at my website. I’m also giving away an epub copy of Cat’s Tale to a randomly selected commenter. Tell me how you feel about princesses—love, hate, tolerate? All opinions are valid and welcome.

Bettie Sharpe is a Los Angeles native with a fondness for hot weather, classic cars and air so thick it sticks in your teeth. When she’s not busy attempting to metabolize smog into oxygen, she enjoys romance novels, action movies, comic books, video games and every other entertainment product her teachers said would rot her brain. She loves to write almost as much as she loves to read. As a child, she dreamed of seeing her name in shiny gold cursive on the cover of a luridly titled paperback book.

Bettie’s next release is a short story retelling “The Little Mermaid” called  ”Each Step Sublime.” Find out more at her website.

A Case of Fiction Imitating Life

As I write this post, I’ve been without the internet for four days. A storm blew in and knocked out our tower, an all-important tower that links to a satellite, my only means of internet communication.

Maria is not a happy camper—but she’s gone through worse. (Yes, that’s me climbing the back side of a root ball from a tree that had been wrenched out of the ground.)

When you have to brush your teeth with bottled water and rely on a hand-cranked radio just to hear another human voice, you begin to get some sense of what it is to lose everything in a matter of minutes. The recent tragedies here in the states, Japan and Australia reminded me how lucky I’ve been.

In 2005, Hurricane Rita devastated the entire Gulf Coast of Texas.

Rita tore out entire trees by the roots, taking the underground water lines with them. The fence surrounding our five acres hung on twisted posts, or were buried under trees and debris. Over a hundred pines were snapped in half like toothpicks. The power line to our house lay tangled in tree limbs, and our town was almost entirely deserted by the time we returned from our exodus.


A friend of ours, who had arrived on the scene first, called to tell us we had lost the house. He couldn’t even get into the driveway. Fortunately, he was wrong. The trees were so big they completely buried the house, hiding it from view. But that old ranch house has good bones. All we lost was the roof and some of the foundation.

We got to work as soon as we arrived, clearing brush and moving trees off the house and shop from dawn until dark. When it was too dark to work outside, I cleaned house by lantern light. The worst job of all was emptying and disinfecting the refrigerator and freezers of spoiled food. Not a job for the weak of stomach. I probably used an entire gallon of bleach in the kitchen alone.

It was hellishly hot in east Texas and after the storm passed, we endured a plague of mosquitoes crazed for blood. The standing water had given birth to millions of them. We didn’t even bother swatting them as we tried to coax a 20-year-old generator to come back to life. West Nile virus be damned.

In their rush to leave, many people left behind their pets. (Shame on them!) We were feeding dogs and cats in a steady kibble kitchen procession.

Within the week, utility workers from as far away as Connecticut arrived. They were such a welcome sight. Big smooches to utility workers everywhere. I love you guys.

And God bless the Red Cross. We had to go through so much red tape dealing with various agencies, but the Red Cross waived the damage inspection when my husband explained how primitively we were living. Sharing an old mattress with three dogs and a horde of mosquitoes in the only part of the house that didn’t have a tree over it is primitive by my book. (Because the foundation had shifted, we could no longer shut the doors properly, hence the extra mosquitoes.)

It took a long time to get back to normal. Even today, the landscape looks ragged. But I’m proud (and a little surprised) that we managed without power and water for 21 days. Since then, I don’t take anything for granted because I know how quickly it can be taken from you.

The only benefit of such a tragedy is that you inherit a treasure trove of ideas for future books—especially if you happen to write post-apocalyptic fiction.

In Apocalypse Rising our heroes go back in time—our time. Culture clash is the least of their troubles. Demons, genetic manipulation, and a rash decision could cost Leda more than she can bear. I hope to keep you guessing until the end.

Apocalypse Rising is the sequel to Touch Of Fire, a post-apocalyptic romance set 1200 years in the future. Although you can probably read Apocalypse Rising alone, you’ll have a better understanding of Leda and Grey’s world if you read how it all started in Touch Of Fire first.

And if you’d like to read more about the aftermath of Hurricane Rita and how we managed, starting Wednesday, 5-11-11, I’ll be posting a 3-part account on my blog.

***

This afternoon, Diane Dooley will take the Carina Press blog chair and share a little bit about her debut release: Blue Galaxy. Be a pal and buy her book, then pop in and say howdy.

***

Bio: Maria Zannini used to save the world from bad advertising, but now she spends her time wrangling chickens, and fighting for a piece of the bed against dogs of epic proportions. Occasionally, she writes novels.

Apocalypse Rising blurb: The only place to hide was in the past. Leda and Grey have one chance to escape a madman and that’s through a portal to a time before the apocalypse. But nothing has prepared them for 21st century culture, and every misstep draws them closer to the End Times. The world is teetering on extinction, and they may very well be the cause of it.

Of Eggs and Emails

Inception

One evening, I was deep in thought as I did mindless tasks in the kitchen. You know how it is, when you sink into your own head and kind of lose connection to what’s going on around you? I was jerked out of this by a hissing squeal. My immediate thought was gas leak, but we don’t have gas! After a few seconds, I realized it was the eggs on the stove. I was hard-boiling them, and as the water heated, air escaped the shells or something, making the noise.

My brain doesn’t like mundanities, so it immediately started exploring the effect of hissing eggs on a paranoid mind. And Regan Miller was born—a woman so caught up in keeping her daughter safe that mundanity doesn’t exist.

The Call

I didn’t actually get a call, and the reason is a good cautionary tale for other writers. :) I knew I was getting close to the typical response time for Carina, and Angela was teasing on Twitter about making calls, after sending, like, 329 rejections. I didn’t get a rejection, and Carina Press was following me on Twitter. So I actually bated my breath and waited for the phone to ring.

It didn’t.

Angela tweeted that someone hadn’t included their phone number, so my friends inundated me with IMs asking if it could be me. “No way!” I insisted. “Of COURSE I included my phone number!” So I figured my rejection had just been lost. Or maybe I was going to get a revise and resubmit request. A few days went by, and I stopped bating my breath. And then…

I got an e-mail with the offer for Fight or Flight! I’d thought I was being clever and efficient putting my contact information in the header of my document. But apparently, viewing an attachment in Outlook doesn’t allow you to see this information. So I sabotaged myself, which was fine, because I hate the telephone and was actually dreading getting a phone call! LOL Luckily, the sabotage didn’t extend to them just writing me off as an idiot. :)

The Book

Fight or Flight is a slightly unusual romantic adventure, in that its two points of view are the heroine’s (Regan Miller) and her daughter’s (Kelsey Miller). You get to see Kelsey fall in love, but struggle with what that means when her mother’s fears turn out to be completely founded, and she drags her new love into danger. On Regan’s side, she battles instincts honed over 18 years of not trusting anyone with the need to accept help from someone who might be working for her enemy.

You can read an excerpt here or here, and buy Fight or Flight here.

You’re not too late to join in The Month of the Hero, the blog celebration I’ve done with MJ Fredrick, the author of the fantastic friends-to-lovers/road-trip romance, Road Signs (another Carina Press March release, available now). All month long, we’ve discussed heroic traits in some of our favorite fictional heroes, such as Dean from Supernatural or Raylan from Justified. Now we’re having a showdown to see what hero tops them all.

I’ll be hanging out here all day (and beyond!), so please comment with your own paranoia stories, or the heroic traits you love best (and the heroes who embody them), or stupid things you might have done to sabotage yourself. :)

~~~~~~~~~~~~~

Natalie J. Damschroder writes romantic adventure because she loves high stakes and heroines who don’t ever need to be rescued (except from themselves). Check out her website or blog, follow her on Twitter, or friend her on Facebook or Goodreads. She can also be found posting every Monday at The GabWagon.

Nobody’s Hero

Genes shape who we are when we’re created. The argument of NATURE vs. NURTURE rears its head every time a baby is born. He has his mother’s eyes, his father’s nose, his grandfather’s hands. As a child grows, Nature comes into play even more. He’s allergic to peanuts just like his uncle, is left-handed like great-grandma, etc. If Daddy is an artist, we watch for those seeds of creativity to bloom in that child. Music lives in his blood and we’re not surprised when the child of a musician takes up an instrument at an early age.

Then Nurture comes into play… and beats the living hell out of the kid.

John Murphy was never meant to be a hero. He has a poet’s soul, sees imaginary friends and has whole worlds in his head. But the abuse he suffered growing up forced him to become what nature never intended. Hands that were designed to create clenched into angry fists. An open heart that believed in magic was broken until it hardened and shut people out. Eyes that saw wonder in every cloud and possibility in every sunbeam pinched tight in hatred.

To defend himself and his sister, he honed his body into a weapon, a shield. Life kicked him in the teeth over and over again. Every time, he’d emerge standing. Bloody maybe, but on his feet. He became used to pain. He became a loner. He became a survivor. He wasn’t anyone’s hero.

But those voices, those whispers of things not seen and stories not told, never left him. They were his only comfort. He’d close his eyes and let his pain-riddled body rest while his mind soared to lands of beauty and color, of goodness and warmth. In his world, monsters were kind, loving and loyal. His dreams became his refuge and he shared those with no one but his sister. Then she grew up, got married and John was alone, just him and his monsters… and the demons of his childhood.

One woman, a bright-eyed angel, saw past the darkness. Livvy saw beyond the hard shell to the tender poet underneath, to the child who dreamed, to the man who wanted to believe in those dreams. Livvy could take care of herself. She didn’t need a hero. She needed John.

SWEET AS SIN isn’t always nice. It isn’t always pretty. It is a gritty, intense look at the most wounded heart being healed with a sweet love.

~~~~~~~~~~SWEET AS SIN excerpt~~~~~~~~~

He tried to pull away, but Livvy hugged him tighter, squeezing her faith into him. “Alan what, Murphy? What did Alan do?”

“He beat the shit out of me daily until I was almost sixteen, among other things.”

Tears dripped down Livvy’s cheeks. She’d known. Somewhere inside, she’d known. There was no other explanation.

“He never touched Gina. That made it okay. As long as she was safe, I could handle anything he wanted to dish out.”

When he hadn’t spoken for a long time, Livvy raised her head. John stared deep into nothing. Something tremored in his body and he tightened his hold on her waist. Ache filled her and she clutched his arms. “What happened?”

He shook his head and blew out an oath. “That’s enough, Livvy. Let it go.”

“I can’t. I hurt for you.”

“Don’t.” The word sounded like a bark. The strength in his grip when he tried to push her away stunned her but she didn’t let go. For one brief second, he looked in her eyes, then shifted away. “You don’t understand. I—it’s ugly, Liv.”

“Whatever it was, you survived it.”

“Did I?” John closed his eyes and pulled her close.

~~~~~~~~~~

She was made for sin. Sin was something he knew intimately.

John Murphy is tormented by nightmares. A bestselling young-adult author, he writes the ultimate fantasy: stories where good always triumphs. He knows better. His past has shown him the worst in people—and in himself. When he moves next door to the sexy, vibrant Livvy—a woman completely unlike his usual one-night stands—he’s driven to explore every curve of her delicious body.

Pastry chef Livvy knows that giving in to the temptation that is John Murphy won’t lead to anything permanent, but she deserves a passionate summer fling. John discovers she’s as sweet as the confections she bakes while Livvy slowly unravels his secrets. But what will happen when she uncovers them all?

Inez Kelley is a multi-published author of various romance genres. You can visit her at her website http://inezkelley.com/ Follow Inez on twitter at @Inez_Kelley or on Facebook at http://www.facebook.com/inez.kelley

Buy SWEET AS SIN now from Carina Press.

The Challenges of Writing Romance in First Person

PhotobucketIsland of Icarus, my steampunk romance, is told completely from the perspective of Jonathan Orms, a professor of biology from 19th century London. Although I wouldn’t have written Icarus in any other way, when I look back now I realize, “You know, writing romance in the first person…can be pretty challenging.” A lot of tension in love stories is built around experiencing both characters’ feelings—giggling as the characters dance around each other.

Her: He must find me hideous, because he is so much more beautiful than I am! Let me avoid eye contact.

Him: Oh, she wants nothing to do with me. She doesn’t even look at me.

Her: God, his hand is so warm on mine. Can he feel my pulse quicken?

Him: I can feel her body stiffen. Why does she hate my touch?

Interactions like these have me clutching the book and mentally screaming, “Come on, guys! Get with the program! You two are DROOLING over each other!” Unfortunately, this kind of interplay is lost in first person narratives. There was at least one scene in Icarus that I had to alter because the narrator would not have noticed a significant look that his new friend gave him…but I wanted the reader to!

Writing a first person romance in a Victorian voice was an even greater challenge. While I don’t mind 19th century writing, it’s easy for it to turn into a train wreck. I think my editor would roll up my manuscript and whack me on the head with it if I tried to write a paragraph-long sentence with six semicolons. Trying to maintain my narrator’s prim Victorian voice but not lose the integrity of my own writing style was a balancing act. It was also a lot of fun.

Despite the challenges, I was completely set on writing Island of Icarus in the first person. Maybe it’s because I’m crazy, or maybe it’s because I prefer the first person. Heck, maybe I prefer the first person because I’m crazy. Really, I love seeing the world through someone else’s eyes and speaking with his voice. I think it makes the narrative more convincing; I’m not an author telling a made-up story, I’m the character sharing my experiences!

There is also a story-specific reason I chose first person for Island of Icarus. Icarus was inspired in part by The Island of Dr. Moreau, a Victorian novel written in the first person. I wanted to preserve the same personal element of adventure and discovery in Icarus.

Of course, there are tricks to write romance in first person—like alternating the narrative. I think Maggie Stiefvater (author of Shiver) and the other two Merry Sisters of Fate do this best, as in this story. I tried this in my short romance, Fear of Darkness, to a lesser extent (but most of it is still told from one character’s point of view).

By telling Icarus solely from Jon’s point of view, I do regret one thing—not being able to explore my other hero, Marcus, in greater depth. Marcus is an interesting character—a talented surgeon and engineer who just can’t sit still. He always has to explore, to tinker, to build. He is sociable and charismatic, yet he lives alone on a deserted tropical island. I wanted to know what it was like to be inside his mind—especially when he first meets Jon!—so I decided to write a “deleted scene” just for him. It takes place near the beginning of Icarus, so you don’t need to worry about spoilers. I invite you to read it at my website!

Enjoy!

Love, fangs, and fur ^_^

–Christine, who is oh-so-enjoying a freak South Florida cool front

www.christinedanse.com

@dansedesirable at Twitter

I Love Free Reads

PhotobucketThe title says it all: I love free reads.

Okay, easy to say. Who doesn’t love something free? I know I do. Free pizza in the Student Union? I’m there! Free tote bags for Nurses’ Week? They look just like the ones they gave us last year, but all right! Free on-line short stories? AWESOME.

There’s definitely a thrill in receiving something for free. Certainly, my bank account is thrilled. But saving money isn’t the primary reason I love free reads. In fact, I often donate money to the authors or buy a hard copy, if it’s available.

Wait, what?

Yeah, I’m serious. I love free reads, even though I usually end up donating money or buying the story, anyway. It works kind of like this: I feel like I’m getting something for free (wa-hoo!) and if I donate I have the satisfaction of being a good person.

Sooo…um, why do I bother with “free” reads at all? In a word—freedom. By not engaging in a monetary transaction before I read a story, I feel as if I have the freedom to choose stories that I really love. As I get older, my free time (what free time?) shortens, and I’ve gotten very, very picky with my selection. I won’t spend time on a story that doesn’t hook me right away, and so I am hesitant to spend money on a story that’s just going to sit on my shelf. Also, I am simply more inclined to read a story if it’s free, which exposes me to authors I wouldn’t have discovered otherwise—and endears me to them. They’re giving stuff away for free? They must be awesome people!

All right, so now that my editors probably want to kill me for writing this blog entry (I’m trying to sell a book—what am I thinking?), I would like to introduce you, the reader, to four short pieces of fiction that I am offering completely free of charge online.

My motives are simple. First, as much as I love receiving things for free, I do also love to share. Second, I am hoping that you will enjoy these stories enough that you will consider purchasing Island of Icarus or future titles by me. Third, I hope you will spread the love and share these stories with your friends, your coworkers, your family, the neighbors—anyone and everyone who would enjoy them. As long as these stories are not altered, as long as they are attributed to me, and as long as you do not charge money for them, I encourage you to link them, email them, print them—anything you’d like!

1) Pushing the Bell #1: Regarding the Events of One Sherlock’s Scandalous St. Valentine’s Day. My first piece of steampunk erotica, written for Valentine’s Day 2010. Late one Valentine’s evening, Jeremy arrives home to find his lovely wife missing and must use his deductive reasoning skills to follow the clever trail she has left for him. Of course, finding Annette is only half of the problem! In order to rescue her from a train speeding to Paris, he must submit himself to her lewd and lascivious demands.

2) Pushing the Bell #2: That Dratted Affair with the Dream Engine. A loose sequel to One Sherlock’s Scandalous St. Valentine’s Day. Annette has a “surprise” for Jeremy—a surprise that involves a rather occult machine called a “dream engine.” Apparently, the machine can record and play back dreams, and there is a special dream that Annette would like to share with Jeremy. This is the first story to introduce my steampunk world’s supernatural elements.

3) Fear of Darkness. A demon is loose in 19th century San Francisco, and Alena Swift—expert in the occult and supernatural—has been called to dispatch it. Of course, there is one little problem. Alena is deathly afraid of the dark, and this demon feeds on fear. Alena’s mysterious hunting partner, a man she calls “Shadow”, joins her on her chase through the misty city. Although he hides himself in shadows and refuses to let her see him, Alena trusts this man with her life—and not just because his voice makes her shiver deliciously. But now Shadow has abandoned Alena in pitch darkness—and the demon is stalking her.

4) Marcus. A “deleted scene” from Island of Icarus which explores the point of view of my other hero, Marcus. A sweet prelude to Icarus, and a little look into Marcus’s head. No worries, there are no spoilers!

I hope you enjoy!

Love, fangs, and fur ^_^

–Christine

www.christinedanse.com

@dansedesirable at Twitter

Why “Island”? And Why “Icarus”?

PhotobucketIn high school English, when I learned how to examine literature for images, themes, and symbols, I never thought that one day I’d be digging into my own stories for them. For the most part, I am not conscious of these things as I write. But when I look back, I find them.

For instance, Island of Icarus takes place on a deserted tropical island. When I wrote Icarus, I only knew I wanted it to take place away from society. Now, I understand that this is because Icarus is a story of inner discovery and change. The characters are isolated because their conflict takes place inside of them.

Of course, “away from society” could have been anywhere: the English countryside, the Appalachian Mountains, or even the heart of London itself. (After all, you can be surrounded by people but still remain isolated.) So why a rainforest island paradise? For one, it’s romantic and exotic! I love the idea of a mountainous island with cloudy peaks and lush foliage. What’s hotter than green trees, thick ferns, white beaches, and misty mountaintops? It’s a far cry from dark, stuffy, drizzly Victorian London, where most steampunk like Icarus takes place. (Well, the drizzly part is kind of the same–it rains a lot on the island!) It is also the perfect setting for my two loveable science geeks, Jon and Marcus, to have fun and explore. A rainforest is like a toy shop for us science types–so many things to seek and discover!

Oh, yeah. And Icarus is loosely inspired by H. G. Well’s The Island of Dr. Moreau, so that’s another reason it takes place on an island. Mind you, there are no mutilated talking creatures in my story, but the main character, Jon, is shipwrecked on an island with a mad scientist—well, a pleasantly eccentric scientist, anyway. I love reading old Victorian Era stories and playing off one of the themes or characters. My current work in progress, a steampunk menage a trois, was inspired by the traveling waxwork show in Charles Dickens’ The Old Curiosity Shop. Instead of a waxworks show, though, a married couple travels about with a “mechanical model” exhibit with something like Walt Disney’s animatronics inside—but they’re steampowered (of course!). I am sure that the old curiosity shop itself holds stories for me, too.

The “Icarus” part of Island of Icarus refers to the Greek myth of Icarus and Daedalus. As the story goes, the master artificer Daedalus and his son, Icarus, were imprisoned in a tall tower because of dangerous knowledge they possessed. Clever Daedalus crafted two pairs of wings from wax and feathers and taught himself and his son to fly. Before they took to the air, Daedalus cautioned Icarus not to fly too high, as the sun would melt the wax. After a time, the boy forgot his father’s warning and flew up, up, up until the wax melted and he plummeted to the ocean below.

All right, so it’s a bit of a depressing tragedy, but it’s one of my favorite myths. Like Daedalus, my character Marcus is an innovator and an artificer. He is fascinated with flight and is crafting his own clockwork wings from metal and wood. Actually, he’s a bit stuck on the project until Jon shows up and helps him with a few important details. And like Icarus, Marcus sometimes ignores better judgment, risking life and limb for the joy of discovery!

Has anyone else found an unexpected use for knowledge gleaned from their high school English Literature class?

Love, fangs, and fur ^_^

–Christine

www.christinedanse.com

@dansedesirable at Twitter

A cookie test and the right man

When is a cookie more than a cookie? For THE SWEETEST DEAL’s, C.C. Crowell, a triple chocolate macadamia nut cookie gives her balance, relaxes her, and is her gauge to find the perfect mate. It might sound crazy, but C.C.’s tried the logical, by the book route and been burned badly by Mr. Worse Than Wrong.  So, she’s come up with a cookie test … any man who can eat three of them and keep them down, might just be the right man.

Here’s an excerpt so you can read C.C.’s rationalization and her best friend’s thoughts on the craziness of depending on a cookie to guide your love life.

“Hey, it’s me.”

“C.C.! How are you, girl? Did you meet your future stepmonster?”

Roxie had more energy than a case of Red Bull. “Not yet. That’s tonight. I’m leaving for my dad’s office in a few minutes, but I had to call.” Pause. Deep breath. “I met a guy.”

“Ooooh. Spill.”

“I met him on the plane. He made it through all three cookies. I thought he might be the one.”

“Oh God, C.C.”

“I know. Triple Chocolate Macadamia Nut cookies are not mate selectors.”

“Was he cute? Intelligent? Able to conjugate a verb? Did he make your heart flip-flop, pitter-patter, and thump-thump?”

“Yes.” All of the above.

“And? Please tell me you didn’t let him get away because of that stupid cookie credo you follow.”

It wasn’t stupid, was it? “I did. I can’t help it.”

“Just because you had one bad, okay, disastrous encounter, with a complete jerk, doesn’t mean you have to create impossible criteria for the rest of the male species.”

“That complete jerk had a pregnant wife in the suburbs.” C.C. had believed David was the one. Every indicator, from the gene pool to the financial portfolio, indicated they were meant for each other. They belonged to the same political party, were graduates of Wharton, shopped at the same supermarket, and owned BMWs. They talked about marriage and the two children they would have: David Grayson and Anna Catherine. And then the truth came out.

“Oh, honey, they aren’t all that way. David was one gigantic liar.”

“And I couldn’t tell. That’s what scares me. I’ve tried logical, so now I’m trying this.”

“What? A messed up version of Cinderella where the real Prince Charming will devour three gigantic cookies without barfing?”

“No.” Well, maybe.

“Do you know how ridiculous that sounds?” Roxie huffed into the phone.

C.C. pictured her in jeans and one of the animal print shirts she loved so much, making faces and twisting her fuchsia-tinted hair. “There’s a solid reason behind this. I told you every time my dad came home from a trip, one of the first things he did was chomp down the cookies Mom and I made. Always three. He said it stood for the three of us.”

“Honey, I’m not making light of that touching story, but you were just a kid. Trust me, you don’t pick a mate from a cookie bag.”

“I know. It’s just a prerequisite.”

Another huge sigh. Roxie loved to sigh when she disagreed. “A prerequisite no man will ever fulfill. Did you ever think maybe you’re setting them all up to fail?”

Long after the conversation ended, C.C. thought about what Roxie said. Could it be true? Was she creating impossible obstacles? Why would she do that? All a potential mate had to do was eat three cookies and the magic kingdom of C.C. Crowell would open to them—well, maybe not open, but they’d get a peek inside. Not that there had been all that many tested, but in the two years since the disaster with David, Max on the plane had been the only one to get that close.

She’d wanted him to be the one. From the second those blue eyes met hers, she’d been under his spell. Had the attraction been that strong, or merely the result of valium and caffeine? She’d never know, but she would always wonder.

When Mary’s not working on her craft or following the lives of five young adult children, she’s digging in the dirt with her flowers and herbs, cooking, reading, walking her rescue lab mix, Cooper, or on the perfect day, riding off into the sunset with her very own ‘hero’ husband on his Electra Glide Classic.

Oooopps! Is that my book cover?!

Years ago, when my first book cover arrived in a manila envelope, I was as nervous as I was excited to see the outcome. The book was a Regency historical and I waffled between wanting to see a delicate spray of roses on the cover and a man and woman in an embrace that spoke of need and desire. I slit open the envelope and there they were – more than a hundred cover flats of a man and woman, (with a good part of their chests exposed), a breath away from a kiss. I took a breath, examined it again. Okay, I could live with this. The couple was amazingly good looking and closely resembled the description I’d sent the cover artist. Yes, I breathed deeper. Forget the spray of roses – this was good!  I showed at least six or seven other people that day and they all commented on the attractiveness of the couple, the color, the design.

And then my husband came home. He took one look at it and asked if I realized the title on the spine of the book was misspelled. Huh? I started to tell him he was crazy and then I looked again at the title. Unless there was a new way to spell Innocent, as in without a ‘t’, there was indeed an error.  Fortunately, it was easily corrected but it was a lesson well learned; all future covers would be examined by my husband!

Has there ever been a blatant error on something important that you absolutely didn’t see even though you’d been looking at it or dealing with it for a long time? And then, has someone else come along and honed in on it in two seconds?!

When the cover art for THE SWEETEST DEAL became available, there was only one minor glitch. I did actually spot it right away, even without my husband’s engineering brain. My name was misspelled, nothing major, just an ‘e’ where an ‘i’ should be and thankfully, quickly and easily corrected.

I remember Christina Dodd talking about her three armed heroine. Now that might take some explaining. Care to share any stories of covers gone wrong that you’ve spotted? I think the one that bothered me most was when my contemporary release, Simple Riches came out with Kensington several years ago. The cover was beautiful – a boat, moonlight, a bottle of wine, two glasses…a rose and candlelight on the water. The perfect romantic setting. The only problem? The heroine was petrified of water and not even Hugh Jackman was getting her in that boat!  It didn’t matter though – the cover wasn’t getting overhauled. Truthfully, no one noticed or mentioned this, so I guess I was the only one who cringed every time I looked at the cover. Oh well. It could have been worse….a three armed woman could have been sitting in that boat!

Here’s a glimpse of Max and his best friend, Rhyder, discussing the semantics of the deal Max made with C.C.’s father in THE SWEETEST DEAL.

“Well? Are we getting any closer to consummating the deal?”

Leave it to Rhyder to get right to the point. “Everything’s going as planned.”

“Meaning?”

“We’re on schedule,” Max hedged. Why was everyone so damned concerned with his sex life? They needed to leave him and C.C. alone so things could develop naturally.

“Good. ” A sigh. “So, how many times have you had sex with the woman?”

“What?”

“How many times—”

“I heard you the first time and that’s none of your business.”

Pause.

“Rhyder, you are not going to take this situation and extrapolate answers based on frequency, position and the juxtaposition of the damn moon.”

“It’s been noted the lunar cycle has much to do with—”

“Shut up, Rhyder. Just shut up.”

“Oh God, Max. Please don’t tell me you’re having second thoughts.”

“No, of course not.” He was going to give C.C. a baby.

“This woman—”

“C.C.”

Another sigh. “This C.C., you aren’t going to get involved with her, are you?”

Max was not going to answer that question. “I’m going to have to get involved if I’m going to carry out my end of the deal, now aren’t I?”

“You know what I mean. You’re just supposed to have sex with the woman and get her pregnant. That’s all.”

When Mary’s not working on her craft or following the lives of five young adult children, she’s digging in the dirt with her flowers and herbs, cooking, reading, walking her rescue lab mix, Cooper, or on the perfect day, riding off into the sunset with her very own ‘hero’ husband on his Electra Glide Classic.