Posts Tagged ‘Fantasy’

How a Book is Born

How a Book is Born
Everyone ask writers how they come up with their ideas. The Stolen Luck was born out of a move to the wine country of Oregon, a lifelong love of fantasy, a stray comment from one friend and a long conversation with another.
I moved after my divorce to live closer to the barn where I kept my horse, but I quickly fell in love with my new locale. Every morning on the way to work, depending on the weather and season, I drove past vineyards shrouded in mist or golden in the new light stark brown and fallow and dreaming of spring to come. Every weekend some winery was hosting a tasting; Thanksgiving and Memorial Day weekends meant a blitz of wine tours. Even if you don’t work in the industry, out here wine gets into your blood and seeps into your soul.
About this time, I had a conversation with another avid reader of fantasy. The topic turned to tropes that are too often badly handled in fiction, and how to turn them around so that they could make realistic, believable, and interesting fiction. We both agreed that the master/slave relationship topped the list of badly done plot devices. If someone is a slaveowner raised in a culture where slavery is the norm, that person is unlikely to have moral qualms about treating another person as property. Someone who doesn’t believe in slavery is unlikely to have a slave. The way to make the trope work as real and interesting fiction, I proposed, was take a character adamantly opposed to slavery and give him a compelling reason to acquire and keep a slave. The moral stakes that drive him have to be high enough to equal the immorality of owning another person.
The obvious question is why? And what does the character in this dilemma do? And what effect does the decision have on them?
I remembered a comment another friend of mine had made. I can’t even remember the context, but she said that the tragedy of imbalance of power is not just what it does to the powerless, but also what it does to the soul of the one in power. Yes.
Story elements started coming together. A vineyard owner raised to abhor the custom of slavery . The vineyard he loves is imperiled, the vineyard that supports not only him, but his family and all those who have served his family for generations. Why is the vineyard in danger?
I shot off an email to a vintner I met once on a quest for a certain late-harvest pinot gris, a vintner who I knew shared my love of fantasy. We did some online brainstorming.
A talisman is stolen, a talisman that kept the vines and the people healthy, that made the Dupree wines prized above all others.
So where does the slave fit in? The vineyard owner, James Dupree, discovers that the talisman has disappeared into the elven sanctuary, the Lands Between. He needs an elven slave to cross the magical boundary. When the slave proves untrusting and resistant, James finds it too easy to use his power as master to command and threaten him into obedience, hating himself more each time. This pattern continues even as the two forge a friendship out of shared danger, and each instance becomes a small betrayal.
How to make his dilemma worse? He falls in love with the slave, and cannot approach him or even confess his love. Since a slave cannot refuse, a slave cannot truly consent, and James will not further compromise his morals by bedding someone who may not be entirely willing.
Meanwhile, Loren faces his own conflicts— his resentment of his slavery versus his respect for James and the complicated feelings he has for him.
How to make the risks higher? They are pursued by enemies known and unknown, and finally James must choose between Loren and the Luck he needs to save his family and all who depend on them.
How does it end? Well, I’m not going to tell you that part. You’ll just have to read the book.

***

The Stolen Luck by Shawna Reppert is available now!

More than one way to be a strong female character

Valor of the Healer thumbnail“Strong female characters”. It’s a phrase you hear over and over again in the urban fantasy and paranormal romance genres in publishing, not to mention in SF/F-based TV shows or movies. In honor of the release of my fantasy novel Valor of the Healer, I’d like to tell you about what “strong female character” means to me–and what challenges are presented when you want to write a character who might not fit the typical definition of “strong”.

And by “typical definition”, I mean physical strength and power. Nine times out of ten, when I hear “strong female character”, I hear “female character who’s a badass”. Maybe she’s a vampire slayer, like Buffy Summers, or a hunter of some other form of supernatural monster. Maybe she’s a soldier, or a mercenary, or a FBI agent or some other kind of spy. In all these cases, though, she’s generally physically competent. She can hold her own in combat, and she knows her way around one or more weapons. Frequently, she’ll have the attitude to back up or even surpass her physical abilities as well. Such a heroine will be outspoken, often sarcastic, and more often than not more so than is actually wise.

In Valor of the Healer, though, my character Faanshi at first glance is the exact opposite of “strong female character”. She starts the story in slavery, and she’s been brought up to be meek and submissive. Faanshi’s not even supposed to look a man in the eye, much less stand up to him. Fighting and combat are inherently frightening to her, given her powerful healing magic; her instinct is to mend pain, not to be the one handing it out. Moreover, even aside from the submissiveness drilled into her by slavery, I wanted her to be of a naturally gentle and compassionate temperament. I.e., not the sort of girl who’s likely to pick up the nearest sword and spill the blood of her enemies.

My challenge, therefore, was this: how could I write such a character to show that she did in fact have strength of her own?

The first answer to this lay in Faanshi’s religious faith. She’s been raised by her great-aunt Ulima in the worship of the goddess Djashtet, and she believes very, very strongly in her chosen deity–even though she’s surrounded by people who not only do not share her beliefs, but who also persecute half-bloods like her in the name of her own. As the story starts, Faanshi’s prayers to her goddess have arguably been the most important thing keeping her sane in the face of imprisonment by her master.

Hand in hand with this goes the second answer to the question of Faanshi’s strength: Ulima. The laws and customs of two different nations dictate that Ulima cannot help Faanshi openly, but this doesn’t stop her kinswoman from doing everything in her power to support her. And there’s a great deal of strength to be had in the knowledge that someone, even in the face of adversity, is looking out for you.

The third and most critical of all the ways I’ve tried to portray Faanshi’s strength is through giving her the power of choice in her life. To be presented with sudden freedom when you’ve known nothing but servitude is exhilirating–and terrifying. For the first time in her life, through the course of this story, my young healer must step up to the plate and learn to be the one in charge of her liberty, her destiny, and her magic. Portraying how she does this, while keeping true to her gentle nature and her strong moral core, has been one of the most satisfying writing challenges I’ve had to date. Her development as a character won’t end with the final chapter of Valor of the Healer–but I like to hope that as of the end of this part of my trilogy, I’ll have put her firmly on the road to being a young woman of agency, or, as the elven scout Alarrah calls her, “a free woman of the West”.

So how about you, readers? I’d love to hear about your favorite heroines who show their strength in unexpected ways, no matter what their genres. How is their courage tested? How do they conquer their fears?

Drop me a comment any time this week to tell me about your favorite strong female characters, and on Saturday, April 20th, I will give away a copy of Valor of the Healer to a randomly selected commenter! Or pick up a copy for yourself right here on CarinaPress.com!

And if you like the book, do please come and find me and tell me about it! Valor of the Healer is my first novel with Carina, but I also write under the name of Angela Korra’ti, and I’m Anna the Piper to my online friends. You can find me at angelahighland.com, on Twitter as @annathepiper, or on Facebook or Google+ as Angela Korra’ti. Thank you all!

Cliffhangers

cliff

 

My reviews for Gate to Kandrith all mention the same thing: that darn cliffhanger ending. While the main plot of the book WAS resolved, the main characters did not get a Happily Ever After. (To my steadfast readers of book one, my apologies on the long wait—I wrote as fast as I could. To new readers who’ve been hesitant to buy book one because of the cliffhanger, wait no longer. Book two, Soul of Kandrith, is now available. AND IT’S ON SALE FOR MARCH *throws confetti*)

 

 

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The conclusion of the Kandrith duology

Lance is a healer and wielder of slave magic, a power that demands sacrifice. He gave up his health to gain the ability to heal others, but he’s powerless to cure his beloved Sara, who sacrificed her soul to save Lance and all of Kandrith. Returning her soul would negate her gift, at the cost of his life and the freedom of his homeland.

Now Sara is but a shell of the noble, spirited woman she once was. All that Lance saw and loved in her is gone, but he refuses to give up on her. Charged by his sister, the ruler of Kandrith, with a mission to encourage a budding rebellion within the aggrandizing Republic of Temboria, he leaves with Sara in tow. But not before Wenda’s soulsight detects a spark within her.

Amidst the escalating dangers in hostile territory, Lance will have to risk both his beloved and his homeland in a final gambit to save them both…

Buy Amazon / Barnes & Noble / Carina

As a reader, I have mixed emotions about cliffhangers. On the one hand, they give me an incredible buzz of anticipation for the next book, but it’s down-right frustrating to have to wait a whole year to find out what happens next. Sometimes that frustration spills over onto the author. It’s easy to picture the writer twirling their mustache and laughing evilly: “Mwahaha, now they’ll have to buy book two.”

Not only do I lack a mustache, but I swear there was no evil plot. When I wrote Gate to Kandrith, I didn’t intend to write a cliffhanger. I didn’t even set out to write a two-book series. It just happened that way.

How? At the end of book one, the day is saved when Sara sacrifices her soul. It was the only way to defeat the powerful God of Malice, the perfect answer to the riddle, but it made for a very bitter victory.

I tried to give Gate to Kandrith a happy ending. In the first draft, Lance tricked one of the bad guys into giving Sara his soul, curing her. They professed their love, the end. Unfortunately, there were some problems with this solution. Number one, (as pointed out by my husband/beta reader), the soul Sara got from the bad guy ought to have been evil. Number two, the book ended with a long, boring, anti-climactic section dealing with Sara’s loss of soul. Number three, and most importantly, the ending felt too easy. Sara made a huge sacrifice and to simply be given another soul with no effort felt wrong, as if I had tarnished her victory.

And so I was forced to go with Plan B, the cliffhanger ending. Sara and Lance do get their Happily Ever After in book two, Soul of Kandrith, but only after they truly earn it.

How do you feel about cliffhangers? If book two is available are you more willing to give them a chance?

Nicole Luiken wrote her first book at age 13 and never looked back.  She writes both YA and adult fantasy.  Her website is www.nicoleluiken.com  It is impossible for her to go more than three days in a row without writing.  She lives in Edmonton with her husband and three children. Find her on Facebook

 

The Fallen Hero

I love my weird west world. There’s magic, guns and Vampiric horses (although they don’t get much of a look in in Dark Secrets they do in Dark Vow). But I couldn’t do a western fantasy without having brothels or Lust Houses as they are known in the land of Prasine. I mention them in Dark Vow, but they are the focus of Dark Secrets. In fact the hero runs one…yep the hero is a prostitute. A fallen man.

Heroines are often cast as fallen women waiting for a man to rescue them, so I thought it was a man’s turn to get on his er…knees.

Plus I liked the idea of a hero how had screwed up so badly in the past that this where he’d ended up—and while he’s been successful (the best Lust House in the city of Reseda, thank you) it has come with a price. The magic he uses to trick people into thinking they are getting the best time of their lives is slowly destroying him.

I really liked Haidyn because he knows he’s made mistakes even if he has no idea how to fix things. He knows he can’t continue the way he is, and yet hasn’t worked out how to change anything yet.

Like most stories of redemption it is love that holds the key to saving the hero…assuming the heroine can accept who he has become and realize he is worth saving.

DARK SECRETS

Dark Secrets

Six years ago, Haidyn Mast left his home and his betrothed Anisa to follow his magical calling. Too weak to join the Arcane Guild and too ashamed to return home, he has made a life as a prostitute–to all outward appearances. In truth, he sells his mind but not his body, using magic to let his clients experience their most secret fantasies while his hands stay clean. Even the Lawman, the arbiter of justice in Reseda, is one of his clients, but Haidyn would rather not know the extent of that man’s depravity.

Though successful, Haidyn is shunned as a whore and his lack of formal training is causing his power to grow out of control. He’s ready to retire and leave the city, but when he sees his Anisa standing at Lawman’s side, he knows he must rescue her from the abusive enforcer. Risking his life and his sanity, he devises a plan, knowing that failure will mean death for him, and a lifetime of torment for her…

To Buy:
Kindle: http://www.amazon.com/Dark-Secrets-ebook/dp/B00A9V2XFU/
Nook: http://www.barnesandnoble.com/w/dark-secrets-shona-husk/1113984603?ean=9781426895111
iTunes: https://itunes.apple.com/us/book/dark-secrets/id584862588?mt=11

Shona Husk lives in Western Australia at the edge of the Indian Ocean. Blessed with a lively imagination she spent most of her childhood making up stories. As an adult she discovered romance novels and hasn’t looked back. Drawing on history and myth, she weaves new worlds and writes heroes who aren’t afraid to get hurt while falling in love.

You can find out more at www.shonahusk.com

www.twitter.com/ShonaHusk

www.facebook.com/shonahusk

Newsletter: http://eepurl.com/lySiD

Drynn

I still get nightmares.

Not so much lately, they seem to have mellowed out a bit and found better prey once I hit my thirties, but they’re still around.  Lurking.  Even though I don’t like them much, I can at least appreciate them; anything that can make my heart boom that fast and hard is pure platinum for a writer.  Payment required?  A mere childhood of dashing off the living room floor anytime a scary scene even thought about flashing across the television screen.  Even scary music would have me peeping through splayed fingers.

And that’s what it’s all about, right?  Booming hearts?  Sitting up in your bed when you get to that scene, a little smile tugging at the corners of your mouth, your mind thinking, Oh my God, this is awesome, please don’t die, two hours of sleep is plenty of time… That’s what I live for when I read a book.  Heart-booming.  Somebody once asked me to distill into one word exactly the emotion that I wanted to evoke in my readers when I began writing  DRYNN.  It was hard because there were so many feelings dancing around in my head that I wanted to share, but okay, one word.  I could do that.  Same way I had to have a one-line pitch at a moment’s notice. So, here it is, the one word…ready for it?

Badass.

That’s what I wanted to evoke.  I want somebody to go up to their friend, yank the Kindle out from said friend’s hand, clickity-clack in carinapress.com, command them to put in their password and get the book.  And when it’s done I want that ‘somebody’ to go buy said friend a cafe mocha and talk about it.  Pie-in-the-sky stuff, really.  I once heard the saying, “Shoot for the moon, maybe you’ll fall in the stars,” something like that?  I figured, why not shoot for the Andromeda Galaxy instead of the moon and land someplace on Neptune?  Might as well, right?

I believe I may have done just that.  Neptune City.

Speaking of one-lines, here’s DRYNN’s:  The heroes of two worlds reluctantly join forces to fight the Lord of the Underworld.  Ta-da.

So, genesis #1—harnessing the power of nightmares, pouring that emotion into a basin within my mindscape, modifying it as I see fit (exhilaration, passion, fear, all the things that boom hearts) and forging stories with high tension.

Genesis #2–inspiration.  Every writer has their muse, mine’s music.  Notice the first three letters by the way.  Interesting, huh?  When I hear a song, I see a scene instantly—two cars roaring down the highway, weaving and crashing; a small, anguish-filled shake of the head as tears spill; an electric ripple under the skin summoned by a brush of fingers—I just see it.  And I have to write about it.  I immediately start fleshing things out—who are the players?  Who’s getting chased?  Is it an affair or a first crush?  Is the creature from this world or some other?  And what would lightning wreathed in pale blue flames smell like?

Donald Maass (who’s counsel I hold in high regard) calls these scenes ‘uranium isotopes’.  When I say the movie, AMERICAN HISTORY X, what’s the first scene that comes to mind?  The curb scene, no question about it.  “Hello.  My name is Inigo Montoya…” do I need to finish?    Every great story has them, no matter what vehicle used to tell it–movie, novel, novella, play–pick your ambrosia.  The coolest thing, a thing I am most grateful for, humbled by, a blessing bequeathed,  is that I get these scenes and ideas every day; I actually conjured a whole book (yet to be written but in the noggin) by a single song.  I think of myself as a reservoir, a wellspring of feelings, concepts and bits of dialogue that just…bubble out of me.  Consider yourself invited to drink.

I’d like to share something with you.  While looking for a CD the other day (yes, I still have my black leather zipper-closed CD holders) I stumbled upon my sacred box.  I’ve had it since childhood.  Within it is contained every story I ever wrote as a kid, every paper I ever got an A in, and one of my greatest treasures…

Left hand side, 7th grade, 42 pages on 42 blank restaurant placemats, the first story I ever wrote.  On the right…DRYNN, my first published novel.

I’ve waited my whole life for this.

I hope you think DRYNN’s as badass as I do.

Steve Vera

Twitter: @stevewvera

Facebook: http://goo.gl/iSVY3

Webpage: http://goo.gl/U4Scl

Blog: http://www.vera-talk.blogspot.com/

She’s my song, my woman, my everything

When I began writing TIME DANCER, I had a very specific vibe that I wanted for the hero. Darach is fearsome and brave but new to the world around him. So many things are strange to him, from the physical body he now has to the language he must speak. What is familiar is his nature, his magical sense of who he was at his core. He’s designed to be a tracker, a guide. His power comes from the Earth and he has great respect for the land, many times more than he has for people.

This led me to research many Native American myths and stories. But the Land of Eldwyn is a fantasy place with a medieval flavor. How would a Native American inspired character fit into such a world? In some ways, perfectly and in others, not at all.  Which for my purposes was perfect.

The physical parts were easy. He is rugged, rock-hard and stone-solid. Like all of the spells called to Eldwyn, he is beauty personified, this time in a masculine package. His hair is long and his animal-instinct strong. Dressed in a male-version of simple silk, he also carries deadly claws and immense magic.

But unlike any other spell I’ve written about, Darach is homesick. He misses his realm and clings to its memory. Many times, he tries to describe it to Jana, his charge and his love, but there aren’t words to do it justice.

The words intrigued me. I used several Native American languages to craft Darach’s native tongue. Zapotec, Mohican, Navajo and several others. The lyrical yet sharp syllables fit my image of Darach, raw beauty wrapped in harsh lines and muscle.

So how did that translate into the story? For one, he calls Jana his nayeli. Nayeli(Nay-el-ee) is a Zapotec phrase whose translation loosely means ‘I love you’. Darach uses it in another way, with a different stated meaning, but every time he says it, I believe he is telling Jana he loves her.

And if there is any doubt, I think this half-translated passages proves it:

 

A pleading rhythm filled him, half his language, half hers. “Please…kimta…I need her…WazannaOka‘itiumu, oka ehnita, oka muurícha… She’s my sun, my moon, my water…oka ‘atupáma… She’s my smile…Oka chol, oka no’ol, oka nayeli… She’s my song, my woman, my everything… Please…kimtaKonoronkhwua… I love her.”

TIME DANCER

Everyone has a duty in the royal castle—everyone except Jana Haruk. Despite her promising magical bloodline, her gift is weak. As a Reminiscent Seer, she knows only what happened in the past, not what will happen in the future. When the crown prince’s life is threatened, Jana vows to do everything she can to help him—including asking the queen, a powerful sorceress, to lend her some magic.

The queen summons Darach, a spell in human form. The arrogant and mysterious man soon discovers there’s more to Jana than meets the eye: she’s a time dancer, someone with the ability to move backward through time in her dreams. With Darach as her anchor, Jana can explore the past and try to figure out who is behind the attacks on the prince.

Despite her attraction to him, Jana knows little about the handsome warrior. The past is tying them closer to each other with every trip, but Darach is bound to return to his homeland when his mission is complete…and their time together is running out.

Book three of the Eldwyn Chronicles(a stand-alone novel) You can read more of the Land of Eldwyn in Myla by Moonlight and Salome at Sunrise. All stories are separate and stand-alone.

Inez Kelley is a multi-published author of various romance genres. You can visit her at her website http://inezkelley.com/  Follow Inez on twitter at @Inez_Kelley or on Facebook at http://www.facebook.com/inez.kelley

A romance reader via fantasy

I came to the romance genre relatively late, preferring speculative fiction instead from a young age. Yes, I once sneered at bodice-rippers and books illustrated with couples in clinches. Apparently I saw no incongruity in how my beloved fantasy and science fiction books got me teased at school so often that I wrapped the covers in plain paper to hide them.

It was reading fantasy novels that led me to romance, though. While heroes and heroines were saving kingdoms, they often won somebody’s heart, whether their lover was royalty, a helpful mage, or a mercenary with a swift blade. Particularly satisfying relationships made me sigh, and I lingered over the pages where declarations were made, gazes caught, lips shared.

For example, I’m convinced that out of the dozen-plus novels in L.E. Modesitt’s fantasy Recluce saga, The Towers of the Sunset remains my favorite because of the tempestuous relationship between Creslin and Megaera, who never stop challenging each other. (Also, how many romances can you list that have the hero fleeing an arranged marriage — on skis?)

And Guy Gavriel Kay writes elaborate political plots amidst richly populated worlds, yet I consider one of his greatest accomplishments as a writer to be the genuine love depicted in Tigana between Dianora, a concubine who schemed her way into her position to assassinate the emperor, and Brandin, the same emperor who destroyed her homeland beyond memory’s reach.

But backtracking along my path of reading to find that crossroads between traditional fantasy and romance inevitably leads me to The Blue Sword by Robin McKinley. Although problematic in some ways — the Hillfolk-king Corlath kidnaps Harry (short for Angharad) — she slowly not only learns about his culture but comes to love it, and the quiet king as well (after beating him in a sword-duel).

Cover art by Tara Scarcello

It’s that same slow unveiling of love that I depict in Heart of the Dragon’s Realm. Kimri too finds herself in unfamiliar surroundings after a bargain is made:

Her brother traded her for peace, a hundred swords and ten thousand arrows. She didn’t speak to him the day the guards came to escort her through the mountain pass and to her new home, for she was too furious with him.

Read the entire first chapter »

To her surprise, she’s granted a year-long betrothal period, and during that time she discovers a man she might love — yet one who’s wreathed in secrets. They say dragons guard the realm of the mountain-king, where she now dwells, and Kimri will learn the truth of that.

To see how I mixed fantasy and romance, you can buy Heart of the Dragon’s Realm right here from Carina Press, or from other popular ebook retailers, like Amazon.com, Amazon.co.uk, and Barnes & Noble.

What are some of your favorite romantic fantasy novels?

Karalynn is now an unabashed reader and writer of both fantasy and romance whose prior work has been published by Samhain Publishing, Carina Press, and Beneath Ceaseless Skies. Find out more about her and her writing at karalynnlee.com.

Superheroines and the Girls Who Love Them (+ Giveaway)

I never read comic books, but I grew up on superheroes. Spiderman and His Amazing Friends was my favorite cartoon when I was seven years old. I particularly loved Firestar. She could create heat and start fires, and she could fly. I was just sure life would be so much better if I had powers like Firestar.

The Superheroes Union: Dynama came about because I read the words “superhero romance” somewhere and couldn’t get them out of my head. After all, it wasn’t like all of us little girls who grew up wanting to be superheroines had lost interest in them as grown-ups. What would it be like to be a superheroine here and now, today, as a grown woman? What kind of challenges would it present?

And how hard would it be to fall in love when supervillains kept wrecking the world and you had to keep your secret identity a secret?

The first character to speak to me was Annmarie Smith–not the superheroine, but her love interest. She asked the most wonderful, practical questions, like who would look after the kids while you were out fighting mad scientists and where did health insurance come from? Saving the world wouldn’t pay the bills.

TJ Gutierrez, who used to be Dynama, answered her. And that’s how the Superheroes Union was born.

Who is your favorite superheroine or superhero? If you could have one superpower, what would it be? Would it really make life easier?

And what would you do if your evil ex really was evil?

Click through to my blog and enter to win a Superheroes Union tote bag or T-shirt!

Buy now: Carina Press store | Amazon.com | BarnesandNoble.com


Ruth Diaz writes genre romances about non-mainstream relationships. She hides a number of publications in a different genre under another name, but The Superheroes Union: Dynama is her first romance publication. For more information, you can subscribe to her blog, like her on Facebook, or follow @RuthDiazWrites on Twitter (where she is most active and, well, opinionated).

An Author’s Stress Relievers

The clothes dryer is broken. The car is in the shop. The cat threw up on the bed. And you have to lose five pounds before your physical next week.

Recognize any of that? Modern life is full of stress. But there are ways to cope.

I turn to books. Sometimes it’s books by other authors. Often it’s the book I’m writing. When my husband and I have to wait in line for something, he asks me, “Do you have a book to read?”

I usually answer, “I don’t need one. I’m thinking about my next scene.” And of course, there’s nothing like falling off a curb while you’re working out your plot, which I did with my latest Carina release, SHATTERED MAGIC, the next novella in my Chronicles of Arandal series. It’s set in the medieval-type fantasy world I created when I wrote DARK MAGIC. Fantasy on another planet is an ideal escape from everyday life. Which is why I’m glad to be back there with SHATTERED MAGIC, and I’ve got another story in the works, DANGEROUS MAGIC.

SHATTERED IMAGE Cover

Do the titles suggest a theme? In my fictional village of Valleyhold, you don’t have to worry about electric lights, dishwashers and putting on weight. You can fix just about anything with your paranormal powers. Fun and easy. But there’s a downside to relying on magic. The rulers of Arandal, a nearby kingdom, think magic is evil, and if you’re caught using it, you will surely be executed.

Life in Valleyhold is fine for my heroine, Rowan, until an evil sorcerer claims her for his bride-to-be. Desperate to escape his clutches, she flees the only home she’s ever known–and meets up with a heroic, handsome guy named Grant, who saves her from a dragon. Maybe he’s the solution to her problem. If she gives him her virginity, she won’t be a suitable bride for the man she loathes.

Everything’s going according to plan, until she discovers her lover is really Prince Grantland of Arandal. And when he spies her using magic, he vows to kill her. How’s that for a conflicted relationship?

Working out their complicated problems was a good way for me to get away from the less satisfying aspects of my own life. The refrigerator is bare? The cats are scratching up the Oriental rugs? The sewer line needs flushing out? No problem. I can go have some fun in Arandal. And I hope you’ll enjoy going there with me.

Here I am at my new treadmill desk.

Rebecca at Treadmill Desk

What’s your favorite stress reliever? I will be giving one person who comments on my blog a copy of my previous Arandal novella, DARK MAGIC on CD.

Buy now: Carina Press store | Amazon.com | BarnesandNoble.com

____________________________________________________________
USA Today best-seller, Rebecca York (aka Ruth Glick) lives in Maryland with her husband and three cats. She has traveled around the world (most recently to Belgium and Holland), flown in a glider plane, and gone down in a submarine. She is one of the few recipients of RWA’s Centennial Award. She has written more than 100 romance novels, including paranormal romantic suspense for Berkley and romantic suspense for Harlequin Intrigue, including her long-running 43 Light Street series, set in Baltimore. Her latest release is SHATTERED MAGIC for Carina Press.. She is the winner of a PRISM Award, two RT BOOK REVIEWS Career Achievement Awards, and 5 NJRW Golden Leaf Awards. Two of her books were RITA finalists.

Twitter:       @rebeccayork43
Facebook:   http://www.facebook.com/pages/Rebecca-York/122426234846?ref=hl
Blog:              http://www.onromancewriting.com
Web site:      http://www.rebeccayork.com

To hear me read an excerpt of SHATTERED MAGIC, listen to my recent podcast interview on Other_Worlds_of_Romance.

Three Top Tips for Co-writing from Heidi Belleau & Violetta Vane

Hi, Carina blog readers! I’m Heidi Belleau. My co-writer Violetta Vane and I are the authors of the M/M urban fantasy The Druid Stone, which is out now from Carina Press. We’re often asked about how we co-write, from the nitty gritty of what programs we use through to how we settle disagreements. So here’s my top three tips for co-writing. If you’re co-writing a novel or are considering co-writing, I’m hoping this helps you get a grip on things! If you’re not a writer, I hope you enjoy this inside glimpse into the making of The Druid Stone.

1. Learn the tech

If you’re writing solo, chances are you have a preferred method of getting those words down. Maybe you like to handwrite in a notebook, then transfer to a computer. Maybe you use the classic Microsoft Word or the writer-friendly Scrivener. Maybe you prefer Write Or Die because it gives you extra motivation. Whatever choice you make, you came to that decision based on what works best for you. Co-writing is no different, except now your priorities have changed. The number-one most important feature becomes, “how do we share our work?”

For many authors, writing on Word with the “Track Changes” feature enabled is their go-to for co-writing. Write a bit, save the doc, email it to your co-writer when you’re done, and then they download it, write a bit more, save and email it back to you, rinse and repeat. Maybe one of you is responsible for a point of view each, or maybe you’ve planned things out and assigned each other chapters, and that’s how you determine when to trade off.

Violetta and I understand the appeal of that approach, but that’s not our thing. We like to write together in real-time, right down to editing each other’s sentences as we write them and finishing each other’s paragraphs. For that, we like Google Docs. In fact, we’re writing this blog post in Google Docs!

So how’s it work? We create a document that we then share. Sometimes we give beta readers access later on. Once we’ve done our pre-planning, we do a point by point breakdown of the chapter we’re working on and just start writing! The important thing is, Google Docs works for our purposes. We like to share, rather than delegate (although we do a bit of that, too), so e-mailing back and forth really doesn’t work for us. There are other programs for writing collaboratively, and each has its own strengths and weaknesses. Give them a try and see what works best for you!

And just as a side note, no matter what program you use initially, your eventual editors will be sending you a Word document with Track Changes on, which you can’t upload to GDocs or other collaborative services intact. So at some point, you’re going to have to work in Word (or a similar one-person-at-a-time processor). You can either email back and forth, taking pieces of the editing separately, or you can use a screensharing program, like we do. We like Teamviewer 6 (which is a bit laggy, but functional enough) or the built-in screensharing that comes with iChat if you have a Mac.

2. Communicate

I wrote a whole post on this for my individual blog, but the jist of it is this: co-writing is a creative and professional relationship. It’s taking something very personal to you (writing a book) and inviting another person into that sphere. If books are an author’s baby, then you are now co-parents. Congratulations! Now comes the hard part.

To mix my metaphor until it’s frothy, I want you to think back to… oh, every group project you ever did in school. Remember that feeling? Wondering who you were going to get paired with, wondering who was going to flake, dreading the thought that you were going to do all the work but your group members were going to get the same grade as you? Co-writing’s a little like that, except now money is involved. Luckily, unlike many school projects, you get to pick who you work with. You’re also both adults. Unluckily, adults can also be flakes or not do their fair share or be difficult to work with, even when it’s not intentional.

I can’t promise you’ll never have conflict or never pick the wrong person to co-write with, but I can give you advice to set you on the right track. Keep the lines of communication open from start to finish. Lay out your expectations. Ask questions. Talk about how you’re feeling. Set boundaries. Be open when something’s not working, but also be sure to compliment each other when something is. Co-writing comes with unique challenges, but it also comes with fantastic rewards. Being open and honest lets you make the most of both.

3. Be flexible – Conflict is good!

We create and design people from the ground up: their personalities, their appearances, their relationships. We control their every move. We may even muck about with their sex lives. Is it any wonder that authors might be a little bit… controlling? Like any artist, we often have a “vision”. We’re passionate about what we create and how. But unless you’ve hired out some kind of word-sandwich artist to write to your exact specifications, co-writing involves compromise. It involves disagreement. Sometimes passionate disagreement.

Now since you’re following tip two of this list and communicating effectively and respectively with your writing partner, you know that a clash of egos where you both go in intending to give no quarter isn’t gonna get anything written. You’re willing to hear each other out… but now what?

Did you know in an early draft of our novel The Druid Stone, the big Galway finale was meant to include a car chase? Violetta was absolutely mad about the idea. She had all these big grand plans and maps and, because she’s so very very visual, a big cinematic concept for the scene that could easily fit right into a blockbuster movie.

…And then I said no. No, that would take way too much explanation and logistics to get the car from Point A to Point B. No, have you ever seen an Irish city street. No, I just don’t think it fits the narrative as we’ve established it. Not surprisingly, she wasn’t too terribly pleased with my shutting her down, just as I haven’t been terribly pleased with her turning down my ideas. So she replied with “Well, we still need a big showpiece scene, so what do you suggest instead?” We talked it over, going back and forth on lots of different ideas, and eventually settled on the scene that’s in the final version.

Arguments and disagreements, as long as you both approach them professionally, can improve your writing. Only the strongest ideas survive. You work hard to convince the other person, and all that hard work shines through for the readers, too. A lot of the time, you come to a consensus or middle ground which is smarter and more unexpected and just plain better than what one person could come up with alone.

Sometimes you give up control. Sometimes you stand by your vision. Sometimes you fight it out until something new and brilliant emerges. Co-writing is chemistry. Sometimes your reactants just fizzle out, sometimes they explode, and sometimes they combine in that perfect way to make something really amazing (like chocolate chip cookies). It all comes down to what you’re mixing and how.

How about you? Have you ever co-written or considered co-writing? If you have, do you have other tips to share? And if you haven’t, why not? And readers, have you read any co-written novels you absolutely love? Ones under a single penname that you were surprised to hear were co-written after the fact?

About The Druid Stone

Sean never asked to be an O’Hara, and he didn’t ask to be cursed by one either.

After inheriting a hexed druid stone from his great-grandfather, Sean O’Hara starts reliving another man’s torture and death…every single night. And only one person can help.

Cormac Kelly runs a paranormal investigation business and doesn’t have time to deal with misinformed tourists like Sean. But Sean has real magic in his pocket, and even though Cormac is a descendant of legendary druids, he soon finds himself out of his depth…and not because Sean’s the first man he’s felt anything for in a long time.

The pair develop an unexpected and intensely sexual bond, but are threatened at every turn when Sean’s case attracts the unwelcome attention of the mad sidhe lords of ancient Ireland. When Sean and Cormac are thrust backward in time to Ireland’s violent history—and their own dark pasts—they must work together to escape the curse and save their fragile relationship.

The Druid Stone is available from Carina Press, Amazon, B&N and ARe. For other retailers and links to other stops on the blog tour, please visit knockmanovel.com. You can can also get in touch with Violetta and Heidi at their websites, or add us on twitter: @HeidiBelleau and @ViolettaVane.

 

Win a sterling silver Celtic triple spiral pendant!
The Celtic triple spiral is an ancient Irish symbol and an important recurring motif in The Druid Stone, and we’ve got a lovely silver version to give away to one lucky Carina reader! Leave us a comment here with your email and we’ll randomly select a winner on August 24th. We’ll contact the winner by e-mail on the day and arrange shipping to a mailing address of your choice to anywhere in North America. Bonne chance!