Posts Tagged ‘Ella Drake’

Landscapes of a story

While researching the setting for DESERT BLADE, a near-future post-apocalyptic romance, I ran across something I’d never heard about before. Beneath the town of Leavenworth, Kansas, there’s an “underground city”. The recent rediscovery of it made some press, but on digging deeper, it turns out to be more like a series of a few connected basements. Possibly to hide escaped slaves or even fugitives. After all, Leavenworth was a part of the Wild West back in the day. Plenty of fugitives to go around.

Deciding the setting of a story is often a straightforward and automatic fit. Sometimes the landscape takes on a character of it’s own. Such is the case in Desert Blade. When creating a post-apocalyptic world, the setting is a crucial element. In the early stages, the attraction of an underground city took hold of my imagination. I pictured secret meetings. Hiding in the dark. I pulled on my experience walking through Underground Atlanta, which is an old underground train depot that’s now a mall. Then I found myself looking at malls in a new light. What might happen if an apocalyptic event happened and everyone in this mall, right now, became the only survivors for miles around? Or, maybe the subway. All the people riding in those cars go into them after work and come up to find the world changed? The setting would set the tone of the book and these setting lent a definite darkness to any story of survival.

But in the end, Desert Blade is about the land. The open spaces of the American mid-west. It’s about what happens when bio-engineered food crops go horribly wrong and the entire face of the United States is changed. Showing that story couldn’t happen underground. It needed to be out in the open and have a larger than life hero who needed all that space. And Derek is certainly larger than life.

Still, those landscapes keep living and evolving in the back of my mind and certainly may turn up in a future story. Because an underground city is such an enthralling concept for a story.

What landscapes have you seen that made you create a history or a future to fit it? Have you visited underground malls and created stories around what could have happened one hundred years ago on those same bricks now beneath your feet?

Desert Blade

In the post-apocalyptic Midwest, now a ravaged dust bowl, former guardsman Derek Covington must find help for a sick boy. With nothing but memories of all he lost, Derek crosses the desert alone in search of the doctor who saved his own life ten years ago. Drifter gangs who loot and pillage don’t dare come near, for Derek has a formidable weapon: a prosthetic arm with a deadly blade.

For a decade, Dr. Lidia Sullivan has fantasized about the handsome guardsman who’d been in her care. And now she can’t deny his dangerous request. But as they make the treacherous journey back to Old St. Louis, they must contend with much more than fierce desert winds and their unthinkable attraction. A fearless gang has spotted Lidia—a rare woman—and will fight Derek to the death to get her. And though he risks his life to save her for the sake of the child who needs her, she fears there’s one thing Derek will never risk: his heart.

Available from CarinaPress.com

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Ella Drake is a dark paranormal and science fiction romance author. You can find her on Twitter, Facebook, & Goodreads.

For more Science Fiction Romance from Ella, see her other releases from Carina Press: Silver Bound and Jaq’s Harp

Bamboo and Fairy Tales

bambooAt it’s core, Jaq’s Harp is a re-telling of Jack and the Beanstalk. The most vivid imagery of that essential story is the beanstalk. Set in a futuristic world without magic, the beans still have to be special. After all, Jaq has to get way up in the sky. Instead of magic beans, this world of advanced science features something unique, a biotechnology that grows into a giant beanstalk.

There is a green-ness to that imagery and in the core tale, but the world of Jaq’s Harp is based in sprawling cities, smog, and poverty. Where it exists at all, green space is a premium. So when I was thinking through what kind of plant would still exist in that future world, I landed on bamboo.

I’m one of those people who likes to pretend she has a green thumb. I get all excited about planting my garden in the spring, and I’m diligent about it for a few weeks. Then my attention wanders when being outside and enjoying the end of winter has started to turn into heat I want to escape. My garden gets over-run with weeds and I forget to water. I finally came around to the right solution: if a plant can thrive with neglect, I’ll plant it. But I steer clear of bamboo.

I love the look of bamboo. I love that it can fill a space and give privacy. I love the way it sounds when the wind blows, but I don’t love that it grows like crazy and can take over your entire yard. While it can grow like a weed & needs no attention, it’d create more work because I’d have to keep it in check. Still, one of my fondest memories of going fishing as a kid was cutting down bamboo poles and getting lost in the jungle of my great-aunt’s old house, surrounded in bamboo.

Bamboo is a survivor. If I’m imagining a future world where only the toughest plants survive, my money in on bamboo (or maybe kudzu). So, it’s a plant of choice in the few plantable areas in Jaq’s Harp. Not to mention, Jaq makes use of the bambo stalks in the end of the story. Who knew bamboo could be so much fun?

Oh, and a side, completely-unrelated note: I love watching panda’s eat bamboo.

*** I’m giving away a copy of Jaq’s Harp to a random commenter. This is easy. Just tell me a creative use of bamboo you’ve seen (or any other landscape-type plant). I’ll pick a winner by midnight tonight. (11:59pm EST)

Jaq's Harp by Ella DrakeJaq’s Harp is available now!
In a world of floating islands and bio-engineered beans, the bad guys are taken down by agents of the Mother organization—agents like Jacqueline “Jaq” Robinson. Instead of accepting her next routine assignment, she sets out on a mission of her own—to destroy Giant Corp, the company responsible for her sister’s wasting illness. Jaq must steal her cure from Giant’s headquarters high above the city…even though she’ll be brought face-to-face with Harper English, the man who left her to go deep undercover at Giant.

For Harp, Jaq had been a distraction the mercenary thought he couldn’t afford. But once he sees her again, Harp knows he’s made a mistake. Even though she vowed he won’t have her again, it’s clear they still have a powerful attraction. Harp’s determined to get a second chance with Jaq—if they can escape Giant Corp and get back to solid ground in one piece…

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Ella Drake is a dark paranormal and science fiction romance author. You can find her on Twitter, Facebook, & Goodreads.

Rustling up a space cowboy

Silver Bound by Ella DrakeWhen I started writing Silver Bound, I found that the lead character, Guy Trident, was shaping up to be quite unusual. And I liked it.

Guy’s normal day-to-day is split between being sheriff of his small town and owner of a ranch on a planet that has been technology limited. But in a time of easy space travel when the wealthy live on lawless space stations, upholding the law sometimes takes him not just out of the saddle, but off-world.  He can rustle up some steer as well as steer a space shuttle. (“steer” get it? *groan*  I went there). He’s as comfortable living the small-town life as he is crossing the galaxy to make things right for Jewel, the heroine of his life. He might be on a space station, but he’s wearing his cowboy boots.

So can I help it if, while writing this story, I kept picturing a time in my past when I frequented a country bar and rode a mechanical bull? As fun as it was to climb up on that thing, I only did it a handful of times and haven’t done it since. It was a little scary, a lot of fun, and exhilarating. But here’s a secret, it was incredibly sensual for me. Did I feel slightly uncomfortable with those feelings in a bar with dozens of people watching me? Maybe a little. Maybe this is why I haven’t ridden one since. Maybe this is why I should hunt one down and take the husband on a date to a country bar.

But it helped me to imagine the feelings Jewel has when she rides an “air skate” with Guy when they’re young (picture something like a hovering skateboard with handlebars). How did I get from a mechanical bull to an air skate? It just works. It painted the emotions for the character Jewel in a real life way. At only thirteen, she’s starting to feel for Guy in ways she doesn’t quite comprehend, but riding with him gives her a heady freedom. That freedom of going on a ride without control of what you’re doing or how you’re getting there, and small feelings of sensuality heightening it.

For Guy, that air skate scene and others like it added to the flavor of a cowboy whose skills surpass ranching and into anything he can guide, steer, rope, or pilot. A cowboy, no matter where he is. Whether he faced a bull on the ranch, or a mechanical bull in a futuristic setting, I like to think he could take it on.

What about you? Have you done something that surprised you with a bit of unexpected sensuality? Like riding a mechanical bull, maybe? Or, have you done something that gave you a surprising rush or a strong reaction? Or, just tell me something fun you’ve done. Share!

Tomorrow (24th) at 11:00 AM (Eastern Standard Time) I’ll pick a random commenter to win a copy of Silver Bound!

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Ella Drake is a dark paranormal and science fiction romance author. You can find her on Twitter, Facebook, & Goodreads where she revels in to her love of romance with a flare of fantasy or the unusual.