Posts Tagged ‘writing’

What a Writer Needs

At my daughter’s school, something called “Writer’s Workshop” is part of the curriculum, starting in kindergarten. They learn about inciting incidents, conflict, and that stories need to have a beginning, a middle, and an end. I’m impressed–creative writing wasn’t taught at all in my childhood school, as best as I can recall, and certainly not so early! So far young Miss Fraser, age 8, has been encouraged to write nonfiction stories of daily life, though she’s prone to cheat by writing about adventures from her favorite video games.

This year when we went to Curriculum Night a few weeks after school started, we found the following list in Miss Fraser’s Writer’s Workshop notebook.

My remark when we saw that? “She left out peace and quiet.” Though I’m in full agreement that “Ideas” belong at #1 and “Food” should be in a big font!

My List

Ideas
Peace and quiet
A good computer
An ergonomic desk and chair
A personal research library and access to a good library system
Piles of index cards and a corkboard
A whiteboard and multicolored dry erase markers
A notebook and plenty of pens
Chocolate

 

 

The whiteboard, notebook, and corkboard are all key parts of my process. I’ve tried using Scrivener, where a virtual corkboard and files full of notes are part of the same file as the manuscript, but it didn’t work for me. I need to be able to step back from the keyboard and take pen in hand to brainstorm properly. It flips on a different switch in my brain, somehow.

When I was finishing the first draft of An Infamous Marriage, my new release from Carina, I added sticky notes to the mix and wrote up a separate one for every scene or key character moment that needed to happen before the end of the story. I divided my office door into sections labeled “To Do,” “In Process,” and “Completed,” and moved the notes from section to section as I worked. Seeing all those little squares of paper crowded into the Completed section the day I finished was beyond satisfying.

What about you? What triggers your creativity, whatever form it takes? Comment to enter my month-long blog tour contest. At the end of the tour I’ll be giving away a grand prize of a $50 gift certificate to their choice of Amazon, Barnes & Noble, or Powell’s Books to one commenter on the tour. You get one entry per blog tour stop you comment upon, so check out my blog for the whole schedule! If you want to be entered in the drawing, include your email in your comment in the format yourname AT yourhost DOT com.

An Infamous Marriage cover

Northumberland, 1815

At long last, Britain is at peace, and General Jack Armstrong is coming home to the wife he barely knows. Wed for mutual convenience, their union unconsummated, the couple has exchanged only cold, dutiful letters. With no more wars to fight, Jack is ready to attempt a peace treaty of his own.

Elizabeth Armstrong is on the warpath. She never expected fidelity from the husband she knew for only a week, but his scandalous exploits have made her the object of pity for years. Now that he’s back, she has no intention of sharing her bed with him—or providing him with an heir—unless he can earn her forgiveness. No matter what feelings he ignites within her…

Jack is not expecting a spirited, confident woman in place of the meek girl he left behind. As his desire intensifies, he wants much more than a marriage in name only. But winning his wife’s love may be the greatest battle he’s faced yet.

—–

Visit Susanna Fraser at her website, follow her on Twitter, or stop by her blog.

 

Have You Ever Been Haunted?

A couple of years ago, my husband and I were driving home from work past some old houses when I said to him, “You know what would be cool? A romance about a guy who hires a female contractor to fix up a house that turns out to be haunted.”

It’s not surprising I wrote a story about a ghost. We had one in our first apartment in Kansas City. She actually wasn’t all that scary, but she really annoyed me. And when I was a child playing with a Ouija board, I talked to another spirit who taught me a new, grown-up vocabulary word, but I won’t say too much about that incident, because I put it in the book.

I wrote a lot of the first draft of Sole Possession as a project for National Novel Writing Month, which challenges you to write 50,000 words of a novel in the month of November. (Is anyone else besides me doing NaNoWriMo again this year?) After that, I finished the story and rewrote the whole thing. And then I rewrote it again.

Although the story takes place in the Chicago area, The Vaile Mansion in Independence, Missouri helped inspire the house in the book. They try to make the house look festive and normal on the official website, but seriously, it’s creepy. My favorite rumor about the place is that the first owner had a hard time saying goodbye to his dead wife, so he originally buried her corpse on the premises in a glass-topped coffin flush with the ground. (This is not in my story, by the way, so feel free to use it if you’re writing something scary!)

In Sole Possession, my heroine, Andi Petrowski, is good at her contractor job, but her most unique talent lies elsewhere. Wait, that sounded sexual. And actually, the book is sexy, but what I mean is, she has psychic powers. David Girard, my hero, has to face his personal demons, in a pretty literal sense. A reviewer pal of mine envisioned Jeremy Renner in the role of David. Works for me! I particularly like the character of Morty Silva, a blunt and eccentric ex-priest turned psychic. Publishers Weekly called Sole Possession “an intriguing haunted house tale with spine-tingling suspense and an emotionally fraught romance,” which is exactly what I wanted it to be.

I was thrilled to get the call from Carina Press. OK, actually I didn’t pick up, because I didn’t recognize the number and I hate talking on the phone, so they had to email me, but anyway, I was really happy. I keep Carina books on my iPhone so no matter where I am, I always have something good to read. I’m planning to take the anthology Romancing the Holiday on Christmas vacation with me, because love reading something that gets me in the mood for the season.

Speaking of getting in the mood, since it’s almost Halloween, I would love to hear other people’s ghost stories! I won’t put them in a book, promise. And if you’d like to check out Sole Possession, you can buy it here!

Bryn Donovan is the author of one previous romance, An Experienced Mistress. She has an M.F.A. in Creative Writing, and she’s also published two children’s books as Stacey Donovan. When she’s not at her day job writing greeting cards, she makes quilts,  watches TV shows about the supernatural, and hangs out with her husband and two silly dogs.

Three Top Tips for Co-writing from Heidi Belleau & Violetta Vane

Hi, Carina blog readers! I’m Heidi Belleau. My co-writer Violetta Vane and I are the authors of the M/M urban fantasy The Druid Stone, which is out now from Carina Press. We’re often asked about how we co-write, from the nitty gritty of what programs we use through to how we settle disagreements. So here’s my top three tips for co-writing. If you’re co-writing a novel or are considering co-writing, I’m hoping this helps you get a grip on things! If you’re not a writer, I hope you enjoy this inside glimpse into the making of The Druid Stone.

1. Learn the tech

If you’re writing solo, chances are you have a preferred method of getting those words down. Maybe you like to handwrite in a notebook, then transfer to a computer. Maybe you use the classic Microsoft Word or the writer-friendly Scrivener. Maybe you prefer Write Or Die because it gives you extra motivation. Whatever choice you make, you came to that decision based on what works best for you. Co-writing is no different, except now your priorities have changed. The number-one most important feature becomes, “how do we share our work?”

For many authors, writing on Word with the “Track Changes” feature enabled is their go-to for co-writing. Write a bit, save the doc, email it to your co-writer when you’re done, and then they download it, write a bit more, save and email it back to you, rinse and repeat. Maybe one of you is responsible for a point of view each, or maybe you’ve planned things out and assigned each other chapters, and that’s how you determine when to trade off.

Violetta and I understand the appeal of that approach, but that’s not our thing. We like to write together in real-time, right down to editing each other’s sentences as we write them and finishing each other’s paragraphs. For that, we like Google Docs. In fact, we’re writing this blog post in Google Docs!

So how’s it work? We create a document that we then share. Sometimes we give beta readers access later on. Once we’ve done our pre-planning, we do a point by point breakdown of the chapter we’re working on and just start writing! The important thing is, Google Docs works for our purposes. We like to share, rather than delegate (although we do a bit of that, too), so e-mailing back and forth really doesn’t work for us. There are other programs for writing collaboratively, and each has its own strengths and weaknesses. Give them a try and see what works best for you!

And just as a side note, no matter what program you use initially, your eventual editors will be sending you a Word document with Track Changes on, which you can’t upload to GDocs or other collaborative services intact. So at some point, you’re going to have to work in Word (or a similar one-person-at-a-time processor). You can either email back and forth, taking pieces of the editing separately, or you can use a screensharing program, like we do. We like Teamviewer 6 (which is a bit laggy, but functional enough) or the built-in screensharing that comes with iChat if you have a Mac.

2. Communicate

I wrote a whole post on this for my individual blog, but the jist of it is this: co-writing is a creative and professional relationship. It’s taking something very personal to you (writing a book) and inviting another person into that sphere. If books are an author’s baby, then you are now co-parents. Congratulations! Now comes the hard part.

To mix my metaphor until it’s frothy, I want you to think back to… oh, every group project you ever did in school. Remember that feeling? Wondering who you were going to get paired with, wondering who was going to flake, dreading the thought that you were going to do all the work but your group members were going to get the same grade as you? Co-writing’s a little like that, except now money is involved. Luckily, unlike many school projects, you get to pick who you work with. You’re also both adults. Unluckily, adults can also be flakes or not do their fair share or be difficult to work with, even when it’s not intentional.

I can’t promise you’ll never have conflict or never pick the wrong person to co-write with, but I can give you advice to set you on the right track. Keep the lines of communication open from start to finish. Lay out your expectations. Ask questions. Talk about how you’re feeling. Set boundaries. Be open when something’s not working, but also be sure to compliment each other when something is. Co-writing comes with unique challenges, but it also comes with fantastic rewards. Being open and honest lets you make the most of both.

3. Be flexible – Conflict is good!

We create and design people from the ground up: their personalities, their appearances, their relationships. We control their every move. We may even muck about with their sex lives. Is it any wonder that authors might be a little bit… controlling? Like any artist, we often have a “vision”. We’re passionate about what we create and how. But unless you’ve hired out some kind of word-sandwich artist to write to your exact specifications, co-writing involves compromise. It involves disagreement. Sometimes passionate disagreement.

Now since you’re following tip two of this list and communicating effectively and respectively with your writing partner, you know that a clash of egos where you both go in intending to give no quarter isn’t gonna get anything written. You’re willing to hear each other out… but now what?

Did you know in an early draft of our novel The Druid Stone, the big Galway finale was meant to include a car chase? Violetta was absolutely mad about the idea. She had all these big grand plans and maps and, because she’s so very very visual, a big cinematic concept for the scene that could easily fit right into a blockbuster movie.

…And then I said no. No, that would take way too much explanation and logistics to get the car from Point A to Point B. No, have you ever seen an Irish city street. No, I just don’t think it fits the narrative as we’ve established it. Not surprisingly, she wasn’t too terribly pleased with my shutting her down, just as I haven’t been terribly pleased with her turning down my ideas. So she replied with “Well, we still need a big showpiece scene, so what do you suggest instead?” We talked it over, going back and forth on lots of different ideas, and eventually settled on the scene that’s in the final version.

Arguments and disagreements, as long as you both approach them professionally, can improve your writing. Only the strongest ideas survive. You work hard to convince the other person, and all that hard work shines through for the readers, too. A lot of the time, you come to a consensus or middle ground which is smarter and more unexpected and just plain better than what one person could come up with alone.

Sometimes you give up control. Sometimes you stand by your vision. Sometimes you fight it out until something new and brilliant emerges. Co-writing is chemistry. Sometimes your reactants just fizzle out, sometimes they explode, and sometimes they combine in that perfect way to make something really amazing (like chocolate chip cookies). It all comes down to what you’re mixing and how.

How about you? Have you ever co-written or considered co-writing? If you have, do you have other tips to share? And if you haven’t, why not? And readers, have you read any co-written novels you absolutely love? Ones under a single penname that you were surprised to hear were co-written after the fact?

About The Druid Stone

Sean never asked to be an O’Hara, and he didn’t ask to be cursed by one either.

After inheriting a hexed druid stone from his great-grandfather, Sean O’Hara starts reliving another man’s torture and death…every single night. And only one person can help.

Cormac Kelly runs a paranormal investigation business and doesn’t have time to deal with misinformed tourists like Sean. But Sean has real magic in his pocket, and even though Cormac is a descendant of legendary druids, he soon finds himself out of his depth…and not because Sean’s the first man he’s felt anything for in a long time.

The pair develop an unexpected and intensely sexual bond, but are threatened at every turn when Sean’s case attracts the unwelcome attention of the mad sidhe lords of ancient Ireland. When Sean and Cormac are thrust backward in time to Ireland’s violent history—and their own dark pasts—they must work together to escape the curse and save their fragile relationship.

The Druid Stone is available from Carina Press, Amazon, B&N and ARe. For other retailers and links to other stops on the blog tour, please visit knockmanovel.com. You can can also get in touch with Violetta and Heidi at their websites, or add us on twitter: @HeidiBelleau and @ViolettaVane.

 

Win a sterling silver Celtic triple spiral pendant!
The Celtic triple spiral is an ancient Irish symbol and an important recurring motif in The Druid Stone, and we’ve got a lovely silver version to give away to one lucky Carina reader! Leave us a comment here with your email and we’ll randomly select a winner on August 24th. We’ll contact the winner by e-mail on the day and arrange shipping to a mailing address of your choice to anywhere in North America. Bonne chance!

Countdown for blastoff

I’m lousy at math. When I’m at the supermarket, I can do a simple pennies-per-ounce cost evaluation, but that’s about it. An accountant does my taxes, I don’t balance my checkbook, and I don’t do Sudoku. Where’s the fun if there’s no words?

So whatever possessed me to put numbers into Zero Gravity Outcasts, I don’t know. Maybe I thought the math would be simple enough. If there’s 10 warships threatening the peace conference, and 4 leave to fight my heroine, and she disables 2 of those, then how many warships are left?

“I think the numbers are wrong,” came the note from my fabulous editor, Lynne Anderson. “How many warships end up at the peace conference?”

Um, there were 10. Take away 4. Six are left.

“Except on page 15 it says 8. Right?”

Well, yes, it does say 8. I need those odds to be overwhelming! Readers must be worried! I need 8 warships threatening the peace conference!

“Yeah, yeah, yeah,” Lynne says. “So what happened to the other 2 warships?”

Okay, reasonable question, what did happen to those other 2 warships? Perhaps they needed to have an extrasensory outer-space tune-up and oil change. On their way to the fabulous Macy’s one-day clearance sale. Because people just had to get those fringed, pink leather boots.

“Maybe the heroine disables four warships,” Lynne says cheerfully.

Yeah, the heroine doesn’t have any weapons. Disabling four warships would be tough, even for those superheroine-type people who can make nuclear bombs from paper clips, which my heroine makes no claims to be able to do. Although she’s handy. But nuclear-bombs-from-paper-clips handy, no.

“Actually, you don’t really say exactly how many warships start out threatening the peace conference,” Lynne says. “Maybe there’s just 8 to begin with? And then…”

I could see that my math problems were transferring to Lynne. Not good.

“How about this?” Lynne says. She’s sounding desperate, but I know she’s better at math than I am. I see a solution coming!

“There’s 10 warships threatening the peace conference,” she says. “Four leave to fight the heroine. She disables 2. The other 2—”

“Go back to the peace conference!” we exclaim simultaneously.

The warships probably would have had more fun going to the Macy’s one-day clearance sale than getting shot at in the battle at the peace conference. On the other hand, this way they didn’t have to do any math figuring out what 35 percent more off the last 25 percent markdown was, either. Although those fringed, pink leather boots would have been worth the effort. At any price.

And next time, there’s going to be 10 warships threatening the peace conference, and they’re all going to stay put. Because only a dope messes with outer space math.

(And a final note to readers: this story is true, but I’m sure the numbers are way, way off.)

Finding Romance in Everyday Life

Like many of us, I hit the ground running on Monday morning and don’t come up for air until Friday night. My days are a blur of work, chauffeuring, homework supervision, pet care, errands, cooking and laundry. (Mountains and mountains of laundry.) Usually my weekends are just as busy, too, what with birthday parties and family obligations and all those chores that never get done during the week.

I write in the evenings, once my kids are asleep, and often in the mornings, too, if I can haul myself out of bed early enough. Practically speaking, this often means I spend less time with my husband than any other member of the family, the dog and cat included.

So where does romance fit in? And how can a romance writer like myself find inspiration amid the craziness of everyday life? It took me a while to figure out the answer, mainly because it was so different from the larger-than-life scenarios that figure in my favorite books.

My husband has never rescued me from a burning building, a sinking ship or a blood-starved vampire. He has never nursed me back to health after I was struck down by cholera or consumption or childbed fever. Nor has he fought in hand-to-hand combat to defend my honor, although in all fairness he has studied martial arts for many years and I’m certain he could do so if necessary.

We’ve been married for ten years, and he’s never surprised me with flowers or jewelry, has never written me a poem, and has never whisked me off to Paris for the weekend. Ahem.

And yet…

When I was felled by the worst cold ever while working on the final round of edits for Improper Relations, he brought me mugs of tea and rubbed my back and took care of everything so I wouldn’t worry.

He encouraged me every step of the way when I decided I wanted to focus on writing, and he never stopped believing I would be successful one day, despite abundant proof (in the form of rejection letters) to the contrary.

When I told him that Angela James at Carina Press had phoned to say “yes” to Improper Relations, he was so overcome he could only say, “I’m so proud of you.”

And when our daughter was born, five years ago this spring, he waited until the baby was settled and the delivery room had quieted down and then he took my hands in his, kissed me, and looked me in the eye without saying a word. In that moment—the most romantic moment of my entire life—I knew without a doubt that he loved me, was proud of me, and would cherish me and our children forever.

It’s because of these moments (and countless others that I don’t dare mention because the poor man would likely curl up and expire of embarrassment) that I believe in romance. It may sound corny, but it’s true.

In this I know I’m not alone. We’re all searching for romance in our lives. Sometimes we find it in the pages of a book. Sometimes we find it in the quiet moments of our own lives.

And sometimes, if we’re really lucky, we get to write about it.

An editor by profession but an historian by inclination, Juliana Ross lives in Toronto, Canada, with her husband and young children. In her spare time she cooks for family and friends, makes slow inroads into her weed patch of a garden, and reads romance novels (the steamier the better) on her eReader.

You can find Juliana on her website, Goodreads, Twitter, Facebook and—her newest obsession—Pinterest .

You can buy Improper Relations through Carina, Amazon, Barnes and Noble and All Romance.

Change. The Good. The Bad. The Ugly.

LIFE IS CHANGE. GROWTH IS OPTIONAL. CHOOSE WISELY.

Anonymous

We’ve all heard that there are two things we can rely on in life: death and taxes. Well, for writers, there is another.

Change.

Change is all around us and it is a part of life. We see change in the seasons and the weather. People come and go in our lives, jobs change, our health changes, new businesses spring up, others fall victim to the economy. Or even the death of an owner (our town’s yarn shop) can cause unwanted and sad changes.

Sometimes change is good, other times, it is not welcome. Either way, it is a part of our daily lives whether we want it or not.

Most people do not like change because change is scary but I have always embraced change whether it is a new home or rearranging my house or even a new job. Change freshens my life. It is a renewal of heart, mind and soul–a breath of fresh air to chase away the stale and stagnant.

For writers, it is a part of our careers for if we do not change, then we dry up and fade away like a pile of autumn leaves. In the publishing world, what’s selling now will eventually fade away to be replaced by something new and fresh. Or perhaps something old will be reborn. Like historicals, angels, time travels and ghosts. Think of the writing world as a big circle with cycles and seasons. Nothing remains the same.

I, as a writer, must be open to not just riding the winds of change, but to grow as a writer and a person. While writing White Vengeance, book 11 in my White Series, I felt as though I was slogging through muck. Each word, each scene was a struggle. I loved the characters, loved the story, but something was happening to me as a writer–I was growing and changing yet my White books were not. At least not much.

My stories all had a bit of the mystical with the use of visions, gifts of sight and other aspects of Native American culture. As the series grew, I wanted as a writer to explore the mystical aspects of Native American beliefs and go deeper into the mystical world yet my books were historicals, not paranormals. Suddenly, I had a choice: continue to fight the change happening within me as a writer or give in and grow as a writer.

So I gave in and let myself write what I wanted for that last White book. And I had a blast. Writing was fun again. Things were happening that I never imagined. I allowed

myself to listen to that inner need to change and it revitalized the entire book. I loved the book, the characters, the writing. The change in me, my writing attitude was a wondrous feeling. I knew then that as a writer I had to embrace change–let myself grow. I gave myself permission and the freedom to grow and change. It was a scary step but one I have no regrets in taking.

I also realize in writing this, that Change was responsible for the birth of the White Series. When I wrote White Wind, I didn’t have a series in mind. Just one book. My next book was set on the Oregon Trail. I had the Jones family all set to head west and I needed a wagon master. For Jessie of course.

Enter a half-breed with issues who needed a past, reasons for his conflicts and of course, I turned to his family. Well, I decided to give Golden Eagle & White Wind (Sarah) a second son and named my wagon master, White Wolf. Okay, so now I have two connected books. Still not really a series.

But it became clear that Wolf’s family needed to make a showing in White Wolf. I already knew that Wolf had a powerful warrior brother named Striking Thunder as this was revealed in White Wind. Then I, in my “Godly” role of Creator, gave the two brothers, two sister. Nice even number of children for my original hero/heroine.

Well, it became quite clear that these children all need some major changes in their lives in order to grow and become the adult characters I envisioned! A series was born with the simple act of allowing myself to be open to change.

Change is still happening in my writing. My SpiritWalker series was born of the changes that took place in writing White Vengeance. I’m currently nearly done with my second SpiritWalker book that demanded many changes in my writing. I’ve also taken this new series to contemporary settings and surprise, it changed again.

There are more than just SpiritWalkers in this world. My SpiritWalkers are at the top of the “myth” chain of special humans but there are a whole host of other beings walking my world. Some good, some bad and some truly ugly beasts. None of any of this would have been possible if I had stuck to the same old thing.

Today, change has made me a better person. Even the disaster of losing my retail business is revealing the good. That change wasn’t just bad. It was ugly in so many ways yet due to my positive outlook and my belief that change is ultimately good even when it looks horrid, I’ve come out ahead.

So what is changing for you? Is it a good change? If it’s bad or ugly, is there good that you can see and hold onto? How do you view change? Is it refreshing or something you resist? If you resist change, why? I believe we should all think about change, see and analyze changes around us and allow change to make us better people.

What are your thoughts?

Susan Edwards

Susan Edwards ~ Magic, Myth & Wonder

White Series

SpiritWalker Series

http://susanedwards.com

http://susanedwardsauthor.blogspot.com/

http://twitter.com/susan_edwards

http://www.facebook.com/pages/Susan-Edwards/40226247104

DISCOVERIES

Susan Edwards ~ Myth, Magic & Wonder

Covers White SeriesA couple days ago, I redesigned my banner for my website and sent it to my son who deals with my website.  I loved what I did but knew he’d find fault.  After all, he’s a programmer, which makes pleasing his sensibilities with my creativity nearly impossible.  And <sigh>, I was right.  He vetoed most of what I did which set me to wondering what happened to that creative little boy who along with his younger sister were responsible for me discovering my own writing talent.

You see, I haven’t always been a writer.  Unlike so many authors who say they’ve always loved writing, I had never wanted to write anything, except maybe chatty letters to friends or my great-grandmother (who loved receiving mail) or notes to pals in class.  Okay, I’ve dated myself here because I grew up without computers, emails, social media or text messages!  Writing entailed pen & paper or typewriter, neither of which works with my creative process.  Anyway, growing up I absolutely hated writing, did not excel in English and thought history the most boring subject on earth!  So it’s rather strange and ironic that not only am I a writer but I’ve published 12 historical romances.  Well, back to my little story here.

When my son was in grade school, his teachers were very impressed with his writing and his creative storytelling.  Same thing happened with my daughter.  Both kids were very creative and did very well at writing and telling stories.  I was mystified at where they got their talent but glad they enjoyed the writing experience.  Of course, we as a family were big readers so I figured that helped.

In that same time period, I was reading historical romances.  Mostly Native American/Westerns.  And I was getting bored with what was out there and had read most of what appealed to me.  Why wasn’t there more of what I want to read?  It was very frustrating, especially when I had this great idea for a story that I wanted to read and couldn’t because it wasn’t written.

And here it comes.  You see, I had two things going for me that led to my current writing career. First and foremost, I was, and still am, an avid reader of romance (write what you know). Second, I am a natural-born storyteller.  I can still remember using my dolls and stuffed animals to create stories and “situations” for them.  As I grew up, my need for storytelling did not fade away.  I had stories in my head day and night.

However, I did not think of them as stories or write them down or tell them to others.  I figured I was an oddity, that no one had scenarios playing in their heads that demanded that I pay attention to them.  But it turns out they were stories.  I created them, scene by scene.  I rewrote them then went back to individual scenes and rewrote again and again until I was satisfied.  Once a “story” was perfected, another story would take shape and the process would repeat.  Many times, an old story would return with the clarity of story in a book.  I could “re-read” it and make changes.  Even years later this could happen.

Of course, I figured I was just an incurable daydreamer.  My teachers and parents certainly thought so!  :-)   It wasn’t until I was in my 40’s and had already sold my first book that I discovered that my daydreaming was actually storytelling!  All the elements we writers require for our books were in my dream worlds.  I had the good guys, the bad guys, the conflict, the black moment and the happy-ever-after.   Does all this sound like a writer? Yep.

So here I am in those before-I-became-a-writer days, consuming books about strong heroines and handsome warriors like an ocean swallowing a beach until that idea came to me, that book I wanted to read and couldn’t.  There was a heroine who meets a young, virile Native American hero at stream.  This “story” kept intruding on my thoughts—more so than normal.   Also, I could not move this story forward to “the end” which was very strange as I could see these two characters so clearly: she was running away from an evil uncle, and my hero was a troubled young warrior.

Before I knew it I had a nice little scene going of these two people so in love and so right for each other.  And it was the perfect place to put them into a nice hot love scene.  But something was wrong.  First, this couple wanted more from me.  They were so insistent that I did something I’d never done before:   I took them out of my head and gave them life on paper (good thing I had a computer by this time).  Okay, I thought. I’ll write a nice, steamy love scene. I could see it, feel it, so no problem, end of story, right?

Wrong! Before I could write about these two people falling in love and having their happily-ever-after, I had to know more about them.

  • Why was my heroine alone in the wilderness?
  • Why was she fleeing her uncle? What did he want and how bad did he want it?
  • What troubled my warrior and why was he in the same vicinity as my heroine?
  • Why was he drawn to my heroine aside from her blonde hair? Why her and only her?
  • Was he willing to risk it all for her?

Before I knew what hit me, I had four chapters of back story.  I was shocked.  But it couldn’t possible be any good.  So I gave it to a couple of people to read.  One of my closest friends looked at me after she finished those chapters with awe in her face (I still remember that look) and she said two words that sealed my future:  Finish It.  The rest they say is history! The writer within was set free and an author was born!

I choose this topic for this blog because I never, ever considered writing to be a hidden talent.  I would have loved to see the looks on some of my old teachers faces, especially a couple of past high school English teachers as I’m pretty sure (as sure as there is always death and taxes in life) that none of them would have predicted that I would become a writer, let alone a published author.  And perhaps things would have been different had I not listened to that inner voice telling me to step out of my comfort zone and put that first story down on paper and take a chance that someone might read it.  Yes, it was scary to let others read it, and see what went through my mind.  But it was well worth it for I made an amazing discover about myself.

The path I set upon started with committing a story to paper.  But that was only one step of the process (aside from letting others read it).  It took me 3 years to finish the story between all the aspects of life, husband and children.  Add another 4 years of writing and rewriting and learning the craft of writing and submitting and getting rejection after rejection before an editor asked for a full manuscript. Add another year before I had my first offer, then yet another year before that first book, White Wind was on the bookshelves in 1996. Nine years total!   Wow!  It should come to no surprise to learn that I can be very stubborn and determined.

It’s now about 15 years later and once again I’m anticipating seeing my first book hit the shelves with a new cover in its new digital format with Carina Press. The excitement and anticipation is the same, as is the worry–will readers like my baby! Some things do not change!

So in retelling this story, it is my hope that someone reading this makes a self-discovery of their own.

Are you harboring a writer within? If so, what are you doing about it? I’d love to hear your “writer within” stories.

  • Have you discovered a hidden talent during your adult years?  If so, what and how do you feel about it.
  • Have you discovered something about yourself through your children?
  • What do you read, why and how does that genre make you feel?

Check out my website http://susanedwards.com where I have a contest running.  Sign up for my mailing list and I will enter you into a separate contest for a tote bag filled with goodies.  Winner will be drawn January 1st.    There 7 separate contests, each added to my website.

Book Trailer

Social Sites

http://susanedwardsauthor.blogspot.com/
http://twitter.com/susan_edwards
http://www.facebook.com/pages/Susan-Edwards/40226247104

The Genesis of a Book, or Adventures with the Plot-Pixies

Where does a story begin? A novel is created out of thin air and the writer’s brain, but there has to be something that sparks it, some inciting incident or picture or whatever. Perhaps it’s something so small that the writer’s conscious mind doesn’t even notice, but the brain keeps chewing on it until one day the idea simply pops out and drags the poor writer along willy-nilly. Or maybe it’s just the plot-pixies.

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I honestly can’t say where the idea for THE HOLLOW HOUSE originated. As strange as it sounds, one day I was just writing away on it. Of course, from that moment it grew and changed until it was a complete novel, but as for the original genesis – I have no idea. Sort of like walking out into your back yard one morning and finding a three-foot high sapling that wasn’t there the night before.

The period and location sort of surprised me too. I knew little about World War I –the Great War, the War to End All Wars – and nothing about the Great Flu Epidemic of 1918-19 other than my grandmother’s sister died in it. Though I have been to Denver once or twice, I couldn’t say it was familiar. Being sensible, I decided to change the story time/location to something I knew and felt comfortable with.

Unfortunately, what is sensible is not always practical. And the plot-pixies didn’t like my trying to change it. I attempted two or three time periods and locations, ones that I knew, and each time the story died. It simply stopped, the magic ended, and the whole thing lay there like a leaden lump while the plot-pixies laughed and stuck out their tongues.

I know when I’m beaten. I started studying up on 1919, Denver and (even though it doesn’t appear in the story itself) Boston. All the historical facts in THE HOLLOW HOUSE are real, including the spectacular and almost unbelievable Great Molasses Flood in January of 1919. I am a fanatical stickler for historical accuracy.

On my last trip to Denver several years ago The Husband and I toured the Molly Brown House. Yes, that Molly Brown – reputedly unsinkable and a survivor of the Titanic. After many incarnations, the last as a shabby boarding house, and much neglect, the Molly Brown house was revived and made into a museum. I don’t remember if the furnishings were from the Brown family or not, but they are of the correct period. It was to this house that my mind flew when I created the Stubbs mansion. Now I have no legal right to use or even mention the Molly Brown House, but it is of the correct time and socio-economic viewpoint and was a great springboard to my imagination. There are a few changes in the Stubbs mansion, but they are also correct to period.

Sometimes being an historical purist can be difficult. I needed a weapon that was distinctive enough to be identified easily, something that was unique. Now I know something about modern guns – and am a crack shot – but am clueless as to historical weapons. Luckily, though, The Husband has an extensive knowledge of weaponry and, after a little thinking, came up with the perfect gun for the situation and the time frame – the Mauser Pistol-Rifle. He even arranged for me to see and hold (though not shoot – they are antiques) one. Another gift from the plot-pixies – the history of the gun’s sporadic distribution in Colorado fit perfectly into the story.

Another true fact that fit right into what THE HOLLOW HOUSE needed was the Great Molasses Flood in Boston. I wasn’t looking for an historical fact when I found that – I was looking in an old cookbook for an authentic menu from the time and there was a short mention of the 1919 Great Molasses Flood. (A gift from the plot-pixies?) I’d long ago accepted the year 1919 and Boston was already part of the backstory, so it seemed that it was meant to be.

So who can say where an idea for a book comes from? I have no idea. I do know there’s no ‘one’ idea – there are hundreds, all needing to mesh seamlessly together to create a story. One leads to another to another to another…

And I will say it again, all history should be accurate. If it isn’t, you’re writing revisionist history, which is perfectly fine as long as it is labeled as such. To do less is to insult both your readers and those who lived before. Can you tell this is one of my hot buttons?

Back to THE HOLLOW HOUSE. This is my first straight mystery in a long time, and it was an unbelievable amount of fun to write. The plot-pixies were right; 1919 Denver was the perfect setting for the book.

See for yourself – THE HOLLOW HOUSE is available at Carina Press.

Janis Patterson is a seventh-generation Texan and a third-generation wordsmith who writes mysteries as Janis Patterson, romances and other things as Janis Susan May, children’s books as Janis Susan Patterson and scholarly works as J.S.M. Patterson.
Formerly an actress and singer, a talent agent and Supervisor of Accessioning for a bio-genetic DNA testing lab, Janis has also been editor-in-chief of two multi-magazine publishing groups as well as many other things, including an enthusiastic amateur Egyptologist.
Janis married for the first time when most of her contemporaries were becoming grandmothers. Her husband, also an Egyptophile, even proposed in a moonlit garden near the Pyramids of Giza. Janis and her husband live in Texas with an assortment of rescued furbabies.

Read more about Janis at her website.

Leading you around the internet

Rather than write a proper post today, I’m going to lead you on a bit of a journey around the internet, to some posts and information about Carina Press that I wouldn’t otherwise get the opportunity to share here.

First, I attended Emerald City Writer’s Conference in Seattle this past weekend. It’s really a fabulous conference. If you ever get a chance to attend, as an editor, agent or author, you should. I did two sessions, one on the future of publishing and one on branding and website, and both were extremely well attended. In fact, the branding/website session ended up having people turned away because the room was stuffed full. Very flattering! You can find a few recounts on the branding session on the blogs of Jenna Bayley-Burke and Terri Odell (whose title: Branding is For More Than Cattle I’ve already asked permission to steal). On Jenna’s blog, you can also find a recap of my future of publishing workshop (as well as a picture of the blue Italian leather cowboy boots I brought back as souvenir from Australia in August!) Make sure you scroll through the last week of Jenna’s other blog posts, for more recaps from the conference.

Today I wrote a post for author Wynter Daniels’ blog. Three things I want you to think about as we move into publishing in 2012. It’s a bit of a rant, you might enjoy it.

We don’t currently have a lot of Carina Press books in print, but a new one is for sale now. You can buy Angela Henry’s romantic suspense The Paris Secret in print via Harlequin.com. It was part of the Suspense Reader subscription program, so readers who subscribe to that program received The Paris Secret as part of their November shipment.

Also, don’t forget that Audible.com adds new Carina Press titles in audio book quite frequently. This week’s new releases: Behind the Scenes, Cry Wolf and Dangerous Magic are all already available in audio. You can see a more comprehensive list of our audiobook titles here.

If you don’t follow me on Twitter, you may have missed a few topics I discussed this past week, so I’ve put them into Storify accounts. The first is some posts I did on promo items, using examples I got from the Emerald City conference. The second is a Q&A chat Kensington editor Megan Records and I did on the #askeditor hashtag yesterday. You can see the full account of that here. Last, every month I do an #editreport on Twitter, as I go through the editors’ reports to me of the submissions they’ve read. It’s a good insight into what an editor thinks as they’re reading submissions.

As always, you can follow Carina Press on Twitter and on Facebook. Today on Facebook, you’ll get a sneak peek of upcoming covers. Starting in November, we’ll also be doing a Facebook contest, and offering extended excerpts of upcoming books.

That’s it for today’s tour of the internet. Hey! If you know of something Carina Press related around the ‘net that people should check out, please leave it in the comments.

Walking the SF Plank

Remember the execution scene in Return of the Jedi, when Luke and Han are forced to walk the plank over the Sarlacc Pit? Classic pulp sci-fi stuff. I mean there’s no way they can get out of that mess, right? R2?

Well, that scene gave me nightmares as a kid. The appalling odds (shut up, 3PO) of escape. Han’s blindness. The tentacles reaching up, dragging Boba Fett and others in for a gratuitous thousand-year digestion. Um, thanks for that one, George.

Cut to me as a thirty-year-old SF author inching my way along that same plank, about to submit my latest manuscript for publication. In my mind, the odds of doom are equally appalling—I trusted in Sparks in Cosmic Dust as I was writing it, but as soon as I let it go…I could practically hear the Sarlacc’s burp.

Nervous isn’t the word. All those months of outlining, worldbuilding, writing, editing and heeding Angela James’s sage ‘Before You Hit Send’ advice are now Bantha fodder because:

a) the story sucks
b) the title sucks
c) I suck
d) I should have concentrated more on the Romance & eased off on the SF
e) I should have concentrated more on the SF & eased off on the Romance
f) my writing style has gotten more juvenile than an Ewok
g) my writing style has gotten more cryptic than Yoda on peyote
h) Carina’s contemporary romances are selling HUGE
i) Carina’s straight SF (without the romance label) is selling…hey, there aren’t any yet!*

*in late 2010

After twenty published books, you’d think I’d have this confidence thing licked by now. Maybe if I stuck to one genre or conformed more to the mainstream, hitting send might get easier. In a way it has—I have a track record behind me, so if nothing else, I know my writing itself is ready for prime time. But these offbeat stories…man, they lead me out over the Sarlacc every goddamn time.

It’s exhilarating when the acceptance call or email comes in—in the case of Sparks, it was a double acceptance email (with SF novella Alien Velocity, March 2012)—but I’m telling you, any confidence I had while writing this novel, my longest at 87K, evaporated as soon as I’d finished polishing the synopsis. Doubt is an ever-present entity for an author. But so is faith is one’s creative abilities, deep down, the way the Force is for Luke Skywalker. It has to be. As desperate as things seem, he can ultimately find that calm centre telling him everything will work out fine if he believes in his ability to make it so. Sometimes that means taking hits, revising strategies, and growing a thicker skin in the process.

It also means taking chances and following them through no matter what. More than anything else, that’s what Sparks in Cosmic Dust means to me. No half measures. No compromises.

“Do or do not. There is no try.”

As it turned out, the Force was strong with me. Alissa Davis, my steampunk editor at Carina, isn’t keen on straight SF so she passed it on to Deb Nemeth, who loved it. Consequently, I now have two of the best editors I’ve ever worked with, in my two favourite genres.

Eat that, Sarlacc!

The final frontier is shrinking. Interstellar Planetary Administration sanctions are forcing the border colonies of deep space into extinction. Kappa Max is one of the last major cutthroat outposts, home to the lawless and the lonely…

Varinia Wilcox, the star attraction of a lucrative bordello gambling house.
Solomon Bodine, spurned by his lover and looking for distraction.
Clayton Barry, AWOL and a few drinks away from having to live in the gutter.
Lyssa Foaloak, a double-crossing criminal who’ll kill anyone for a few credits.

Four strangers, each with secrets that could cost them their freedom, are desperate to get off-planet. They meet Grace Peters, a cynical ex-doctor with an intriguing offer: a six-month trip to a faraway moon where she claims a stunning fortune awaits.

But this adventure is no easy escape. Danger, passion, secrets and madness await. Can they survive the mission, and each other, to make it out alive?

87,000 words

To celebrate the release of Sparks in Cosmic Dust, I’ve written a five-part look at the book’s development, from initial concept to publication. I’m also giving away one SF title from my back catalogue with each segment, ending with this special Sparks giveaway. The contests are all still live, and the winners will be announced on September 30th on my own blog: http://robertbappleton.blogspot.com

Here’s where you can find the other installments:

Part 1: Concept (Aug 31)—Contact: Infinite Futures Blog
Part 2: Character (Sep 13)—Mercurial Times (my blog)
Part 3: Worldbuilding (Sep 23)—Shawn Kupfer’s Blog
Part 4: The Writing Process (Sep 26)—Cathy Pegau’s Blog

With this final installment, I’m giving away an ebook copy of Sparks in Cosmic Dust. To enter, simply leave a comment on this blog post. Also, anyone who enters all five contests will automatically win an ebook of their choice (except Sparks) from my SF backlist.

Thanks and good luck!

Robert Appleton
www.robertappleton.co.uk
http://twitter.com/robertappleton