Posts Tagged ‘editors’

Fun in Pictures

I didn’t get a chance to do an RWA recap, and the weeks are getting away from me, but I thought I could share a few of the pictures from our time there.

First, here’s a picture of me at a character breakfast (remember, we were in DisneyWorld for RWA this year!) hosted by 3 Seas Literary Agency. It was a fantastic breakfast and I’m glad I could attend.I’m in the front right, in the turquoise dress, kneeling in front of editor Heather Osborn from Tor.

Next up are a few pictures from the Harlequin Party on Friday night. Harlequin always throws THE party of the conference, and this year was no exception. The theme was “Picture Perfect” and, as such, there were photographers there to take photos, both staged and candid. It was fantastic!

This picture, from left to right: Rosie from Nobody Asked Me, Malle Vallik and new Carina Press author LB Gregg.

In this picture we have two Carina Press authors. On the left is Susanna Fraser, and in the middle is Marie Force.

From left to right: Jenny Bullough, me (Angela James) and Sarah Wendell of Smart Bitches, Trashy Books.

On the left is eHarlequin Community Manager Jayne Hoogenberk and with her is Danica, one of the eHarlequin community hosts

I hope Jenny can forgive me for posting this picture, but we had FUN and here’s where you see it.

I also have a few pictures from the Ritas.

From left to right: aspiring author Kat Crouch, me, and author Dawn Chartier (they said I inspired them and wanted their picture with me. I was so flattered!)

Three of the most gorgeous editors you’ve ever seen, from the London Mills & Boon offices. And so nice you can’t hate them. I’ve warned them I’ll be visiting them in London someday soon:

I have more pictures from RWA, so I’ll try to be back with a few more on Monday!



Saying Goodbye

This post was written by Andrea Kerr.

This is a difficult post for me to write. I’ve been staring at the screen for days (off and on, not continuously), unsure of what to say. You see, as of next week, I’ll no longer be a member of the Carina Press Acquisition team. To be completely cliché, I’m about to start a new chapter in my life: I’m heading back to school to get a teaching degree! And since a full-time class schedule makes a full-time work schedule just a little bit of impossible, this means I’ll be leaving Harlequin after close to 9 years. This is a positive thing, since I’m passionate about education and working with children and excited about the new challenge I’m undertaking. But it’s also a sad thing, because I love working here (and truth be told, I’m more than a little nervous – going back to school at this point in my life is probably the craziest scheme I’ve ever cooked up.)

Back in 2001, Malle Vallik rescued me from a job that literally bored me to tears and hired me as the Associate Producer for eHarlequin.com. Since then I’ve edited several hundred online reads, written thousands of lines of copy, tested (and retested) possibly millions of links and web pages, and gone up two pant sizes (there always seems to be cake…) I’ve also waded through various slush piles, judged numerous online writing contests, written articles, quizzes and polls, participated on several internal teams, edited some series books, gone to RWA (Denver and NYC), and so much more. All in all, it’s been a dream job (and apparently a busy one!)

Fortunately, it’s commonly said around the office that no one ever really leaves Harlequin! This is great news for me, because I love editing and writing and the people here too much to give it up completely. I plan to stay involved in a freelance capacity as long as they’ll let me. Being involved in the Carina Press launch was one of the best professional experiences I’ve had, and working as part of the team is the thing I’m going to miss the most.

OK, now I’m tearing up.

So you haven’t heard the last of me, I hope to keep my hand in, reading submissions, editing, writing copy—hey, maybe Angela will even let me blog on occasion! Until then, tell me I’m not crazy (even if you think I am!)

Andrea Kerr, Producer, eHarlequin.com, Member of the Carina Press Acquisition Team, and future elementary school teacher-slash-freelance editor

AJ: Andrea has been a valued member of our acquisitions team since Carina launched, and we’re going to miss her in our weekly acquisitions meetings, for both her astute opinions and her willingness to jump in and tackle any challenge. I’m particularly excited that we’re going to get to “keep” her, albeit in a different role, as freelance editor and cover copy writer, so some of you may get a chance to work even more closely with her if she acquires your manuscript!

This is me-just a little bit late

The past few months have been a bit of a period of changing things around here on the blog, as we had the Carina Countdown, and then we had a month of launch posts. So starting in July, I created a new blogging schedule and recruited some help (in the form of a post from a different acquisitions team member every week). Tuesdays and Wednesdays are dedicated to the authors with releases that week. But Fridays, I’m supposed to blog on Fridays.

*crickets*

I didn’t remember I was supposed to post on Friday until yesterday afternoon. At which point, I figured I might as well save it for today, because what we’d had planned for Mondays hasn’t worked out so well to date either. Running a team blog is a little bit challenging. Running a team blog when even the person running it has memory lapses…even more challenging!

But it’s been awhile since I’ve done any kind of update post, so now seems a good time.

In a very behind-the-scenes update, I’ll tell you that I’m once again getting ready to bring on more new freelance content editors. But unfortunately, this isn’t a job opening call, so don’t send me your resume, okay? I have about five freelancers I’ve been corresponding with over the past few months, while I got to a better place to bring more on (in other words: past launch and the possible loss of my sanity). All of them are experienced editors who somehow came recommended to me by various sources, and they have a wide variety of editorial interests (from fantasy and science fiction to mystery and thrillers). Right now, I’m in the process of updating all of the original materials I had put together for our freelance crew, reviewing processes and making sure that things are clear and understandable, now that I’ve been working with the original crew of freelancers for over six months (my, how time flies!) Once I’ve got everything updated, I’ll be talking with the prospective freelancers more closely to see if their interests and talents mesh with what Carina is looking for, and if we bring any of them onboard, I’ll be sure to introduce them here on the blog so you can continue to get a picture of the Carina freelance editors and their likes/dislikes and experience.

Also always of interest to the authors out there is a submissions update. I don’t actually have one for you right now, so hopefully I can post one this Friday as working on submissions is a major item on my to-do list this week.

In other news, the Carina team is getting geared up for RWA Nationals in Orlando at the end of the month. On my schedule is a workshop on Friday where I’ll be speaking with author Jaci Burton about digital publishing, a Carina Press cocktail party Friday afternoon and the ESPAN inaugural tea where I’m flattered to be the guest speaker. And on Saturday, the Carina Press spotlight. More information on all of those to come in a separate post.

We’ve been acquiring a good number of books–including non-romance books–that we’re very excited about and I’ll have to start posting about those. Maybe on Mondays :P Through November, we’ll continue to release 1-2 books a week. In December, we’re going to be releasing a number of holiday-themed novellas. Then, starting in January, we’ll be increasing releases to 2-3 books/week. We’ve gotten a lot of really excellent submissions.

If you’re interested in sneak peeks of upcoming cover art, I post 2-3 new covers on our Facebook account every Thursday.

Now that we’ve launched, it seems like what’s happening behind-the-scenes should probably have slowed down, but there’s still a lot going on. We’re always thinking and planning the next thing, and looking at what’s working and what’s not.

So tell me, is there anything behind-the-scenes that you’ve been wondering about?

Shannon Stacey interviews Executive Editor Angela James

Shannon Stacey is the author of eleven published works, nine of which were edited by the comma-killing, wandering body part-snagging, action tag-loving Angela James. Shannon’s current Carina Press release, Exclusively Yours, is their ninth book together and has a lot fewer commas now than it did when Shannon wrote it.

1. If I could go back in time and rewrite any one of the classics, I’d give Gone With The Wind a happily ever-after-ending. (And have Ashley Wilkes get murdered in the first act, causing Melanie to develop an opium addiction that would make her a great deal more interesting and…oh wait. Back to you.) If you could go back in time and edit any one of the classics, which would be it be and why?

Um, none of them, because I’m an editor not an author and me trying to rewrite anything would be tragic! And I’m afraid your follow-up question can’t be which books I’d go back and re-edit, because I’ll have to plead the Fifth. I’d like to hear more about your plan for Gone With the Wind, though. You could do for Gone With the Wind what that author did for Pride and Prejudice. Something having to do with zombies. And maybe some shifters and vampires thrown in. We could make millions! Let’s chat. I’ll have my people call your people.

2. How important is an author’s social media profile to you? If you’re on the fence about acquiring a manuscript, can an author who’s successfully using social media tip you toward buying? Conversely, if an author’s “behaving badly” in public via social media, will it tip you against buying? (No, that’s not three questions. The second two are subquestions.)

I should never have assigned this interview to you, cheater.

I do look at authors’ social media proficiency: blog, Twitter, Facebook, website and look to see what they’re doing to build their brand. A really strong, positive author brand can tip me in favor of an author because it says to me they’re willing to put in the time and effort to their business.

And I have rejected authors who have publicly behaved unprofessionally online via their social media profiles. Publishing is a business where authors, editors and publishers work (or should work) intimately with one another, and where we need to depend on each other for professional courtesy and patience. If an author has already shown publicly they don’t mind letting loose in an unprofessional way, rather than being smart about managing their brand, then that’s one sign that a comfortable working relationship may be difficult.

3. Have you ever harbored a secret desire to write a novel yourself?

I don’t think it’s a secret desire. I grew up reading and I think for many people, a natural extension of having a love of books is having a desire to be able to write one. People have often asked me if/when I’m going to write a book, but the truth is, I don’t seem to have been blessed with the fiction novel gene. It’s actually one of the things I love about books, the awe I feel at the worlds and characters other people have created, wondering how they DO that and do it so well. So I probably won’t be writing a fiction novel anytime soon.

Now, non-fiction, that’s another story…

4. What’s your secret for working from home? Does self-discipline come naturally to you, or do you have a routine that helps, such as work clothes on work days or a specific place in the house you work?

I’ve been working from home long enough that I’ve learned to be disciplined about my time. I wouldn’t be in the position I am today if I’d spent all my time working from home goofing off instead!  I have a job and I have duties, I have people who are depending on me to get that done. If I’m not disciplined, they don’t get done and people will notice and then I won’t have a job (motivation!) So I don’t have any choice but to be disciplined. Added to that, I think having discipline shows respect for what you do, and for the people who depend on you, and I have a tremendous amount of respect for my peers, my co-workers, my authors and my freelance contractors so I try not to let them down.

During the week, I work during the day (from about 8a-4:30p) while my daughter is at daycare and husband is at work. Because my brother has moved in with us and taken over the room that was my “office” I work either in the living room or dining room. I don’t turn on the TV during the day (because I’m at work) and I don’t feel as though I also need to be doing housework just because I’m at home. Because really, I’m at work (sense a trend in my mantra, here?) Like a normal office job, I allow myself a day every so often to do something out of the ordinary, like go out to lunch, but otherwise, I’m at work.

The hardest part for me is actually separating from work, because working from home, you never truly leave work. So even though my main workday is during the day/week, I also work in the evenings and on the weekends. I often have to force myself to stop.

I guess the main trick is not to think of it, or allow other people to think of it, as you being at home, but to keep reminding them you’re at work, and that they shouldn’t expect things of you that they wouldn’t expect of anyone else at work. If they can’t do the laundry at work, you shouldn’t be expected to either!

5. If you weren’t married and could date any Star Wars or Star Trek character, who would it be and why? (And no, you cannot cheat and substitute Firefly. Or Doctor Who. Or Battlestar Galactica.)

You cheated in question #2 so I have a free pass. Despite my love for the shows you mentioned, I would date Angel from Buffy the Vampire Slayer.

(Note from Shan: Angel? Ew. Spike, baby. It was all Spike.)

(Note from Angela: Yeah, you’re also the one who roots for Juan Pablo Montoya as your favorite Nascar driver. I rest my case.

(Note from Angela part 2: –though I do admit that Spike would be my second choice)

Bonus question: If a writer aspiring to be a Carina Press author wanted to make you wiggle in your chair, what would he or she send you?

Because I’m so busy with the administrative side of running Carina, I don’t have much time in my schedule any more for editing. I do read a lot of submissions, but I generally pass the ones I love/acquire to the freelance editors. I really love editing, though, so I continue to work with a few authors, though not much more than a book a month. The genres that are most going to catch my eye and convince me to edit a book from the slush pile are space opera (I’m still waiting for someone to write me a western-flavor space opera a la Firefly and Captain Tightpants!), futuristic romance, steampunk (I was asking for this 5 years ago, long before it was “in” so why stop now?) and erotic romance of any sub-genre, but I have a soft spot for good BDSM erotic romance because it’s so difficult to find.

Though I do find myself reading some longer submissions because of the genre, if you’re writing a novella in any genre, I’m most likely to grab it out of the slush pile and read it, and most likely to keep it for editing myself, because novellas fit much better into my schedule!

All that said, there are always books and authors who I’ll try to edit (Hi Nora, call me!) because I want to keep editing, as it’s something I love and don’t want to get too rusty at!

* * *

You can find Shannon at her website or running amok on Twitter and Facebook. Her next book, Undeniably Yours, releases from Carina in October. You can find Angela pretty much everywhere (the hard part’s getting her to sit still), but Twitter and the Carina Press Facebook page are good places to start.

Surprise!

Working for Carina Press has been full of surprises. When I started receiving submissions last year, I didn’t realize I that each book I acquired would give birth to a unique relationship with a writer—men and women with different lives, communication styles and backgrounds.

Not much of a social butterfly, I have to admit I’m surprised at how much I love this aspect of editing.

A lot of careers subdivide people by interests and geography—you often end up working with people who are fairly similar to you. Not so fiction editing. Though bound by a love of stories, authors come from different parts of the world and have a fascinating array of backgrounds and interests. My authors are farmers, corporate professionals, video gamers, primary caregivers, academics and full-time writers. They have unique hobbies and life experiences that seep into their stories—even ones that take place hundreds of years ago or in an imagined future.

Aside from the poignant moments of love, pain and profound humor that I seek and savor in each manuscript–and those are a big deal, the most wonderful parts of each book for me are the kernels of real life that seem to sneak into the story. Guys ribbing each other in Her Heart’s Divide, the details of NYC opulence in Parker’s Price, the editing rooms and TV station personalities from In Plain View, Motor City Fae’s heroine singing Monty Python songs to herself, the glee with which Daphne goes boot shopping in Consent to the Cowboy, Overnight’s heroine’s peace with herself as she goes about everyday tasks, Krayne’s struggle to reinterpret the past in Betrayed, Anna and Will comparing their feet in The Sergeant’s Lady, Jane’s skillful classroom management while her life has spun out of control in I’ll Become the Sea, four-year-old Dina’s boundless faith in the Fae lord, Aidan, in Motor City Witch, Derek’s thoughtful chores for the heroine in Her Kind of Hero and his lack of awareness of his superb physique, Grace’s struggle with her body and her surroundings in the post-apocalyptic world of Should We Drown in Feathered Sleep.

Maybe the writers did not actually experience these situations–or maybe they did. Either way I am struck by the authenticity of these moments and I feel lucky to be working with the authors who created them.

Care for a Drink?

When I became a full-time freelance editor 2 years ago, I was more excited than I was nervous. Picking my own projects, working in my pajamas, setting my own hours—I was living the dream, right? At the time, I was confident I’d never look back, and for the most part, I didn’t. In fact, there was only one thing I missed about working in an office.

It wasn’t having to resist the temptation of baked goods in the kitchen every week (every office has at least one person whose goal it is to ruin your waistline). It certainly wasn’t the long commute via public transportation whose reliability has only been matched by Twitter’s during the World Cup. It wasn’t even having a tech department only a phone call away, though I almost caved when Microsoft Word started acting up.

No, what I missed about the daily grind was chatting over lunch with my coworkers and being able to call another editor over to help me figure out what was awkward about a sentence. I missed the watercooler discussions that you probably take for granted when you go into the office every day.

Well, when I started working with the Carina editorial freelancers last winter, my prayers were answered. The six months between when I started and the June launch were fast and furious with edits and covers and blurbs—oh my! But it was also such a relief. Because while a tremendous amount of work got done in a short amount of time (my hat’s off to the rest of the Carina staff for pulling it off so effortlessly), there was also a lot of fun had by all. And I definitely got my wish in terms of the watercooler discussions.

Between monthly editorial calls, the editors’ discussion group, and social networking, I’ve chatted with my editorial peers and picked their brains about everything from television to exercise to, of course, books. It’s easy to go word-blind when you read a story three times (or more), as is common during edits, but when I’m having a hard time figuring if a sentence is clear or if a passage is conveying what it’s intended to, I just shoot an e-mail to my fellow freelancers, and voilà, three or four informed opinions in the same amount of time it would have taken me to bend the Chicago Manual of Style’s rules to fit my purpose. When I’m sad about an R&R not coming back, I need only send a message before I have someone to commiserate with. And when I’m procrastinating, the CP staff’s Twitter feeds can always be counted on for a book review that adds to my TBR pile or an article that makes me want a Nook even though I already have a Kobo and a Sony.

And on the flip side, my authors and I have had some diverse and off-the wall conversations as well, and not just book edits and brainstorming projects. While one author and I had an involved discussion on the differences between urban fantasy and paranormal romance, I’d be e-mailing another about whether there’s a moral obligation for heroines in contemporary romances to use protection. Nothing is off-limits, and I love having such a great balance between work and play.

These days, my virtual office watercooler is busier than ever, and I wouldn’t have it any other way. So, feel free to join the discussion by shooting @kaywhyem a message on Twitter or leaving a comment on this post. Whether you want to talk favorite genres (GLBT and medical romance? Yes, please), television (Bones and Top Chef), or punctuation (I’m a fan of the series comma), I’m always at the watercooler and ready for a drink.

“Where no great story goes untold” Yes, really…

Wait. It’s June already? Back when I started editing for Carina, in December 2009, the 2010 June launch seemed so far away. We had months after all, right? (At this point, I can practically see the tireless, hardworking Carina staff recoiling.)

Oh, my. Time does fly when you’re having fun—or are on a tight deadline.

My background is in traditional print publishing, having spent three years in editorial at a major NYC house followed by almost four years in acquisitions for commercial book clubs. Working for Carina Press marks my first foray into digital-first publishing and, let me tell you, I’m impressed by the range of opportunity it allows for authors and readers alike. One of the hardest things for an editor to say about a book is “I love it, but… (rock stars don’t sell, no one is buying Vikings right now, it crosses too many genres, fill in the blank). Because, yes, the traditional model and marketplace sometimes do impose these kinds of restrictions. Yet, a lesson I learned from my experience selling direct to consumers at the clubs is that there’s a buyer for every book. Cue the Field of Dreams voiceover: If you offer it, they will come…

As an editor, I love Carina’s “no great story goes untold” promise because I feel as if I’ve been let loose. Currently my authors have written such different projects as a Victorian historical, fun women’s fiction, romantic suspense with paranormal elements, an erotic shifter menage, first-person romantic suspense, and a novella I can only describe as having a traditional Regency sensibility with a threesome twist. And that’s just my list. The editorial staff has a wide range of interests and it’s reflected in the books they’re drawn to. I’m constantly surprised by the diversity of stories than come into our submissions inbox and out of our acquisitions meetings. As a reader, I’ve already started a greedy little (or, rather long) list of Carina books I want. As both, I’m hoping the sheer enthusiasm behind this new venture is contagious, and I’m excited to see where Carina books and authors will take us next. Here’s to variety as the next big trend in genre publishing.

You can follow Gina on Twitter

Meet me in Birmingham

Come to Southern Magic’s June 26 meeting at the Homewood Publc Library to hear Angela James, Executive Editor of Carina Press, talk about e-publishing.

It doesn’t matter if you’re published or not, or if you ever plan to be e-published, you need to listen to what she has to say. This is the future and you need to be informed and aware of what’s happening around you.

What: E-FACTS ABOUT E-PUBLISHING

When: June 26, 2010, from 2:00pm to 4:00pm

Where: Round Auditorium at the Homewood Public Library, Birmingham, Alabama

Southern Magic will provide a dessert table and coffee.

Registration is mandatory by contacting Callie James at calliejamesbooks@bham.rr.com. Otherwise, we cannot guarantee you a seat.

Attendance is free for Southern Magic members, $5 for other RWA chapter members, and $10 for the public. Pay at the door.

PROGRAM: Angela James discusses the ins and outs of e-publishing, including what to expect from an epublisher, how to distinguish between unfunded or under-funded epubs, the real sales figures, what constitutes good distribution, covers, promotion, and more. We will have Q&A time available throughout the program.

More about Angela James:
Executive editor of Carina Press, Harlequin’s digital-first press, and veteran of the digital publishing industry, Angela James is a well-known advocate for digital publishing. James has enjoyed a long and varied publishing career that has included ownership of an independent editorial services business, work as a copy editor for electronic book and small press publisher, Ellora’s Cave, and executive editor for Samhain Publishing. James frequently travels to regional, national and international writing conferences to meet with authors and readers, and present workshops on digital publishing for both authors and readers of all genres of fiction.

Carina Press is a new digital-first publisher that combines editorial and marketing expertise with the freedom of digital publishing. With a long history of digital marketing and editorial experience, the Carina Press team is committed to bringing readers fresh voices and new, unique editorial.

Our philosophy is: no great story should go untold!

Carina Press will publish a broad range of fiction with an emphasis on romance and its subgenres. We will also acquire voices in mystery, suspense and thrillers, science fiction, fantasy, erotica, gay/lesbian, and more!

************************************************
Southern Magic is the Birmingham, Alabama, chapter of the Romance Writers of America.
Meetings held at Homewood Public Library
1721 Oxmoor Road, Homewood, AL 35209

Breaking the Mold

It’s been an intense and wonderful half year getting ready for launch. I love working with the CP team. I’m thrilled with the quality of our book covers and the attention to detail that goes into every aspect of the process. But what I like best are our great stories, and the rich variety of genres, tone and content.

I joined Angie James’s editorial staff in late 2009. I’d worked for Angie before, so I went into this venture with a good idea of the high standards she’d set and the type of rigorous editing processes she’d require. What I wasn’t prepared for was the avalanche of submissions Carina Press would receive. For months it felt as though I did nothing but read ms submissions and prepare reader reports.

I love having the freedom to acquire in any genre and, apparently, so do authors. Carina Press is looking for good stories for adult readers, period. Any genre of commercial fiction, genre mix, heat level or length, from short story to epic novel. We’re not acquiring only the hottest-selling genres, and we’re not boxing our authors into predictable storylines or structures. This freedom has attracted a wide variety of talented authors to send us their mss from the day we opened for submissions.

The backgrounds of the authors we’ve contracted run the gamut. Some have successful print careers but wrote a book of their heart which couldn’t find a home elsewhere. Megan Hart’s Exit Light is paranormal women’s fiction, not romance. It isn’t like any other story I’ve read before, but I love the heroine of this powerful, inventive, emotional story. Carrie Lofty’s historical romance Song of Seduction is set during the Napoleonic Wars—the same time period as Regency England, but in Salzburg, not London. And the hero is a Dutch composer… If you read this novel, you won’t find familiar Almack’s scenes, but instead you’ll get a unique romance filled with music and passion. Reviewers love it and we trust that our readers will too.

It’s been a delight to work with such experienced, professional authors. At the other end of the spectrum has been the fun of working with shiny-new debut authors such as Ginny Glass and Jenny Schwartz. Their enthusiasm alone has made the long hours leading up to launch worth it. Jenny’s paranormal romance about a djinni, The Price of Freedom, breaks the “rules” in another way by opening in the viewpoint of a supporting character. Ginny’s erotic story Coin Operated is BDSM-themed but you won’t find a club scene, leather whip or handcuff inside.

Even when writing in more popular genres, Carina’s authors put a twist on them. In Dee Tenorio’s super-sexy Tempting the Enemy, the werewolves are losing a battle against the combined might of humans and psychic mercenaries. The shifter in Inez Kelley’s lush fantasy romance Salome at Sunrise is a hawk. Bonnie Dee re-imagines Tarzan as gay in her steamy m/m historical Jungle Heat. Clare London’s passionate m/m mystery Blinded by Our Eyes (coming in July) isn’t structured like a traditional whodunit, focusing instead on the psychological aspects of love and murder. The PI hero of Shirley Wells’s clever mystery Presumed Dead (July) is a terrible husband and a chauvinist, but I’ve never rooted harder for a hero.

Have a story that breaks the mold? Submit it to Carina Press. Like reading something beyond the norm? Browse our store…

You can follow Deborah on Twitter

Leah Braemel interviews editor Rhonda Stapleton

Hi from southern Ontario Canada, home of Harlequin’s headquarters. And me, Leah Braemel. I’m the only woman in a houseful of men—heck, even my cat Spike is male. It’s my life’s mission to avoid the dust bunnies that are taking over the house by hiding out in my office writing steamy romances like my upcoming Carina release, Texas Tangle. I was thrilled when Angela invited me to interview my editor, Rhonda Stapleton. When I learned that I could give Rhonda a deadline instead of the other way around, it was that much more fun.

Leah: Since I’ve not met you in person (yet), I want to know more about you. Is there something unusual that you do or have done that people normally don’t know or would be surprised to know about you? Are you an avid ghost hunter? Have you ever gone sky diving?

Rhonda: Oooooh intriguing question. Um, here’s one: I have a HUGE backpiece tattoo. It takes up my entire back. It’s a Japanese samurai woman with a background taken from a Japanese woodblock painting done in the 1800s. At the top is a phoenix flying.

Leah (cringing): Wow, that sounds intricate. And painful. I freely admit I’m a wimp. I nearly passed out getting my ears pierced, so I can’t imagine subjecting myself to a needle for that long. It must make for an interesting conversation at the beach.

I glance at the ceiling in an effort to figure out what Spike’s staring at. Yet again he’s psyched me out—there’s nothing there, silly cat. What were we talking about again? Something about a beach? Hmm, that gives me an idea for my next question:  if you were stranded on a deserted island and could bring only three books from your keeper shelf, what books would they be? (see how skillfully—not—I worked in the beach reference?)

Rhonda: OMG I can’t even answer this. It’s like asking me to choose between my kids. haha. I can give you genres though–YA contemporary, adult futuristic, and adult historical.

Leah: Hmm, should I be worried that there are no erotic romances on that list? Maybe I should slip a copy of Texas Tangle into your emergency bag when you’re not looking. Oh, right, you’ve gone over it so many times editing, you probably have it memorized by now.

I lean back in my chair and toy with my pen in an attempt to appear professional. (Ooops, too late, I’m pretty sure my flannel pajamas have destroyed that image.) While we’re on the subject of editing, writers know that editing is not just about grammar and punctuation, it’s so much more. But for those non-writers who are reading this, can you share your process when you’re editing a manuscript? What do you look for to make a story better?

Rhonda
: The first thing I do is a read-through of the story. As I read, I make notes about things I notice that need to be tweaked or clarified or may be potential issues. After that, I do a thorough digging in, looking at the big-picture issues: plot, setting, pacing, character, etc. All those things that affect the storyline and how it progresses. Are characters consistent and engaging? Is the setting relevant and present? Is the pacing appropriate to the scene and to the story? After that, I do my nit-picky round, where I look at the language and word usage–is there too much repetition/similarity between sentences, or word choice? Is the language vivid, concrete, and specific enough with sensory detail?

LeahI stifle a groan and mutter about sensory detail as I stab another pin into my Rhonda voodoo doll (Ooops, you weren’t supposed to see that!) For the writers who are reading this, what are your pet peeves that turn you off a manuscript?

Rhonda: Too much info drop is a huge pet peeve. It slows down the pacing and pulls me out of the immediate story. I also don’t like characters who are overdramatic or who don’t react as a normal person would. If your character is unreasonable and petty, I am totally not going to want to read the story.

Leah:  Overdramatic? I wouldn’t know anyone like that! I quickly change the subject. What type of story would you love to find in the submission pile?

Rhonda: I really want interesting locales or time periods you don’t normally read about. I love reading about unusual places and eras. I adore futuristics, contemps, historicals–really, any genre of romance works for me. I love anything from a sweet story to a super-spicy one, so long as there is romantic and sexual tension there. I also loooove Asian culture and would love more submissions that are multicultural.

Leah
(making notes for her own future submissions): Not only are you an editor, but you’re also an author. How do you balance your time between writing, editing and having a life? (You do have a regular life, don’t you? Or is that a set of shackles around your ankle binding you to your computer?)

Rhonda: Wow, good question! Um, not having much of a life right now, but I’m trying! haha. I do a lot of multitasking, and I set aside dedicated time for each task.

Leah (guessing that Rhonda’s wondering if this interview will ever be over, especially from the way she keeps eyeing the door and checking her watch):  Thanks, Rhonda. Or and um, about that doll with the pins? It’s for, um, research. Honest!

You can follow Rhonda and Leah on Twitter. You can also check out Rhonda’s excellent editing of Leah’s Texas Tangle when it releases in June.